60s Filmstar Claudia Cardinale Honored in Tunisian Birthplace

Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP
Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP
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60s Filmstar Claudia Cardinale Honored in Tunisian Birthplace

Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP
Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP

Actress Claudia Cardinale may have been a sixties legend of Italian and French cinema, but in Tunisia, in the portside district where she grew up, she says she feels "at home".

"I left very young, but I spent my whole childhood here, my adolescence," said Cardinale, now 84. "My origins are here."

To celebrate her connection to the North African country, authorities on Sunday named a street after her in the La Goulette suburb of the capital Tunis, where petals were scattered in a ceremony in her honor.

"You marked the world of cinema for almost half a century with your dazzling beauty, your charisma and through the roles you played," said Amel Limam, the mayor of La Goulette.

"I am very honored, because it is here that I was born and spent my childhood," Cardinale said. "I kiss you!"

The multicultural beachfront neighborhood was once home to a sizeable Sicilian population -- including Cardinale's parents.

Before Tunisia's independence from France in 1956, more than 130,000 Italians were residents, and many of their ancestors had settled there before French colonial rule.

"I still keep a lot of Tunisia inside me -- the scenery, the people, sense of welcome, the openness," Cardinale told AFP.

'We're all equal'
In 1957, aged 19, Cardinale won a beauty contest for "the prettiest Italian" in newly independent Tunisia.

Her prize was a trip to the Venice film festival, where she caught the eye of influential cinema figures.

That led to her first film role, in Mario Monicelli's Le Pigeon.

Soon afterwards, she moved with her family to Rome to pursue her career, which took off with a role in Luchino Visconti's film The Leopard, alongside French film star Alain Delon and Hollywood legend Burt Lancaster.

That was the start of a long career that has continued into her 80s. After starring in The Pink Panther opposite David Niven in 1963, she shot to attention in the United States and Britain.

In one of her latest roles, she plays a grandmother in a film by Tunisia's Ridha Behi, "L'ile du Pardon", currently in post-production.

Her parents never recovered from their departure from Tunisia, which they experienced as an exile.

"It was very hard. My father never wanted to come back, that's how much he dreaded the pain of what was for him a real heartbreak," she said.

"My mother recreated Tunisia in Italy. She planted all Tunisian plants and kept on cooking Tunisian meals."

But Cardinale said the Tunisian sense of hospitality can be a model for how to treat migrants.

The country "can and should be proud of its history," she said.

And in an era when many Tunisians are willing to risk their lives boarding unseaworthy boats to reach Europe, she stresses the importance of "remembering this shared past to build the future".

"The wind changes, and we're all equal in terms of the need to leave," she said.

"Tunisia for us was a welcoming land. I wish everyone in the world who needs to leave somewhere could receive the same welcome."


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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."