Mark Wahlberg Piles on the Pounds as Boxer-turned-priest

Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP
Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP
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Mark Wahlberg Piles on the Pounds as Boxer-turned-priest

Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP
Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP

Mark Wahlberg has a famously punishing physical routine that has kept the 50-year-old in enviable shape.

But for his latest outing, "Father Stu," he had to ditch the training and eat. A lot, AFP said.

"Porterhouse steaks, baked potatoes, a dozen eggs every morning, a dozen pieces of bacon, two bowls of white rice, a glass of olive oil," he tells AFP.

"Lots of high protein for the first two weeks; second two weeks, we had lots of starch. And then the last two weeks, we had lots of sodium to kind of get the bloating effect, but not fun at all."

The physical transformation from taut athlete to out-of-shape and overweight was in aid of his role as Stuart Long, an amateur boxer who hangs up his gloves after an injury and moves to Hollywood to become an actor.

Odd-jobbing in a supermarket, Long meets Carmen, played by Teresa Ruiz ("Narcos"), and sets out to win her heart by going to her church.

His avowed agnosticism gives way to genuine faith, and he decides he will become a priest, despite the skepticism of his parents, played by Jacki Weaver (Oscar-nominated for "Silver Linings Playbook") and Mel Gibson ("Braveheart").

He must also face his biggest challenge: a diagnosis of a degenerative disease that will rob him of the use of his body.

For Wahlberg, who also produced the movie, the real-life story of "Father Stu" is a departure from previous action outings like "Mile 22" and "Uncharted" -- but, he insists, not unexpected.

"It's an unusual role, but it's also (a) pretty obvious choice if you kind of know me and my own personal journey and what I'm looking to do as I get older and try to find things that have a little bit more meaning and purpose," he told AFP.

"But I always felt like I was... tasked to do it for a reason.

"This is for God's greater good and so to do that, and utilize my talents and gifts for that particular purpose is something that I embraced," he said.

Reflection of community
Along with its unabashedly religious theme -- the film will be released in the United States ahead of the Easter Weekend -- "Father Stu" also zooms in on family, and on human kindness.

For Ruiz, these elements all came together in her character.

"I liked that she was very kind and very generous and she had a very rooted faith," Ruiz said.

"That was something that I've seen in my community, it's something that I've seen in my mother, so I really enjoyed being able to portray that for a worldwide audience."

The cast of "Father Stu," which also includes Malcolm McDowell ("A Clockwork Orange"), afforded Ruiz the chance to work alongside a different generation of actors -- at close quarters.

"My camper was right next to Mel (Gibson's) camper. So sometimes I would peek and hear him, how he prepped and that was very important to me as a young actor, you know, to hear how one of the greats works.

"And then I would go on set with him and it was just this presence that he has, and his incredible talent."

For Weaver, Wahlberg was one of the biggest revelations of the project.

"I thought he might be a bit of a ruffian, because he always played those tough roles," the Australian told AFP.

"But he's a wonderful person."



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.