‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)
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‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)

If you haven’t attended a Guy Manoukian concert yet, then you definitely lost the chance of having an artistic dose of happiness and enthusiasm.

On stage, Manoukian turns into a mass of musical notes as he plays the piano. His presence doesn’t resemble that of other musicians, and his concerts are not just about entertainment. He sings and triggers excitement and energy in his audience through a three-dimensional artistic language that few can master.

Manoukian recently performed at the French Olympia Theater, and he's set to play a concert at Lebanon’s Beiteddine Festival on July 16. His fans in Detroit, Montreal, Houston, London, and many other places, are also waiting his concerts.

His Beiteddine concert, whose tickets sold out a few days after the official announcement, brings Manoukian back to his artistic origins. He has already performed twice on that stage to great acclaim.

Today, the festivals are returning with the Lebanese-Armenian musician, to reclaim their charm and significant position on the map of Lebanese festivals.

“It’s my third concert in Beiteddine. This stage is like a home that I miss and want to visit every now and then. When I perform in Lebanon close to my people and my audience, it feels different, especially after a long time away,” he told Asharq Al-Awsat.

Manoukian has prepared a diverse musical program that features both Lebanese and Arabic music. “The concerts will include a blend of the music and a lot of positive energy. Those who have already attended my concerts know what I am talking about.”

“I love to give my audience some hope and optimism inspired by the Lebanon of tomorrow we dream of, and the Beiteddine festivals are the best place to deliver this message.”

He recently performed an unforgettable concert at France’s Olympia. “Every artist dreams of standing on this international stage, especially Lebanese artists, as we have a special bond with France.”

“I must say that I felt a little nervous at first because of the significance of the place, but it was the best concert I performed, and it turned into a celebration. The interaction of the audience was remarkable, and I will never forget it because it has given me much strength,” he recalled.

How does the musician cope with a new audience every time?

“Meeting an audience for the first time is the best feeling ever. When I visit a new city and meet a new audience, I feel so excited. That’s what I remember from concerts I performed in Sydney, Montreal, Los Angeles, and many more,” said Manoukian.

“Usually, the audience includes Lebanese, Arabic, and Armenian fans, so I feel like they are welcoming me on their own way. These ‘first times’ give me an amazing energy that I translate in my performance,” he explained.

Manoukian owes a lot to his father, who played a major role in encouraging him to build a career in music and fulfil his dream. But is he still pursuing his dreams?

“Despite all my achievements and awards, yes, I’m still pursuing my dream, which for me, is enjoying an artistic journey, not a goal or a position.”

“Therefore, I urge all young men and women not to give up on their dreams. They should keep trying despite hardships. Life is short and worth trying,” he remarked.

Manoukian has gained international fame, and many prizes, but the most valuable for him is the Best Armenian Dance Album Award that he won in Los Angeles.

The musician had to take a forced break from music because of the coronavirus pandemic. Did it affect his work?

“It helped me fix the rhythm of my life. Before, I was living a loud and hectic and I felt my children were growing up away from me. During the pandemic, I seized the opportunity to enjoy a warm family life,” said Manoukian.

“I also managed to finish music pieces that I couldn’t complete because of my busy schedule”, he explained.

“In my opinion, it was a positive break that allowed me to see things differently. It helped me focus on my priorities, mostly my family,” he added.

Manoukian has stood on many Arabic and global stages, but what about Saudi Arabia? Is he planning a concert there? “Saudi Arabia is always on my mind and in my future plans,” he revealed.

“I believe it’s the future of the Middle East, and the prospering tomorrow of art and openness we are all aspiring to. I am really excited to meet the Saudi people on the right occasion,” he added.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.