Amber Heard Says Trial is 'Torture,' Wants to 'Move On'

US actress Amber Heard (R) speaks to her legal team as US actor Johhny Depp (L) returns to the stand after a lunch recess during the 50 million US dollar Depp vs Heard defamation trial at the Fairfax County Circuit Court in Fairfax, Virginia, April 21, 2022. (AFP)
US actress Amber Heard (R) speaks to her legal team as US actor Johhny Depp (L) returns to the stand after a lunch recess during the 50 million US dollar Depp vs Heard defamation trial at the Fairfax County Circuit Court in Fairfax, Virginia, April 21, 2022. (AFP)
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Amber Heard Says Trial is 'Torture,' Wants to 'Move On'

US actress Amber Heard (R) speaks to her legal team as US actor Johhny Depp (L) returns to the stand after a lunch recess during the 50 million US dollar Depp vs Heard defamation trial at the Fairfax County Circuit Court in Fairfax, Virginia, April 21, 2022. (AFP)
US actress Amber Heard (R) speaks to her legal team as US actor Johhny Depp (L) returns to the stand after a lunch recess during the 50 million US dollar Depp vs Heard defamation trial at the Fairfax County Circuit Court in Fairfax, Virginia, April 21, 2022. (AFP)

Amber Heard testified on Monday that the multi-million dollar defamation suit filed against her by her former husband Johnny Depp is "torture" and she just wants him to leave her alone so she can move on with her life.

The 36-year-old actress also told the jury hearing the case that she filed for divorce from the "Pirates of the Caribbean" star in May 2016 because she feared for her life, AFP said.

"I had to leave him," Heard said. "I knew I wouldn't survive if I didn't. I was so scared that it was going to end really badly for me."

Heard said Depp would become a physically and sexually abusive "monster" when he was drinking and her efforts to curtail his drug and alcohol use had failed.

"The monster had been this thing that was now the normal and not the exception," she told the seven-person jury hearing the case in Fairfax, Virginia. "The violence was now normal."

The 58-year-old Depp, during his four days on the witness stand, denied ever striking Heard and claimed that she was the one who was frequently violent.

Depp filed suit against Heard over an op-ed she wrote for The Washington Post in December 2018 in which she described herself as a "public figure representing domestic abuse."

Heard, who had a starring role in "Aquaman," did not name Depp in the op-ed, but he sued her for implying he was a domestic abuser and is seeking $50 million in damages.

The Texas-born Heard countersued, asking for $100 million and claiming she suffered "rampant physical violence and abuse" at his hands.

Heard said the trial has forced her to live "over and over again the most intimate, embarrassing, deeply humiliating and personal things that I've survived."

"I want to move on and I want Johnny to move on," she said. "I just want him to leave me alone."

Filing for divorce was "the hardest thing I've ever had to do," the actress said.

"It was hard because I loved Johnny so much," she said. "I loved him so much."

Heard said the same week she filed for divorce she sought a temporary restraining order following an argument during which Depp threw a mobile phone at her, hitting her in the face.

'Under the makeup' -
Under cross-examination, Depp's lawyers asked Heard about multiple incidents of alleged domestic violence she testified about and then showed photos from subsequent days where no injuries were visible.

"You should see what it looks like under the makeup," Heard retorted.

They also grilled her extensively about a pledge she made to donate the $7 million from her divorce settlement from Depp to charity.

Heard acknowledged that she has not donated the entire amount yet but said that was because she needed the money to fight the defamation suit filed against her by Depp.

"I haven't been able to fulfil those pledges yet because I've been sued," she said.

Judge Penney Azcarate has scheduled closing arguments in the case for May 27, after which it will go to the jury.

Depp's lawyers have put experts on the stand who testified that he has lost millions because of the abuse accusations, including a $22.5-million payday for a sixth installment of "Pirates."

Depp filed the defamation complaint in the United States after losing a separate libel case in London in November 2020 that he brought against The Sun for calling him a "wife-beater."

Depp, a three-time Oscar nominee, and Heard met in 2009 on the set of "The Rum Diary" and were married in February 2015. Their divorce was finalized two years later.


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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)

If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.

Indeed, the irreverent and raunchy mutant is sure to belabor his awareness of the context in which he lives — namely an over-saturated, increasingly labyrinthine multibillion-dollar Marvel multiverse which spans decades, studios and too many films for most viewers to count.

From its inception, the “Deadpool” franchise has prided itself on a subversive, self-aware anti-superhero superhero movie, making fun of everything from comic books to Hollywood to its biggest champion, co-writer and star, Ryan Reynolds.

It’s no surprise then, as fans have come to expect, that the long-anticipated “Deadpool & Wolverine” further embraces its fourth wall-breaking self-awareness — even as it looks increasingly and more earnestly like the superhero movie blueprint it loves to exploit. That tension — the fact that “Deadpool” has called out comic book movie tropes despite being, in fact, a comic book movie — is somehow remedied in “Deadpool & Wolverine,” which leans into its genre more than the franchise’s first two movies.

Perhaps this gives viewers more clarity on its intended audience. After all, someone who hates superhero films — I’m looking at you, Scorsese — isn’t going to be won over because of a few self-deprecating jokes about lazy writing, budgets for A-list cameos and the overused “superhero landing” Reynolds’ Deadpool regularly refers to.

But this time around, director Shawn Levy — his first Marvel movie — seems to have found a sweet spot. Levy is surely helped by the fact that the third film in the franchise has a bigger budget, more hype and, of course, a brooding Hugh Jackman as Wolverine.

That anticipation makes their relationship, packed with hatred and fandom, all the more enticing. Their fight scenes against each other are just as compelling as their moments of self-sacrificial partnership in the spirit of, you guessed it, saving the world(s).

Speaking of worlds, there is one important development in our own to be aware of ahead of time. The first two “Deadpool” films were distributed by 20th Century Fox, whose $71.3 billion acquisition by the Walt Disney Co. in 2019 opened the door for the franchise to join the Marvel Cinematic Universe.

Perhaps unsurprisingly, “Deadpool & Wolverine” takes full advantage of that vast playground, which began in 2008 with Robert Downey Jr.’s “Iron Man” and now includes more than 30 films and a host of television shows. The acquisition is also a recurring target of Deadpool’s sarcasm throughout the movie.

Although steeped in references and cameos that can feel a bit like inside baseball for the less devoted, “Deadpool & Wolverine” is easy enough to follow for the casual Marvel viewer, though it wouldn’t hurt to have seen the first “Deadpool” and Jackman’s 2017 “Logan,” a harbinger of the increasing appetite for R-rated superhero violence. The Disney+ series “Loki” also gives helpful context, though is by no means a must watch, on the Time Variance Authority, which polices multiverse timelines to avoid “incursions,” or the catastrophic colliding of universes.

A defining feature of “Deadpool” has been its R rating and hyper violent action scenes. Whether thanks to more money, Levy’s direction or some combination of the two, these scenes are much more visually appealing.

But “Deadpool & Wolverine” does succumb to some of the deus ex machina writing that so often plagues superhero movies. Wade Wilson’s (the real identity of Deadpool) relationship with his ex (?) Vanessa is particularly underdeveloped — though it’s possible that ambiguity is a metaphor for Deadpool’s future within the MCU.

The plot feels aimless at points toward the end. One cameo-saturated battle scene in particular is resolved in a way that leaves its audience wanting after spending quite a bit of time building tension around it. While there are a few impressive stars who make an appearance, audiences may be disappointed by the amount of MCU characters referenced who don’t make it in.

The bloody but comedic final fight scene, however, is enough to perk viewers back up for the last act, solidifying the film’s identity as a fun, generally well-made summer movie.

The sole MCU release of 2024, “Deadpool & Wolverine” proves it’s not necessarily the source material that’s causing so-called superhero fatigue. It also suggests, in light of Marvel’s move to scale back production following a pandemic and historic Hollywood strikes, that increased attention given to making a movie will ultimately help the final product.