Alicia Vikander Tackles Fame and Fears in ‘Irma Vep’ TV Series Remake

Swedish actress Alicia Vikander arrives for the screening of the film "Irma Vep" at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2022. (AFP)
Swedish actress Alicia Vikander arrives for the screening of the film "Irma Vep" at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2022. (AFP)
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Alicia Vikander Tackles Fame and Fears in ‘Irma Vep’ TV Series Remake

Swedish actress Alicia Vikander arrives for the screening of the film "Irma Vep" at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2022. (AFP)
Swedish actress Alicia Vikander arrives for the screening of the film "Irma Vep" at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2022. (AFP)

Oscar-winner Alicia Vikander said her latest leading role allowed her to draw from her own experiences as an actor.

The Swedish actress plays the title role in "Irma Vep" a HBO mini-series remake of Olivier Assayas's 1996 cult film of the same name.

The eight-episode show centers on American movie star Mira, who, hoping to give her blockbuster film career a new direction and recover from a recent breakup, travels to Paris to star in an arthouse remake of the French silent movie "Les Vampires". As the film set slowly descends into chaos, so does Mira's state of mind.

The role was originally played by Hong Kong actor Maggie Cheung, who starred as herself in the 1996 movie.

"I don't play myself, I play Mira. But in our series she is anxious because her part has already been played by an Asian actress. So I got to meta, meta, meta play that in layers and actually express my own anxiety over remaking something that already a very extraordinary actor has done," Vikander told Reuters in Cannes where she launched the series with Assayas and its cast.

Like the film, the series examines the challenges of film-making and production, and the many, often absurd, aspects of fame.

Scenes show Mira being mobbed by fans as she is chauffeured around for promotional events, fittings and meetings.

"You get to kind of pull back the curtain and get introduced to what this world can look like behind the scenes and the silliness, the craziness, the stress," said Vikander of the screenplay written by Assayas.

"It's been nice to have someone point out the things that are pretty strange, things that you see all the time but when he puts it down to paper, I'm like, yeah, I know, that's pretty out there and quite funny."

"Irma Vep", which was presented out of competition at Cannes, debuts on HBO on June 6.



‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
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‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

In the box office showdown between a deadly assassin and a chaotic CG alien, “Lilo & Stitch” still had the edge. The Disney juggernaut celebrated a third weekend at the top of the charts, while the John Wick spinoff “Ballerina” did not jeté as high as expected.

According to studio estimates Sunday, “From the World of John Wick: Ballerina” earned $25 million from 3,409 theaters in the US and Canada, The Associated Press reported. Several weeks ago it was tracking to open in the $35 to $40 million range, but that was adjusted down several times. Ultimately, it still came in lower than forecasts. The movie, directed by Len Wiseman, makes a sideline character out of Keanu Reeves’ John Wick and focuses on Ana de Armas. It takes place during the events of “John Wick 3.”

The box office performance is a bit perplexing result considering that “Ballerina” got good critic reviews and audience exit polls. Conventional wisdom would say that word of mouth might have given it a boost over the weekend. But, recently, opening weekend isn’t the end all that it used to be. “Ballerina” could be in the game for the long haul.

The Lionsgate release, a Thunder Road Films and 87Eleven Entertainment production, had a hefty production price tag reported to be in the $90 million range. But much of that cost has already been offset by foreign pre-sales. Internationally, it earned $26 million from 82 countries, bringing its global opening to $51 million.

As the first spinoff, it’s the second lowest opening of the five-film franchise – above only the first film which opened just over $14 million in 2014, which does not account for inflation. The franchise overall has grossed more than $1 billion worldwide.

First place once again went to “Lilo & Stitch,” which added another $32.5 million in North America, bringing its domestic total to $335.8 and global tally to $772.6 million. In just 17 days, it's already made more domestically than the live-action “The Little Mermaid” did in its entire run ($298 million).

“Mission: Impossible — The Final Reckoning” slid to third place with $15 million, bringing its worldwide total to $450.4 million. “Karate Kid: Legends” earned $8.7 million to take fourth place. And “Final Destination: Bloodlines" rounded out the top five with $6.5 million.

The new Wes Anderson movie “The Phoenician Scheme” expanded beyond New York and Los Angeles to 1,678 theaters nationwide. The Focus Features release starring Benicio del Toro made an estimated $6.3 million and landed in sixth place.