Trump's 'Big Lie' Comes to Big Screen -- and Makes Box Office Splash

D’Souza voices the debunked belief that the Democrats rigged the result of the last presidential election in ‘2000 Mules’. AFP pic
D’Souza voices the debunked belief that the Democrats rigged the result of the last presidential election in ‘2000 Mules’. AFP pic
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Trump's 'Big Lie' Comes to Big Screen -- and Makes Box Office Splash

D’Souza voices the debunked belief that the Democrats rigged the result of the last presidential election in ‘2000 Mules’. AFP pic
D’Souza voices the debunked belief that the Democrats rigged the result of the last presidential election in ‘2000 Mules’. AFP pic

A new movie that pushes dubious and widely debunked conspiracy theories to bolster Donald Trump's claim that he was robbed of a second term as president has become a surprise hit at the US box office.

Despite warnings by experts, "2000 Mules," a film by Dinesh D'Souza -- who was convicted of violating campaign finance laws before being pardoned by the former president -- has garnered more than $1.2 million at the box office since its release in late May, AFP said.

With large buckets of popcorn in hand, a group of elder moviegoers crowd into a matinee screening in a cinema in a commercial district in Virginia.

Passing by theaters showing the adventures of "Doctor Strange" or the latest "Sonic the Hedgehog" movie, the senior citizens settle down in front of the documentary promising to "expose widespread, coordinated voter fraud in the 2020 election, sufficient to change the overall outcome."

- 'Lifeblood of democracy' -
The film opens with footage of anonymous voters enthusiastically slipping their ballots into boxes stamped with the American flag, while D'Souza tells the audience that "elections are the lifeblood of our democracy."

But, he says as the background darkens, the 2020 election "haunts the American mind."

Like millions of Americans, including former president Trump, D'Souza voices the debunked belief that the Democrats rigged the result of the last presidential election, relying on the widespread use of mail-in ballots during the Covid-19 pandemic.

"We can't move on unless we know the truth," the director says in his voiceover.

In an attempt to prove his theory, which has been rejected by all relevant US authorities, D'Souza shows himself, leaning on a kitchen counter and phoning a group based in Texas called True the Vote, which claims to "support election integrity." A meeting is arranged.

- 'A cartel' -
In a kind of hangar packed with computer servers, two members of the group claim to have proof of the existence of a well-planned operation which, "like a cartel," hired "mules" to stuff ballot boxes in a series of states that were key to Joe Biden's victory in 2020.

To validate their hypothesis, they rely on vast troves of anonymous location data from smartphone apps, which they claim show the comings and goings of these "mules" between the headquarters of various NGOs and ballot boxes.

It's a "heist" and "a crime," says the outraged D'Souza.

In the theater in Virginia, the audience is sold.

"It's like a nuclear bomb," says one man.

The theories pushed in the movie have been seriously questioned by multiple disinformation experts.

They say that a delivery man, a taxi driver, or a postman working in the neighborhood could easily have given the mistaken for people making such nefarious trips.

But for Trump and his supporters, this is the ultimate proof of the fraud they have been decrying for a year and a half.

"They rigged and stole the 2020 election, we cannot be okay with this, we cannot simply move on," says D'Souza as the film ends.

And as the first notes of the American national anthem play, he issues a call to action: "The America we love needs us now more than ever."



Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
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Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)

Jack Nicholson did not want to go to the Oscars. It was 1976 and he was nominated for best actor in “One Flew Over the Cuckoo’s Nest.” The Miloš Forman film, which is celebrating its 50th anniversary with a nationwide theatrical re-release on July 13 and July 16, had become a bit of a sensation — the second highest grossing picture of 1975, behind “Jaws,” and had received nine Oscar nominations.

But Nicholson wasn’t feeling optimistic. In five years, he’d already been nominated five times. He’d also lost five times. And he told his producer, Michael Douglas, that he couldn’t go through it again.

“I remember how hard I had to persuade Jack to come to the ceremony. He was so reluctant, but we got him there,” Douglas said in a recent interview with The Associated Press. “And then of course we lost the first four awards. Jack was sitting right in front of me and sort of leaned back and said ’Oh, Mikey D, Mikey D, I told you, man.’ I just said, ‘Hang in there.’”

Douglas, of course, was right. “One Flew Over the Cuckoo’s Nest” would go on to sweep the “big five” — screenplay, director, actor, actress and picture — the first film to do so in 41 years, (“It Happened One Night,” in 1934) which only “The Silence of the Lambs” has done since. That night was one of many vindicating moments for a film that no one wanted to make or distribute that has quite literally stood the test of time.

“This is my first 50th anniversary,” Douglas said. “It’s the first movie I ever produced. To have a movie that’s so lasting, that people get a lot out of, it’s a wonderful feeling. It’s bringing back a lot of great memories.”

The film adaption of Ken Kesey’s countercultural novel was a defining moment for Douglas, a son of Hollywood who was stuck in television and got a lifeline to film when his father, Kirk Douglas, gave him the rights to the book, and many of the then-unknown cast like Danny DeVito and Christopher Lloyd.

DeVito was actually the first person officially cast. Douglas, who’d known him for nearly 10 years, brought Forman to see him play Martini on stage.

“Miloš said, ‘Yes! Danny! Perfect! Cast!’” Douglas said in his best Czech accent. “It was a big moment for Danny. But I always knew how talented he was.”

A Joyful Shoot

Though the film's themes are challenging, unlike many of its New Hollywood contemporaries it wasn’t a tortured shoot by any stretch. They had their annoyances (like Forman refusing to show the cast dailies) and more serious trials (they found out halfway through production that William Redfield was dying of leukemia), but for the most part it was fun.

“We were very serious about the work, because Miloš was very serious. And we had the material, Kesey’s work, and the reverence for that. We were not frivolous about it. But we did have a ball doing it,” DeVito said, laughing.

Part of that is because they filmed on location at a real state hospital in Salem, Oregon. Everyone stayed in the same motel and would board the same bus in the morning to get to set. It would have been hard not to bond and even harder if they hadn’t.

“There was full commitment,” Douglas said. “That comes when you don’t go home at night to your own lives. We stopped for lunch on the first day and I saw Jack kind of push his tray away and go outside to get some air. I said, ‘Jack, you OK?’ He said, ’Who are these guys? Nobody breaks character! It’s lunch time and they’re all acting the same way!'”

Not disproving Nicholson’s point, DeVito remembers he and the cast even asked if they could just sleep in the hospital.

“They wouldn’t let us,” DeVito said. “The floor above us had some seriously disturbed people who had committed murder.”

A lasting legacy

The film will be in theaters again on July 13 and July 16 from Fathom Entertainment. It’s a new 4K restoration from the Academy Film Archive and Teatro Della Pace Films with an introduction by Leonard Maltin.

“It’s a gorgeous print and reminds me how good the sound was,” Douglas said.

DeVito thinks it, “holds up in a really big way, because Miloš really was paying attention to all great things in the screenplay and the story originally.”

Besides the shock of “holy Toledo, am I that old?” DeVito said that it was a treasure to be part of — and he continues to see his old friends, including Douglas, Lloyd and, of course, Nicholson, who played the protagonist, R.P. McMurphy.

One person Douglas thinks hasn’t gotten the proper attention for his contributions to “Cuckoo’s Nest” is producer Saul Zaentz, who died in 2014. His music company, Fantasy Records who had Creedence Clearwater Revival, funded the endeavor which started at a $1.6 million budget and ballooned to $4 million by the end. He was a gambler, Douglas said, and it paid off.

And whatever sour grapes might have existed between Douglas and his father, who played R.P. McMurphy on Broadway and dreamt of doing so on film, were perhaps over-exaggerated. It was ultimately important for their relationship.

“McMurphy is as good a part as any actor is going to get, and I’m now far enough in my career to understand maybe you have four, maybe five good parts, really great parts. I’m sure for dad that was one of them,” Douglas said.

“To not be able to see it through was probably disappointing on one side. On the other, the fact that his son did it and the picture turned out so good? Thank God the picture turned out. It would have been a disaster if it hadn’t.”

Douglas added: “It was a fairy tale from beginning to end. I doubt anything else really came close to it. Even my Oscar for best actor years later didn’t really surpass that moment very early in my career.”