New Documentary ‘The Princess’ Immerses Audiences in Diana’s Story

Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)
Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)
TT
20

New Documentary ‘The Princess’ Immerses Audiences in Diana’s Story

Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)
Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)

Oscar-nominated director Ed Perkins trawled through hundreds of hours of footage of Princess Diana in search of moments he hoped would offer new perspective on her life and public image, 25 years after her death.

His new film "The Princess" relies entirely on archive video to trace Diana’s life from a timid teen to her death on Aug. 31, 1997, aged 36, and the unprecedented scenes of mourning that ensued.

In eschewing interviews and retrospective analysis traditionally used as the narrative tool in documentaries, Perkins said he hoped to explore the complicated relationship between Diana, the media and the public and elicit an emotional response from audiences.

"Our hope was to use the archive as a kind of time machine to take audiences back into our collective pasts and allow them to relive the story," he told Reuters.

Perkins, who was 11 when Diana died and remembers the confusion he felt over the outpouring of emotion, said he hoped his style of filmmaking would encourage audiences to reanalyze their own relationship with the princess.

"The thing that's most interesting for me is what was our role in this? What was our active role in the story? What was our complicity?" said Perkins, who earned a 2019 Oscar nomination for the documentary short "Black Sheep."

"The part of the Diana story of this puzzle that I felt was less explored and more interesting for me was, what does Diana's story say about all of us? And so that's the whole approach here, to kind of immerse audiences in this present tense unfolding, to never let you escape from the archive, to take you back into these moments in all our lives."

Diana had just turned 20 when she married Charles in 1981 and became the subject of global admiration and scrutiny. The collapse of their marriage, which she blamed on Charles' lover and future wife, Camilla Parker Bowles, only fueled media and public interest in Diana, who died when a limousine in which she was riding crashed in a Parisian tunnel as she fled the paparazzi.

"The Princess" will be released in theaters in Britain on June 30.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
TT
20

‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.