Pamela Anderson Set to Make Her Broadway Debut in ‘Chicago'

Pamela Anderson. (AP)
Pamela Anderson. (AP)
TT
20

Pamela Anderson Set to Make Her Broadway Debut in ‘Chicago'

Pamela Anderson. (AP)
Pamela Anderson. (AP)

One of the planet's biggest celebrities will play a woman desperately craving fame when Pamela Anderson makes her Broadway debut next month in the musical “Chicago,” The Associated Press has learned.

Anderson will play Roxie Hart from April 12-June 5 at the Ambassador Theatre, a remarkable union of one of the most recognizable icons of the last few decades with a show that skewers fame.

“From ‘Baywatch’ to Broadway. I am inspired by the unexpected," Anderson told the AP in a Monday statement. "This is it, and I will not hold back anymore. I am letting go. I am ready to see what I’m capable of. For ‘Chicago,’ I’ll be putting all my cards on the table. I am doubling down — on me.”

Set in the 1920s, the musical is a scathing satire of how show business and the media make celebrities out of criminals. It has Bob Fosse-inspired choreography, skimpy outfits and killer songs such as “All That Jazz” and “Cell Block Tango.”

“Chicago” tells the story of Roxie Hart, a housewife and dancer who murders her on-the-side lover after he threatens to leave her. To avoid conviction, Roxie hires Chicago’s slickest criminal lawyer to help her dupe the public, media and her rival cellmate, Velma Kelly, by creating shocking headlines.

“Pam is a very moral person, extremely moral. She cares about animals. She cares about the planet. She cares about people,” said producer Barry Weissler. “The difference between her as Pam and Roxie is Roxie doesn’t care about anyone but herself, and she doesn't give a damn about the outside world as long as she can be famous. So Pam comes with totally opposite attributes in life, but she fits because of her celebrity, what she’s gone through in life.”

Anderson had a breakout role on “Home Improvement” as a “Tool Time girl” before getting global attention for playing C.J. Parker on “Baywatch.” Her credits include “Barb Wire” and “Superhero Movie.”

There’s been renewed interest in Anderson’s life story thanks to the Hulu series “Pam & Tommy,” which stars Lily James as Anderson and Sebastian Stan as Tommy Lee and fictionalizes their whirlwind romance. Anderson also this month announced a new authorized documentary about her life upcoming from Netflix.

Weissler said he had approached Anderson about the Roxie part over a decade ago, but their schedules didn’t work.

“Now that we’re doing it, it’s even more opportune. It’s more timely. She's really standing for something now — as a professional, as an activist, as a very talented lady. She can surprise a lot of people. The woman has acting chops. She certainly can dance, and her singing voice is quite good. So here we go.”

The celebrity-craving heroine at the heart of "Chicago'' has been played by dozens of women since the show opened in 1996, including Melanie Griffith, Christie Brinkley, Marilu Henner, Brooke Shields, Lisa Rinna, Gretchen Mol, Ashlee Simpson, Brandy Norwood, Jennifer Nettles and Robin Givens.

The revival has managed to last a quarter of a century thanks to the savvy decision to cast celebrity replacements in all the lead spots — basically asking famous performers to join a musical about the venality of celebrities — and mold the show around their strengths.

Just some of the other stars who have done stints in the show include Sofia Vergara, Paige Davis, Rita Wilson, Usher, Huey Lewis, Michael C. Hall, Jerry Springer and Billy Zane. A 2002 film version starred Renee Zellweger, Catherine Zeta-Jones, Queen Latifah and Richard Gere.



When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
TT
20

When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)

Cruella de Vil wanted to turn Dalmatian puppies into fur coats, Captain Hook tried to bomb Peter Pan and Maleficent issued a curse of early death for Aurora.

But wait, maybe these Disney villains were just misunderstood? That's the premise of a new musical show at Walt Disney World that has some people wondering: When did Disney's villains stop wanting to be so ... villainous?

The live show, "Disney Villains: Unfairly Ever After," debuts May 27 at Disney's Hollywood Studios park at the Orlando, Florida, resort. In the show, the three baddies of old-school Disney movies plead their cases before an audience that they are the most misunderstood villains of them all.

"We wanted to tell a story that's a little different than what's been told before: Which one of them has been treated the most unfairly ever after?" Mark Renfrow, a creative director of the show, said in a promotional video.

That hook - the narrative kind, not the captain - is scratching some Disney observers the wrong way.

"I think it's wonderful when you still have stories where villains are purely villainous," said Benjamin Murphy, a professor of philosophy and religious studies at Florida State University's campus in Panama. "When you have villains reveling in their evil, it can be amusing and satisfying."

Disney has some precedent for putting villains in a sympathetic light, or at least explaining how they got to be so evil. The 2021 film, "Cruella," for instance, presents a backstory for the dog-hater played by actor Emma Stone that blames her villainy on her birth mother never wanting her.

Other veins of pop culture have rethought villains too, perhaps none more famously than the book, theatrical musical and movie versions of "Wicked," the reinterpretation of the Wicked Witch of the West character from "The Wonderful Wizard of Oz."

The blockbuster success of "Wicked, " which was based on the 1995 novel "Wicked: The Life and Times of the Wicked Witch of the West," sparked the trend of rethinking villains in popular entertainment, Murphy said.

"With trends like that, the formula is repeated and repeated until it's very predictable: Take a villain and make them sympathetic," he said.

The centuries-old fairy tales upon which several Disney movies are based historically were meant to teach children a lesson, whether it was not to get close to wolves (Little Red Riding Hood, The Three Little Pigs) or trust strange, old women in the woods (Hansel and Gretel, Rapunzel).

But they often made marginalized people into villains - older women, people of color or those on the lower socioeconomic scale, said Rebecca Rowe, an assistant professor of children's literature at Texas A&M University-Commerce.

The trend toward making villains more sympathetic started in the late 1980s and 1990s as children's media took off. There was a desire to present villains in a manner that was more complicated and less black and white, as there was an overall cultural push toward emphasizing acceptance, she said.

"The problem is everyone has swung so hard into that message, that we have kind of lost the villainous villains," Rowe said. "There is value in the villainous villains. There are people who just do evil things. Sometimes there is a reason for it, but sometimes not. Just because there is a reason doesn't mean it negates the harm."

Whether it's good for children to identify with villains is complicated. There is a chance they adopt the villains' traits if it's what they identify with, but then some scholars believe it's not a bad thing for children to empathize with characters who often are part of marginalized communities, Rowe said.

The Disney villains also tend to appeal to adults more than children. They also appreciate the villains' campiness, with some "Disney princesses" gladly graduating into "evil queens."

Erik Paul, an Orlando resident who has had a year-round pass to Disney World for the past decade, isn't particularly fond of the villains, but understands why Disney would want to frame them in a more sympathetic light in a show dedicated just to them.

"I know friends who go to Hollywood Studios mainly to see the villain-related activities," Paul said. "Maybe that's why people like the villains because they feel misunderstood as well, and they feel a kinship to the villains."