Proud Marvel Super Fan, Iman Vellani, Stars in ‘Ms. Marvel’

Iman Vellani, star of the Disney+ series "Ms. Marvel," poses for a portrait, Thursday, June 2, 2022, at the Beverly Hilton in Beverly Hills, Calif. (AP)
Iman Vellani, star of the Disney+ series "Ms. Marvel," poses for a portrait, Thursday, June 2, 2022, at the Beverly Hilton in Beverly Hills, Calif. (AP)
TT

Proud Marvel Super Fan, Iman Vellani, Stars in ‘Ms. Marvel’

Iman Vellani, star of the Disney+ series "Ms. Marvel," poses for a portrait, Thursday, June 2, 2022, at the Beverly Hilton in Beverly Hills, Calif. (AP)
Iman Vellani, star of the Disney+ series "Ms. Marvel," poses for a portrait, Thursday, June 2, 2022, at the Beverly Hilton in Beverly Hills, Calif. (AP)

Iman Vellani, who stars as Kamala Khan in the new Disney+ series “Ms. Marvel,” has a conundrum. Now that she’s a part of the MCU (Marvel Cinematic Universe), does she remove the Marvel posters from the walls of her childhood bedroom or leave them up?

“Brie (Larson) is on my wall and she’s in my phone book. So, like, that’s weird,” said Vellani in a recent interview.

“Ms. Marvel,” debuting Wednesday, is 19-year-old Vellani’s first professional acting job. Already an avid reader of the comics, Vellani learned of the open audition from her aunt. She went to the audition. Lo and behold, Vellani got the job.

The first month on set was spent in prep, rehearsing and stunt training. She had to give up her high school diet of McDonald’s and Oreos and build stamina, but Vellani wasn’t interested in changing her shape too much. “I was 17. Kamala was 16. I wanted her to look like a normal high school kid,” she said.

“My first proper day of filming — that was intense,” said Vellani. “It was all of the stunts that I had to do in the real Captain Marvel suit. The one that Brie gets to wear. It was an extremely uncomfortable day. That suit is not made to move in. You’re just supposed to stand and walk like a mannequin, and that’s what it’s made for. There’s so many pieces and it’s just really uncomfortable, and the scenes were pretty intense. So I came home with all these bruises and everything. My mom was like, ‘Oh my God, what happened?’ And I’m like, ‘I’m a superhero. That’s what happened.’”

Vellani just may be the first Marvel actor who is also a massive fan. She especially loves Robert Downey, Jr. and has proudly re-watched “Iron Man” “more than the average person.”

“They really are just a projection of real life and make you feel like you’re a part of something. Isn’t that what we all kind of want, to feel like we belong? And I know it sounds super cheesy, but for the Marvel fandom, it’s comfortable. It’s what we know. We can recite everything under the sun about the MCU.”

Sana Amanat, the co-creator of “Ms. Marvel,” jokes that having an actor who is a stan (or, really big fan) as they say, has its challenges.

“Sometimes she would just pull up in the producer’s chair next to me and just give lots of thoughts and opinions on, you know, either the show or the rest of the MCU. And I’d be like, ’That’s cool, but I need you to just act right now,” she laughed, adding, “Iman brought so much life and love to the character and it just made the entire process so much easier.”

Vellani was browsing a local comic book store when she discovered the “Ms. Marvel” comics and immediately felt represented in a way that is not common in mainstream media.

“I saw a girl who looked like me. She was Muslim and Pakistani and a superhero fanatic and I was Muslim, Pakistani and a superhero fanatic, so it worked out quite well. And I think my favorite part about the comic books was that it wasn’t about her religion or her culture or her ethnicity, it was about a fanfic-writing nerd, who just so happened to be Pakistani and just so happened to be Muslim. Those parts of her life motivated her and drove her as a character. she used her religion as a moral code. .. She never neglected her culture. It was something that kind of uplifted her journey.”

One of the things about South Asian culture that Vellani says “Ms. Marvel” gets right, is the importance of family. Kamala’s parents and brother feature prominently in the series.

“Showing those close, tight-knit family relationships, showing parents that are alive in the MCU, how rare is that,” said Vellani. “We wanted to hopefully get the ball rolling on Muslim representation in the media because there’s 2 billion Muslims and South Asians in the world, and we cannot represent every single one of them. But I do hope that people find some sort of comfort in Kamala’s character or through her brother or her parents or anyone in her community.”

Vellani is not only thrilled to represent in the MCU but also to be entrusted with its secrets.

“It’s an honor to keep these secrets. For some people, power is money. For Marvel fans, it’s knowledge and secrets and all the inside scoop on all the movies that haven’t been released yet. I have it. I have that power and I love it.”



'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)
TT

'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)

Tom Hanks has praised the "amazing" use of artificial intelligence to de-age him "in real time" on the set of new movie "Here," even as he accepted that the technology is causing huge concern in Hollywood.
"Here," out in theaters Friday, stars Hanks and Robin Wright as a couple striving to keep their family together through births, marriages, divorces and deaths, across multiple decades and even generations, said AFP.
Hanks portrays his character from an idealistic teen, through various stages of youth and middle age, to a frail, elderly man.
But rather than just relying on makeup, filmmakers teamed up with AI studio Metaphysic on a tool called Metaphysic Live, to rejuvenate and "age up" the actors.
The technology worked so fast that Hanks was able to immediately watch his "deep-faked" performance after each scene.
"The thing that is amazing about it is it happened in real time," said Hanks.
"We did not have to wait for eight months of post-production. There were two monitors on the set. One was the actual feed from the lens, and the other was just a nanosecond slower, of us 'deep-faked.'
"So we could see ourselves in real time, right then and there."
The rapidly increasing use of AI in films including "Here" has triggered vast concern in Hollywood, where actors last year went on strike over, among other things, the threat they believe the technology poses to their jobs and industry.
Hanks acknowledged those fears during a panel discussion with director Robert Zemeckis at last weekend's AFI Fest in Hollywood, saying a "lot of people" were worried about how it will be used.
"They took 8 million images of us from the web. They scraped the web for photos of us in every era that we've ever been -- every event we've filmed, every movie still, every family photo that might have existed anywhere," Hanks explained.
"And they put that into the box -- what is it, 'deepfake technology,' whatever you want to call it."
'Cinematic'
The use of AI is not the only unusual technological feat in "Here."
The film is entirely shot from one static camera, positioned for the most part in the corner of a suburban US home's living room.
Viewers occasionally see glimpses of the same geographic space before the house was built, as the action hops back and forth to colonial and pre-colonial times -- or even earlier.
"Here" is based on a graphic novel by Richard McGuire, which uses the same concept.
"It had to be true to the style of the book, and that's why it looks the way it does," Zemeckis told AFP.
"It worked in levels that I didn't expect. It's got a real powerful intimacy to it, and in a wonderful way, it's very cinematic."
But the film's use of AI has drawn the most attention.
'Very serious subject'
AI was also at the heart of a very different film at AFI Fest -- "Wallace & Gromit: Vengeance Most Fowl," the latest film for the beloved British stop-motion characters.
When Wallace constructs a "smart gnome" to take care of chores, his faithful pooch Gromit immediately sniffs danger.
Once Feathers McGraw -- the nefarious penguin introduced to audiences in 1993 short film "The Wrong Trousers" -- gets involved, the technology takes a sinister turn.
AI becomes "the wedge between Wallace and Gromit," explained co-director Merlin Crossingham.
"It is a very light touch, although it's a very serious subject," he said.
If "we can trigger some more intellectual conversation from our silly adventure with Wallace and Gromit, then that can't be a bad thing."
The film itself did not use AI.
"We don't and we wouldn't," said Crossingham, earning hearty applause from the Hollywood crowd.
"Vengeance Most Fowl" will be broadcast on Christmas Day in the United Kingdom and Ireland, before airing globally on Netflix from January 3.