Mark Wahlberg Piles on the Pounds as Boxer-turned-priest

Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP
Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP
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Mark Wahlberg Piles on the Pounds as Boxer-turned-priest

Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP
Mark Wahlberg, seen here with 'Father Stu' director Rosalind Ross, had to get out of shape to play the titular boxer-turned-priest Mat Hayward GETTY IMAGES NORTH AMERICA/AFP

Mark Wahlberg has a famously punishing physical routine that has kept the 50-year-old in enviable shape.

But for his latest outing, "Father Stu," he had to ditch the training and eat. A lot, AFP said.

"Porterhouse steaks, baked potatoes, a dozen eggs every morning, a dozen pieces of bacon, two bowls of white rice, a glass of olive oil," he tells AFP.

"Lots of high protein for the first two weeks; second two weeks, we had lots of starch. And then the last two weeks, we had lots of sodium to kind of get the bloating effect, but not fun at all."

The physical transformation from taut athlete to out-of-shape and overweight was in aid of his role as Stuart Long, an amateur boxer who hangs up his gloves after an injury and moves to Hollywood to become an actor.

Odd-jobbing in a supermarket, Long meets Carmen, played by Teresa Ruiz ("Narcos"), and sets out to win her heart by going to her church.

His avowed agnosticism gives way to genuine faith, and he decides he will become a priest, despite the skepticism of his parents, played by Jacki Weaver (Oscar-nominated for "Silver Linings Playbook") and Mel Gibson ("Braveheart").

He must also face his biggest challenge: a diagnosis of a degenerative disease that will rob him of the use of his body.

For Wahlberg, who also produced the movie, the real-life story of "Father Stu" is a departure from previous action outings like "Mile 22" and "Uncharted" -- but, he insists, not unexpected.

"It's an unusual role, but it's also (a) pretty obvious choice if you kind of know me and my own personal journey and what I'm looking to do as I get older and try to find things that have a little bit more meaning and purpose," he told AFP.

"But I always felt like I was... tasked to do it for a reason.

"This is for God's greater good and so to do that, and utilize my talents and gifts for that particular purpose is something that I embraced," he said.

Reflection of community
Along with its unabashedly religious theme -- the film will be released in the United States ahead of the Easter Weekend -- "Father Stu" also zooms in on family, and on human kindness.

For Ruiz, these elements all came together in her character.

"I liked that she was very kind and very generous and she had a very rooted faith," Ruiz said.

"That was something that I've seen in my community, it's something that I've seen in my mother, so I really enjoyed being able to portray that for a worldwide audience."

The cast of "Father Stu," which also includes Malcolm McDowell ("A Clockwork Orange"), afforded Ruiz the chance to work alongside a different generation of actors -- at close quarters.

"My camper was right next to Mel (Gibson's) camper. So sometimes I would peek and hear him, how he prepped and that was very important to me as a young actor, you know, to hear how one of the greats works.

"And then I would go on set with him and it was just this presence that he has, and his incredible talent."

For Weaver, Wahlberg was one of the biggest revelations of the project.

"I thought he might be a bit of a ruffian, because he always played those tough roles," the Australian told AFP.

"But he's a wonderful person."



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."