Luxor’s Mummification Museum Documents 25 Years of Pharaonic Secrets

Statues of cats discovered by Egyptian archaeological team in Giza's Saqqara necropolis, south of Cairo, are displayed. (AFP)
Statues of cats discovered by Egyptian archaeological team in Giza's Saqqara necropolis, south of Cairo, are displayed. (AFP)
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Luxor’s Mummification Museum Documents 25 Years of Pharaonic Secrets

Statues of cats discovered by Egyptian archaeological team in Giza's Saqqara necropolis, south of Cairo, are displayed. (AFP)
Statues of cats discovered by Egyptian archaeological team in Giza's Saqqara necropolis, south of Cairo, are displayed. (AFP)

On the eastern shore of the Nile River and the northern side of the Luxor Temple, stands the Mummification Museum, one of the largest specialized museums in Egypt that explores the land of the dead and the golden rays of the sun.

The museum exclusively documents the mysteries of embalming – one of most valuable secrets of ancient Egypt. It is celebrating its 25th anniversary by offering free workshops for visitors to allow them to learn about its history, archeological acquisitions, and boost their touristic and archeological knowledge. The workshops provide presentations that simulate the embalming process and tools in ancient Egypt, coffins, and deities from the other world.

Extending over 2,000 square meters, the Mummification Museum was inaugurated on May 7, 1997. It houses one gallery exhibiting around 73 antiquities providing an inclusive definition of the whole embalming process and explaining the religious value of embalming and the related rituals from the Old Kingdom until the Late Period. It also displays many mummification tools, Canopic jars collection, adorned coffins, amulets, deities’ statues, and funerary drawings.

The museum also exhibits many human mummies, as well as a collection of animal mummies including crocodiles, cats, and fish.

The Mummification Museum is the only museum specialized in documenting the mummification processes in ancient Egypt, said Mohammad Shehata, director general of the museum.

He told Asharq Al-Awsat that “the museum shed lights on the embalming process from death until the end of the burial ceremony, which spanned 70 days.”

“The priests who led the embalming processes were carefully selected based on specific qualifications, including good manners, and good medical and anatomical skills. They carried out embalming processes in the embalming house, or what the ancient Egyptians used to name ‘the beautiful house’, inside the Karnak Temple, where they used to undress the dead before purifying him with the water of the temple’s sacred lake, remove his insides, and cover his body with Natron salt,” explained Shehata.

The brain was extracted from the nasal cavities after breaking the ethmoid bone using a screwdriver-like tool and a spatula, while leaving the heart due to religious beliefs.

Shehata acknowledged the negative impact the coronavirus pandemic and global inflation had on tourism in Luxor. He added that the inauguration of the Avenues of the Sphinxes helped boost tourism for a few months before the eruption of the Russian war on Ukraine.

Among the prominent exhibited antiquities at the museum is the mummy of priest Masherti, son of King Pinedjem from the 21st Dynasty, who served as a senior Priest of Amun in Thebes and an army commander.

The museum also displays a column known as the "spine of God Osiris", mummy cases of High Priest of Amun from the 21st Dynasty, two wooden statues of deities Isis and Nephthys, and wooden boxes used inside tombs to preserve statues.



Greece's 'Instagram Island' Santorini nears Saturation Point

Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
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Greece's 'Instagram Island' Santorini nears Saturation Point

Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP

One of the most enduring images of Greece's summer travel brand is the world-famous sunset on Santorini Island, framed by sea-blue church domes on a jagged cliff high above a volcanic caldera.
This scene has inspired millions of fridge magnets, posters, and souvenirs -- and now the queue to reach the viewing spot in the clifftop village of Oia can take more than 20 minutes, said AFP.
Santorini is a key stopover of the Greek cruise experience. But with parts of the island nearing saturation, officials are considering restrictions.
Of the record 32.7 million people who visited Greece last year, around 3.4 million, or one in 10, went to the island of just 15,500 residents.
"We need to set limits if we don't want to sink under overtourism," Santorini mayor Nikos Zorzos told AFP.
"There must not be a single extra bed... whether in the large hotels or Airbnb rentals."
As the sun set behind the horizon in Oia, thousands raised their phones to the sky to capture the moment, followed by scattered applause.
For canny entrepreneurs, the Cycladic island's famous sunset can be a cash cow.
One company advertised more than 50 "flying dresses", which have long flowing trains, for up to 370 euros ($401), on posters around Oia for anyone who wishes to "feel like a Greek goddess" or spruce up selfies.
'Respect Oia'
But elsewhere in Oia's narrow streets, residents have put up signs urging visitors to respect their home.
"RESPECT... It's your holiday... but it's our home," read a purple sign from the Save Oia group.
Shaped by a volcanic eruption 3,600 years ago, Santorini's landscape is "unique", the mayor said, and "should not be harmed by new infrastructure".
Around a fifth of the island is currently occupied by buildings.
At the edge of the cliff, a myriad of swimming pools and jacuzzis highlight Santorini is also a pricey destination.
In 2023, 800 cruise ships brought some 1.3 million passengers, according to the Hellenic Ports Association.
Cruise ships "do a lot of harm to the island", said Chantal Metakides, a Belgian resident of Santorini for 26 years.
"When there are eight or nine ships pumping out smoke, you can see the layer of pollution in the caldera," she said.
Cruise ship limits
In June, Prime Minister Kyriakos Mitsotakis floated the possibility of capping cruise ship arrivals to Greece's most popular islands.
"I think we'll do it next year," he told Bloomberg, noting that Santorini and tourist magnet Mykonos "are clearly suffering".
"There are people spending a lot of money to be on Santorini and they don’t want the island to be swamped," said the pro-business conservative leader, who was re-elected to a second four-year term last year.
In an AFP interview, Tourism Minister Olga Kefalogianni echoed this sentiment and said: "We must set quotas because it's impossible for an island such as Santorini... to have five cruise ships arriving at the same time."
Local officials have set a limit of 8,000 cruise boat passengers per day from next year.
But not all local operators agree.
Antonis Pagonis, head of Santorini's hoteliers association, believes better visitor flow management is part of the solution.
"It is not possible to have (on) a Monday, for example, 20 to 25,000 guests from the cruise ships, and the next day zero," he said.
Pagonis also argued that most of the congestion only affects parts of the island like the capital, Fira.
In the south of the island, the volcanic sand beaches are less crowded, even though it is high season in July.
'I'm in Türkiye
The modern tourism industry has also changed visitor behavior.
"I listened (to) people making a FaceTime call with the family, saying 'I'm in Türkiye," smiled tourist guide Kostas Sakavaras.
"They think that the church over there is a mosque because yesterday they were in Türkiye."
The veteran guide said the average tourist coming to the island has changed.
"Instagram has defined the way people choose the places to visit," he said, explaining everybody wants the perfect Instagram photo to confirm their expectations.