Egypt Displays Trove of Newly Discovered Ancient Artifacts

30 May 2022, Egypt, Saqqara: Media personnel an experts attend a media opportunity during which a new archaeological discovery of artifacts dating back to the Late Period of ancient Egypt (c.664 BC - 332 BC) was announced at the sacred cemetery of animals which lies within the Saqqara Necropolis. (dpa)
30 May 2022, Egypt, Saqqara: Media personnel an experts attend a media opportunity during which a new archaeological discovery of artifacts dating back to the Late Period of ancient Egypt (c.664 BC - 332 BC) was announced at the sacred cemetery of animals which lies within the Saqqara Necropolis. (dpa)
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Egypt Displays Trove of Newly Discovered Ancient Artifacts

30 May 2022, Egypt, Saqqara: Media personnel an experts attend a media opportunity during which a new archaeological discovery of artifacts dating back to the Late Period of ancient Egypt (c.664 BC - 332 BC) was announced at the sacred cemetery of animals which lies within the Saqqara Necropolis. (dpa)
30 May 2022, Egypt, Saqqara: Media personnel an experts attend a media opportunity during which a new archaeological discovery of artifacts dating back to the Late Period of ancient Egypt (c.664 BC - 332 BC) was announced at the sacred cemetery of animals which lies within the Saqqara Necropolis. (dpa)

Egypt on Monday displayed a trove of ancient artifacts dating back 2,500 years that the country's antiquities authorities said were recently unearthed at the famed necropolis of Saqqara near Cairo.

The artifacts were showcased at a makeshift exhibit at the feet of the Step Pyramid of Djoser in Saqqara, 24 kilometers (15 miles) southwest of the Egyptian capital.

According to Mostafa Waziri, head of the Supreme Council of Antiquities, the find includes 250 painted sarcophagi with well-preserved mummies inside, as well as 150 bronze statues of ancient deities and bronze vessels used in rituals of Isis, the goddess of fertility in ancient Egyptian mythology, all from the Late Period, about 500 B.C.

A headless bronze statue of Imhotep, the chief architect of Pharaoh Djoser who ruled ancient Egypt between 2630 B.C. and 2611 B.C was also displayed.

The artifacts will be transferred for a permanent exhibit at the new Grand Egyptian Museum, a mega project still under construction near the famed Giza Pyramids, just outside Cairo.

The Saqqara site is part of a sprawling necropolis at Egypt’s ancient capital of Memphis that includes the Giza Pyramids and the smaller pyramids at Abu Sir, Dahshur and Abu Ruwaysh. The ruins of Memphis were designated a UNESCO World Heritage site in 1970s.



Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
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Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File

When successful artist Ai-Da unveiled a new portrait of King Charles this week, the humanoid robot described what inspired the layered and complex piece, and insisted it had no plans to "replace" humans.

The ultra-realistic robot, one of the most advanced in the world, is designed to resemble a human woman with an expressive, life-like face, large hazel eyes and brown hair cut in a bob.

The arms though are unmistakably robotic, with exposed metal, and can be swapped out depending on the art form it is practicing.

Late last year, Ai-Da's portrait of English mathematician Alan Turing became the first artwork by a humanoid robot to be sold at auction, fetching over $1 million, said AFP.

But as Ai-Da unveiled its latest creation -- an oil painting entitled "Algorithm King", conceived using artificial intelligence -- the humanoid insisted the work's importance could not be measured in money.

"The value of my artwork is to serve as a catalyst for discussions that explore ethical dimensions to new technologies," the robot told AFP at Britain's diplomatic mission in Geneva, where the new portrait of King Charles will be housed.

The idea, Ai-Da insisted in a slow, deliberate cadence, was to "foster critical thinking and encourage responsible innovation for more equitable and sustainable futures".

'Unique and creative'

Speaking on the sidelines of the United Nations' AI for Good summit, Ai-Da, who has done sketches, paintings and sculptures, detailed the methods and inspiration behind the work.

"When creating my art, I use a variety of AI algorithms," the robot said.

"I start with a basic idea or concept that I want to explore, and I think about the purpose of the art. What will it say?"

The humanoid pointed out that "King Charles has used his platform to raise awareness on environmental conservation and interfaith dialog. I have aimed this portrait to celebrate" that, it said, adding: "I hope King Charles will be appreciative of my efforts."

Aidan Meller, a specialist in modern and contemporary art, led the team that created Ai-Da in 2019 with artificial intelligence specialists at the universities of Oxford and Birmingham.

He told AFP that he had conceived the humanoid robot -- named after the world's first computer programmer Ada Lovelace -- as an ethical arts project, and not "to replace the painters".

Ai-Da agreed.

There is "no doubt that AI is changing our world, (including) the art world and forms of human creative expression", the robot acknowledged.

But "I do not believe AI or my artwork will replace human artists."

Instead, Ai-Da said, the aim was "to inspire viewers to think about how we use AI positively, while remaining conscious of its risks and limitations".

Asked if a painting made by a machine could really be considered art, the robot insisted: "My artwork is unique and creative."

"Whether humans decide it is art is an important and interesting point of conversation."