Deep Dive into Alpaca’s Nanobody Repertoire Identifies Potent SARS-CoV-2 Neutralizers

A man wearing a protective face mask walks past an illustration of a virus outside a regional science center amid the coronavirus disease (COVID-19) outbreak, in Oldham, Britain August 3, 2020. (Reuters)
A man wearing a protective face mask walks past an illustration of a virus outside a regional science center amid the coronavirus disease (COVID-19) outbreak, in Oldham, Britain August 3, 2020. (Reuters)
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Deep Dive into Alpaca’s Nanobody Repertoire Identifies Potent SARS-CoV-2 Neutralizers

A man wearing a protective face mask walks past an illustration of a virus outside a regional science center amid the coronavirus disease (COVID-19) outbreak, in Oldham, Britain August 3, 2020. (Reuters)
A man wearing a protective face mask walks past an illustration of a virus outside a regional science center amid the coronavirus disease (COVID-19) outbreak, in Oldham, Britain August 3, 2020. (Reuters)

Researchers at Karolinska Institutet have developed a novel strategy for identifying potent miniature antibodies, so-called nanobodies, against emerging SARS-CoV-2 variants.

The approach led to the discovery of multiple nanobodies that in cell cultures and mice effectively blocked infection with different SARS-CoV-2 variants. The findings, which are described in the journals Nature Communications and Science Advances, could pave the way for new treatments against COVID-19.

“With the help of advanced laboratory techniques, we were able to identify a panel of nanobodies that very effectively neutralized several variants of SARS-CoV-2,” says Gerald McInerney, professor at the Department of Microbiology, Tumor and Cell Biology (MTC), Karolinska Institutet, and joint senior author of both studies.

Despite the roll-out of vaccines and antivirals, the need for effective therapeutics against severe COVID-19 infection remains high.

Nanobodies — which are fragments of antibodies that occur naturally in camelids and can be adapted for humans — are promising therapeutic candidates as they offer several advantages over conventional antibodies. For example, they have favorable biochemical properties and are easy to produce cost-effectively at scale.

In the now published studies, the labs of Gerald McInerney and Ben Murrell, also at MTC, identify several potent nanobodies derived from an alpaca immunized with SARS-CoV-2 antigens.

The first report in Nature Communications describes a single nanobody, Fu2 (named after the alpaca Funny), that significantly reduced the viral load of SARS-CoV-2 in cell cultures and mice.

Using electron cryo-microscopy, the researchers found that Fu2 naturally binds to two separate sites on the viral spike, thus inhibiting the virus’ ability to enter the host cell.

This part of the study was conducted in collaboration with Hrishikesh Das and Martin Hällberg at the Department of Cell and Molecular Biology at Karolinska Institutet.

The researchers next delved deeper into the alpaca’s nanobody repertoire by combining a range of advanced laboratory techniques and computational methods, resulting in a library of nanobodies described in detail.

The results, presented in Science Advances, revealed additional nanobodies that in cell cultures and mice effectively cross-neutralized both the founder and beta variant of SARS-CoV-2 and even neutralized the more distantly related SARS-CoV-1.

“These nanobodies represent promising therapeutic candidates against several SARS-CoV-2 variants,” says first author Leo Hanke, a postdoctoral researcher who established the nanobody technology in the McInerney group.

The researchers are currently applying the same techniques to identify which nanobodies from this set are best able to neutralize Omicron, the now dominating SARS-CoV-2 variant.



Giant Sun Installation to Light Up Market Hall in UK

The Helios installation will be displayed at Goole Market Hall from September 25 (National Trust)
The Helios installation will be displayed at Goole Market Hall from September 25 (National Trust)
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Giant Sun Installation to Light Up Market Hall in UK

The Helios installation will be displayed at Goole Market Hall from September 25 (National Trust)
The Helios installation will be displayed at Goole Market Hall from September 25 (National Trust)

A large art installation representing the sun will light up an East Yorkshire market hall in Britain.

Helios, which was created by artist Luke Jerram, will be displayed at Goole Market Hall from September 25 to October 5, according to BBC.

The touring artwork, named after the ancient Greek mythological god who personified the sun, was made using more than 400,000 high-resolution photographs of the sun's surface and observational data from Nasa.

Councilor Nick Coultish, East Riding of Yorkshire Council's cabinet member for culture, leisure and tourism, said: “We're absolutely delighted to be bringing Helios to Goole Market Hall as part of the Goole 200 program of events planned to mark our town's bicentenary year.”

“I can't think of a more fitting setting than the newly refurbished Market Hall, where this internationally renowned artwork will become a magnificent focal point,” he added.

Coultish also noted that Helios has attracted huge crowds on its tour of the UK, so is sure to bring a stream of visitors into the town center during its visit to Goole. “The installation measures 19ft (6m) in diameter and is internally lit,” he said.

The visit has been secured with the help of funding from Arts Council England.

The Goole 2026 Bicentenary Group, made up of East Riding of Yorkshire Council and community partners, has planned a program of Around the Sun events during the time Helios is on display.

It includes an inflatable dome at Junction Goole, which will allow people to explore the solar system, and a concert bringing together classical music and electronic sounds using recordings from NASA.


Roadworks in Georgia's Capital Uncover Rare 10th-century Pottery Cache

Archaeologists work at an excavation site in central Tbilisi, Georgia, September 1, 2026. REUTERS/Irakli Gedenidze
Archaeologists work at an excavation site in central Tbilisi, Georgia, September 1, 2026. REUTERS/Irakli Gedenidze
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Roadworks in Georgia's Capital Uncover Rare 10th-century Pottery Cache

Archaeologists work at an excavation site in central Tbilisi, Georgia, September 1, 2026. REUTERS/Irakli Gedenidze
Archaeologists work at an excavation site in central Tbilisi, Georgia, September 1, 2026. REUTERS/Irakli Gedenidze

Amid the debris six meters beneath Tbilisi's main thoroughfare, roadworks that have frustrated residents have yielded an archaeological prize: a cache of 10th-century pottery among the oldest medieval works ever found in the Georgian capital.

Work on Rustaveli Avenue, the city's stately central boulevard, began this summer to add pedestrian crossings, improve signage and make other upgrades.

The project has brought traffic chaos and drawn complaints from residents, who must now navigate gaping holes and crushed brick on their daily walks, but it has also given archaeologists a rare glimpse into Tbilisi's past.

The discovery of the ceramic workshop came as little surprise to David Lordkipanidze, director of ⁠the National Museum, located ⁠just a stone's throw from the dig site.

"Tbilisi is very rich with archaeological material...so it's very logical to find workshops of different periods," Reuters quoted him as saying.

Medieval Georgian chronicles date Tbilisi's founding to the 4th century, when Vakhtang I ruled over the kingdom of Kartli in what is now eastern Georgia.

Preliminary studies of the pottery's ornamentation suggest the ⁠fragments date from sometime between the 10th and 11th centuries, when Tbilisi was under Arab rule and an important stop along the Silk Road. The archaeological findings will be brought to the National Museum for 3D scanning and proper review, Lordkipanidze said.

Tbilisi blossomed in the medieval period, during which time the city changed hands between the Umayyad caliphate of Damascus, Baghdad's Abbasid caliphate and the formidable Seljuk Empire, among others.

"Tbilisi was always multicultural," Lordkipanidze said, and "a real center for the region, particularly an economic center."

Successive waves of conquest by the ⁠Mongols, Persians ⁠and Russians have influenced the look of the city, where crumbling, 19th-century houses cling to hillsides above the Kura river, which flows from the Caucasus mountains to the Caspian Sea.

Tbilisi's name - which means "a warm place" in Georgian - refers to the hot, sulphurous waters that pour forth from the mountains ringing the city and form creeks that trickle below its streets. Some are now on full display due to the renovation works along Rustaveli Avenue.

Tbilisi's mayor has pledged a "well-organized and modern" result and workers are laboring through the night to meet a November deadline. The city hall is under pressure to investigate claims that asbestos was dug up from the bowels of the avenue.


Red Sea Film Foundation Marks Record TIFF Presence with 8 Supported Films

The Red Sea Film Foundation logo
The Red Sea Film Foundation logo
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Red Sea Film Foundation Marks Record TIFF Presence with 8 Supported Films

The Red Sea Film Foundation logo
The Red Sea Film Foundation logo

A record eight Red Sea Film Foundation-supported films are featured at the 51st Toronto International Film Festival, running 10–20 September — the highest number of Red Sea-supported titles to participate at TIFF to date.

Seven have been selected for the Centerpiece program, while Angh, directed by Theja Rio and supported by the Red Sea Fund, has been selected for Platform.

The Foundation will also take part in the inaugural edition of TIFF: The Market, the Festival’s first official content market, while Holly Daniel, Director of the Red Sea Souk, joins The Summit — extending the Foundation’s presence in Toronto across both the Festival and its international industry program.

The eight films, championed through the Red Sea Fund and Red Sea Souk, are "A Girl Unknown", "Angh", "Ben’Imana", "Conversation with the Sea", "Four Seasons in Java", "Soumsoum, the Night of the Stars", "The Violinist", and "We Are All Strangers".

Running September 10–16, at the Metro Toronto Convention Center, TIFF’s first official market is a seven-day international marketplace bringing together the global film, series and innovation industries, connecting creators, producers, buyers, sales agents, financiers, distributors, platforms and other industry leaders to develop partnerships and advance projects.

“This record presence at TIFF is an important milestone for the foundation and, above all, a reflection of the extraordinary filmmakers and projects we have had the privilege to support,” said CEO of the Red Sea Film Foundation Faisal Baltyuor.

“Seeing eight films from across our ecosystem reach audiences in Toronto — and joining the inaugural TIFF: The Market — demonstrates the value of sustained pathways that carry filmmakers from development and financing through to international exhibition.”