Ed Sheeran Denies Borrowing Ideas in ‘Shape of You’ Copyright Trial

Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)
Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)
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Ed Sheeran Denies Borrowing Ideas in ‘Shape of You’ Copyright Trial

Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)
Musician Ed Sheeran arrives at the Rolls Building for a copyright trial over his song "Shape of You", in London, Britain, March 7, 2022. (Reuters)

British singer Ed Sheeran has denied borrowing ideas from other artists without attribution as he took to the stand on Monday in a copyright trial regarding his 2017 chart-topping hit "Shape of You."

The award-winning singer is in a legal battle with grime artist Sami Chokri, who performs as Sami Switch, and music producer Ross O'Donoghue, who argue "Shape of You" infringes "particular lines and phrases" from their 2015 song "Oh Why."

Questioned by their lawyer Andrew Sutcliffe on Monday, Sheeran, 31, said he had not been aware of Switch at the time he is accused of ripping off parts of "Oh Why."

Sutcliffe said Sheeran must have known of the grime artist, who he said had tweeted him directly and they had both appeared on SBTV, the British online music platform which helped launch Sheeran's career.

The lawyer said Sheeran shouted out Switch's name at Reading Festival in 2011 after being asked to by the late founder of SBTV, Jamal Edwards.

"This isn't stuff that's true," Sheeran told the High Court in London on the second day of the trial which began on Friday.

Chokri and O'Donoghue claim the "Oh I" hook in "Shape of You" is "strikingly similar" to the "Oh Why" hook in their song and that it was "extremely likely" Sheeran had previously heard their track.

Sheeran and his co-writers have denied this, with their lawyers telling the court that the trio have no recollection of having previously heard "Oh Why."

Sutcliffe, who at Friday's opening called Sheeran "a magpie," questioned the chart-topper intensively over his songwriting style and whether it was spontaneous or the result of development over time, with the influence of other artists.

He said it was "simply not true" that Sheeran made songs up as he went along, adding there was overwhelming evidence at the time of writing "Shape of You" that Sheeran was collecting ideas before writing songs.

"I don't agree with that," Sheeran, who gave his answers clearly and confidently, said.

Legal proceedings between the two parties date back from 2018 when Sheeran and co-writers Steven McCutcheon and John McDaid asked the High Court to declare they had not infringed Chokri and O'Donoghue's copyright for "Oh Why."

The latter later filed a counterclaim alleging infringement.

Released from Sheeran's third studio album "÷," "Shape of You" stormed charts around the world upon its release in January 2017, becoming the best performing song in the US that year.



‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
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‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)

Superman is often called upon to save the world from evildoers, but in his latest big-screen incarnation, he's also being asked to swoop in and save a franchise.

James Gunn's "Superman," which opened in theaters worldwide this week, is a reboot aimed at relaunching the so-called DC Universe of comic book-based superhero movies, which also features Wonder Woman and Batman.

The celluloid efforts of Warner Bros. and DC Studios have been widely eclipsed by Disney's Marvel Cinematic Universe -- the world of Iron Man, Thor, Black Panther and the Fantastic Four, who are getting their own reboot later this month.

"Warner Bros. has invested a lot of energy and money in trying to refocus and renew DC Studios, and this is going to be the big release from that," analyst David A. Gross from Franchise Entertainment Research told AFP.

The heavy task falls on the shoulders of Gunn, the writer-director who won praise from fans of the genre with Marvel's "Guardians of the Galaxy" trilogy.

The movie's rollout has already encountered several headwinds, including a right-wing backlash to Gunn's comments on Superman's role as an immigrant, and skepticism from fans of the previous Superman films helmed by director Zack Snyder.

Gunn has shrugged off the high stakes surrounding the movie's box office success.

"Is there something riding on it? Yeah, but it's not as big as people make it out to be," he told GQ Magazine.

"They hear these numbers that the movie's only going to be successful if it makes $700 million or something and it's just complete and utter nonsense."

The hype around the movie is real -- the White House even superimposed President Donald Trump onto one of the movie's official posters with the caption "THE SYMBOL OF HOPE. TRUTH. JUSTICE. THE AMERICAN WAY. SUPERMAN TRUMP."

- 'A diminished genre' -

Warner Bros. hopes the DC Universe can catch up with Marvel which -- after years of huge successes with the "Avengers" movies -- has seen more muted box office returns with the recent "Thunderbolts" and "Captain America: Brave New World."

Gross explained that superhero films hit a peak right before the Covid-19 pandemic, with box office earnings and audience enthusiasm waning ever since that time.

"It's really a diminished genre," Gross said.

However, the analyst said early buzz for "Superman" was "really good."

The film stars up-and-comer David Corenswet as the new Superman/Clark Kent, with "The Marvelous Mrs. Maisel" star Rachel Brosnahan playing love interest Lois Lane and Nicholas Hoult as arch-villain Lex Luthor.

The story follows the Man of Steel coming to terms with his alien identity as he finds his place in the human world.

The supporting cast boasts a selection of other DC Comics characters, from the peacekeeping Green Lantern (Nathan Fillion) -- who is scheduled to reprise the role in upcoming TV series "Lanterns" -- to the mace-wielding Hawkgirl.

Gross noted that July "is the top moviegoing month of the year," leading tracking estimates to forecast a total of more than $100 million for the film's opening weekend in North America.

- 'The story of America' -

DC Studios however must shake off a reputation for producing mediocre films that did not score well with audiences.

The last round of "DC Extended Universe" films included the well-liked "Wonder Woman" (2017) starring Gal Gadot -- but also box office flops like "Shazam! Fury of the Gods" (2023) and the under-performing "Aquaman" sequel with Jason Momoa.

"The success was mixed, and they were spending a lot of money on some of the new spinoff characters who were not working particularly well," Gross said, pointing at 2021's "The Suicide Squad" -- directed by Gunn -- as an example.

The last films featuring Superman, starring Henry Cavill and directed by Snyder, were relatively successful for Warner Bros. until "Justice League" -- DC's effort at recreating the "Avengers" vibe -- which lost millions of dollars.

Fans of Snyder have stirred up negative buzz for the new "Superman" movie, voicing hope online that the reboot fails out of a sense of loyalty to the previous films.

The backlash was further widened after right-wing pundits groaned about Superman's specific characterization as an immigrant, lamenting the superhero had become "woke."

Gunn addressed the criticism, telling The Times newspaper that "Superman is the story of America," with the character reflecting those who "came from other places and populated the country."

"I'm telling a story about a guy who is uniquely good, and that feels needed now," he added.

Ultimately, time will soon tell if Corenswet's chiseled looks and Gunn's directorial vision will be the superpowers that DC Studios need -- or prove to be its Kryptonite.