Estelle Harris, ‘Seinfeld’ and ‘Toy Story’ Actor, Dies at 93

Estelle Harris, at right, and Don Rickles arrive at the world premiere of "Toy Story 3," Sunday, June 13, 2010, at The El Capitan Theater in Los Angeles. (AP)
Estelle Harris, at right, and Don Rickles arrive at the world premiere of "Toy Story 3," Sunday, June 13, 2010, at The El Capitan Theater in Los Angeles. (AP)
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Estelle Harris, ‘Seinfeld’ and ‘Toy Story’ Actor, Dies at 93

Estelle Harris, at right, and Don Rickles arrive at the world premiere of "Toy Story 3," Sunday, June 13, 2010, at The El Capitan Theater in Los Angeles. (AP)
Estelle Harris, at right, and Don Rickles arrive at the world premiere of "Toy Story 3," Sunday, June 13, 2010, at The El Capitan Theater in Los Angeles. (AP)

Estelle Harris, who hollered her way into TV history as George Costanza’s short-fused mother on “Seinfeld” and voiced Mrs. Potato Head in the “Toy Story” franchise, has died. She was 93.

As middle-class matron Estelle Costanza, Harris put a memorable stamp on her recurring role in the smash 1990s sitcom. With her high-pitched voice and humorously overbearing attitude, she was an archetype of maternal indignation.

Trading insults and absurdities with her on-screen husband, played by Jerry Stiller, Harris helped create a parental pair that would leave even a psychiatrist helpless to do anything but hope they’d move to Florida — as their son, played by Jason Alexander, fruitlessly encouraged them to do.

Harris’ agent Michael Eisenstadt confirmed the actor’s death in Palm Desert, California, on Saturday evening.

Viewers of all backgrounds would tell her she was just like their own mothers, Harris often said.

“She is the mother that everybody loves, even though she’s a pain in the neck,” she told the Pittsburgh Post-Gazette in 1998.

The career-defining role came after decades on stage and screen. Born April 22, 1928, in New York City, Harris grew up in the city and later in the Pittsburgh suburb of Tarentum, Pennsylvania, where her father owned a candy store. She started tapping her comedic talents in high school productions where she realized she “could make the audience get hysterical,” as she told People magazine in 1995.

After the nine-season run of “Seinfeld” ended in 1998, Harris continued to appear on stage and screen. She voiced Mrs. Potato Head in the 1999 animated blockbuster “Toy Story 2” and played the recurring character Muriel in the popular Disney Channel sitcom “The Suite Life of Zack & Cody,” among other roles.

She had stopped pursuing show business when she married in the early 1950s but resumed acting in amateur groups, dinner theater and commercials as her three children grew (“I had to get out of diapers and bottles and blah-blah baby talk,” she told People). Eventually, she began appearing in guest roles on TV shows including the legal comedy “Night Court,” and in films including director Sergio Leone’s 1984 gangland epic “Once Upon a Time in America.”

Her “Seinfeld” debut came in one of the show’s most celebrated episodes: the Emmy Award-winning 1992 “The Contest,” in which the four central characters challenge each other to refrain from doing what is artfully described only as “that.” Harris would go on to appear in dozens more episodes of the “show about nothing.”

“Estelle is a born performer,” Stiller told The Record of Bergen County, N.J., in 1998. “I just go with what I got, and she goes back at me the same way.”

Still, Harris saw a sympathetic undertone to her character, often saying Estelle fumed out frustration at her bumbling mate and scheming slacker of a son.

Viewers, she told an interviewer in 1998, “just look at her as being funny, cute and a loudmouth. But it’s not how I play her. I play her with misery underneath.”

She is survived by her three children, three grandsons, and a great grandson.



'Weapons' Horror Film Scores Box Office Victory

Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
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'Weapons' Horror Film Scores Box Office Victory

Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

It’s August, and horror and humor came to play.

In a month that’s long been known to let edgier movies thrive, Zach Cregger’s highly anticipated horror film “Weapons” did not disappoint, topping the box office during its debut weekend with $42.5 million domestically from 3,202 theaters. It made $70 million internationally.

The film’s success also handed its distributor, Warner Bros. Pictures, the seventh No. 1 opening of the year, and became the studio’s sixth film in a row to debut with over $40 million domestically.

“Freakier Friday,” Disney’s chaotic sequel to the 2003 classic, “Freaky Friday,” took the second spot during its premiere weekend, earning $29 million in 3,975 North American theaters. Lindsay Lohan and Jamie Lee Curtis return, this time for a double body-swapping between the mother-daughter duo and Lohan’s teen daughter and soon-to-be stepdaughter.

Viral marketing tactics, coupled with strong social media word-of-mouth, boded well for both films’ success, said Paul Dergarabedian, senior media analyst for the data firm Comscore.

“The top two films could not be more different, and that’s what makes this weekend so appealing for moviegoers,” Dergarabedian said. “Both are perfectly tailored for their audiences to react in real time over the weekend to these films and then post on social media.”

“Weapons” transports audiences to the small town of Maybrook, where 17 kids up and leave their homes at 2:17 a.m., leaving bewildered parents in their wake. The town is left to navigate the lingering effects of trauma through horror, paranoia and a touch of existential humor.

The film is Cregger’s follow-up to his solo directorial debut with the 2022 genre-bending horror, “Barbarian.” That critically-acclaimed film had a slower start and smaller budget, but still topped the charts during its premiere with $10 million domestically and made a splash in the genre.

“Weapons” generated a lot of buzz for its strong reviews (95% on Rotten Tomatoes).
“The internet’s exploding right now between Friday and today. You just see that people are having a great time with it,” said Jeffrey Goldstein, president of global distribution for Warner Bros. “It starts with an exceptional movie, an exceptional marketing campaign, and the date was exceptional too.”

The success of the comedy-horror double premiere meant “The Fantastic Four: First Steps” surrendered its two-week run in the top spot and landed in the third position, bringing in $15.5 million domestically. The superhero movie enjoyed a strong $118 million debut, but stumbled in its second weekend.

“The Bad Guys 2,” which got a healthy start at the No. 2 spot during its premiere weekend, came in fourth place, earning $10.4 million domestically. “The Naked Gun” had a similar fate, reaching the fifth position with $8.4 million in North American theaters.

“Jurassic World Rebirth,” which came in seventh this week, is expected to hit $800 million globally by Monday, according to NBC Universal, following a successful run in theaters.

Warner Bros. started off slow this year, but made a comeback with the box-office hit, “A Minecraft Movie,” which opened with $157 million domestically. Since then, movies like “Sinners,” “Superman” and now, “Weapons,” have found success.

The studio set “a blueprint to how to create a perfect summer lineup,” Dergarabedian said.

“Weapons ”also joins a stream of successful horror movies this year, its opening numbers coming in just behind “Final Destination: Bloodlines” and “Sinners.”