Arab Women Entrepreneurs Defy Odds with Leap into Sportswear

Saudi fashion designer Eman Joharjy in her boutique in Jeddah, Saudi Arabia. (Reuters)
Saudi fashion designer Eman Joharjy in her boutique in Jeddah, Saudi Arabia. (Reuters)
TT

Arab Women Entrepreneurs Defy Odds with Leap into Sportswear

Saudi fashion designer Eman Joharjy in her boutique in Jeddah, Saudi Arabia. (Reuters)
Saudi fashion designer Eman Joharjy in her boutique in Jeddah, Saudi Arabia. (Reuters)

Nathaly Daou zigzags through an underground fabric store in Beirut, pulling out bolts of neon Lycra and patterned polyester before settling on a roll of white cotton.

Finding affordable fabric for her budding sportswear line during Lebanon's economic crisis has been a challenge for the 36-year-old entrepreneur, one of several women making strides into the activewear sector in the Middle East and North Africa.

"We had all these imported brands, but I wanted to do something special - something different," said Daou, who is also a professional photographer and pole-dance instructor.

She launched her line "Nat-Usual" in August 2020 - weeks after Beirut's devastating port blast and nearly a year into the financial collapse that has put more than three-quarters of Lebanon's people below the poverty line.

The currency has lost more than 90% of its value over the last three years, meaning imported fabrics either quintupled in price or were no longer available.

Rampant power cuts across the country delayed production by months and the banking sector had effectively collapsed, cutting off potential financing for her fledgling business.

"It was impossible to create a business plan. I kept thinking, should I do it? But I've had this idea for 10 years, and I didn't want to wait anymore," Daou told the Thomson Reuters Foundation.

She hunted down affordable fabrics across the city, spread news of her line through her pole-dancing network, and initially priced her pieces in Lebanese pounds to keep them affordable.

"I had a vision of a Lebanese brand priced in pounds - but in the end, even my tailor was asking to get paid in US dollars because his own expenses had gone up, too. I had no choice."

Small margins, big ambitions

Across the Middle East and North Africa (MENA), just 5% of formal firms are led by women. For every female entrepreneur, there are another six women who want to start a business but do not manage to achieve their goal.

Small and medium-sized enterprises led by women in the region have long struggled to access sufficient financing, according to the World Bank, which said the situation had become "even more dire" during the COVID-19 pandemic.

Tunisian business owner Fatma Ben Soltane, who launched her sportswear line Fierce in 2019, has struggled to scale up due to a credit crunch during the pandemic.

She did access some funding through Flat6Labs Tunisia, an accelerator program and early-stage venture capital fund backed by the World Bank's International Finance Corporation (IFC) arm and supported by the Women Entrepreneurs Finance Initiative (We-Fi).

"It's so much more difficult to access financing than pre-COVID. I'm trying to get credit to open a big two-level flagship store for Fierce, but it's taking too much time," she said.

Fierce focuses on sustainability - its best-selling leggings are made from recycled plastic bottles.

Other items are made out of reused Tunisian cotton, and Ben Soltane insists on producing in smaller batches to reduce textile waste.

"It's much more expensive for us because it's not an economy of scale and to push this eco-friendly product, we kept the margins on those products low to encourage people to buy it," she said.

The leggings run at 85 Tunisian dinars ($29.60) - much less than brands imported from abroad, on which Tunisia charges tariffs as high as 150%.

It seems to have worked: Ben Soltane said the company's revenues have tripled in the last year.

'Go girl!'

For Saudi designer Eman Joharjy, inspiration came from her love of exercising outdoors.

The former financial professional said she wanted to be able to run and cycle outside, but conservative norms mean women wear loose robes known as abayas and cover their hair - making exercise difficult.

The usual skin-tight leggings and t-shirts on sale at shopping malls would not do, so Joharjy designed a "sports abaya" for herself in 2007.

The loose, cotton, one-piece garment had long sleeves, pockets, zippers, and cinched legs - and came in blue, instead of the conventionally black robes.

The first time she wore it out for a jog, she got stares and plenty of laughs.

"Little by little, I went from being the joke of the town to the trend of the town - and the sports abaya became a new niche," Joharjy said, speaking by video call from her studio in Jeddah, Saudi Arabia.

They now come in cotton and dry-fit fabric, and run up to 650 Saudi riyal ($173.23).

"When I see a lady jogging or running with my abaya, I'm like, 'Yes! Go girl!'" said Joharjy, who is being mentored as part of Vogue Arabia's 100 Saudi Brands fashion program.

She has gone on to design pieces for Saudi women professionals - architects who needed to be on construction sites or photographers who needed big pockets for their lenses.

"I wanted to give women more access to the public space to say, we are here, and we can do anything," she said.

Other designers across the region have begun producing sports abayas - but Joharjy is not fazed.

"It's beautiful to be a trend-setter," she said.



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
TT

French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
TT

Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
TT

Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.