Songs by Wu-Tang, Alicia Keys Added to Recording Registry

In this Nov. 2, 2016 file photo, Alicia Keys poses for a portrait in New York. Keys' memoir "More Myself" with be released on Tuesday, March 31. (AP)
In this Nov. 2, 2016 file photo, Alicia Keys poses for a portrait in New York. Keys' memoir "More Myself" with be released on Tuesday, March 31. (AP)
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Songs by Wu-Tang, Alicia Keys Added to Recording Registry

In this Nov. 2, 2016 file photo, Alicia Keys poses for a portrait in New York. Keys' memoir "More Myself" with be released on Tuesday, March 31. (AP)
In this Nov. 2, 2016 file photo, Alicia Keys poses for a portrait in New York. Keys' memoir "More Myself" with be released on Tuesday, March 31. (AP)

Critically acclaimed debut albums by Wu-Tang Clan and Alicia Keys, Ricky Martin’s Latin pop megahit “Livin’ La Vida Loca,” and Queen’s “Bohemian Rhapsody” are among the recordings being inducted this year into the National Recording Registry.

The Library of Congress announced on Wednesday the 25 songs, albums, historical recordings and even a podcast that will be preserved as important contributions to American culture and history.

Keys’ “Songs In A Minor,” released in 2001, introduced the young New York musician to the world with her unique fusion of jazz, R&B and hip hop and earned her five Grammy awards. With songs like “Fallin’” the album has been certified as seven-times multi-platinum by the Recording Industry Association of America.

The Staten Island collective Wu-Tang Clan, including RZA, Ol’ Dirty Bastard, GZA, Ghostface Killah, Method Man and more, released their highly influential debut “Enter the Wu-Tang (36 Chambers)” in 1993, which combined East Coast hardcore rap centered around kung fu film storylines and samples.

Other albums that were included were Linda Ronstadt’s “Canciones de Mi Padre,” a musical tribute to her Mexican-American roots, Bonnie Raitt’s Grammy-winning “Nick of Time,” A Tribe Called Quest’s “The Low End Theory,” and the Cuban musical ensemble’s self-titled debut “Buena Vista Social Club,” which also inspired a film by the same name.

Other songs now in the registry include Journey’s “Don’t Stop Believin,’” “Walking the Floor Over You” by Ernest Tubb, “Moon River” by Andy Williams and “Reach Out, I’ll Be There,” by The Four Tops.

The Four Tops song was penned by the songwriting trio of Brian and Eddie Holland and Lamont Dozier and became a No. 1 song in 1966 known for its unorthodox arrangement and the urgent, operatic vocals of lead singer Levi Stubbs. The last surviving member of the band, Duke Fakir, said he was honored to have their song included in the registry.

“When we recorded ‘I’ll Be There,’ I have to admit (for the first time), we thought of the song as an experiment for the album,” Fakir said in a statement. “We never believed it would even make it on the album, let alone be a hit for all time in ‘The Library of Congress.’ I wish Levi, Obie (Benson), and Lawrence (Payton) were here with me today so we could celebrate this incredible accolade together. And we owe an incredible debt of gratitude to Holland Dozier Holland, the tailors of great music, who wrote it.”

Other recordings include public radio station WNYC’s broadcasts from Sept. 11, 2001 and Marc Maron’s interview with Robin Williams on his podcast “WTF with Marc Maron.”



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.