‘Hallelujah’, a Dud Turned Classic Song, the Focus of New Cohen Doc

Leonard Cohen seen performing in New York in 2012 Mike Lawrie GETTY IMAGES/AFP
Leonard Cohen seen performing in New York in 2012 Mike Lawrie GETTY IMAGES/AFP
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‘Hallelujah’, a Dud Turned Classic Song, the Focus of New Cohen Doc

Leonard Cohen seen performing in New York in 2012 Mike Lawrie GETTY IMAGES/AFP
Leonard Cohen seen performing in New York in 2012 Mike Lawrie GETTY IMAGES/AFP

Leonard Cohen's song "Hallelujah" pretty much flopped when it came out nearly 40 years ago.

Today, it enjoys cult status and has been performed by everyone from Bob Dylan to Jeff Buckley and Bon Jovi -- even appearing in animated hit "Shrek" -- in a unique evolution detailed in a new documentary film.

The tune rich in religious and erotic references by the Canadian poet, who died in 2016, has made the rounds.

In 2008, a gospel version of the song was performed by Alexandra Burke on the British TV talent show "The X Factor."

That year the song placed 1st, 2nd and 36th in the British music charts: the versions by Burke, Buckley and the original by Cohen himself.

"I do not know of any other song with that trajectory," said music journalist Alan Light, who wrote a book on the song called "The Holy or the Broken," published in 2012.

"This song took 10 years, 20 years, going through all these different versions, around these different corners and then it gains this momentum. The snowball is rolling, and it gets bigger and bigger and bigger," Light told AFP.

He spoke in New York at a showing of the new documentary "Hallelujah: Leonard Cohen, a Journey, a Song," for which was an adviser and producer.

In 2010, the Canadian singer K.D. Lang belted it out at the Winter Olympics in Vancouver. And 11 years later "Hallelujah" was performed again at a tribute to victims of the coronavirus pandemic, with President Joe Biden in attendance on the eve of his swearing in.

Light says the song has a beautiful melody and but also lyrics open to interpretation.

"If to you it's a religious song, that's there. If to you, it's a heartbreak song, great, that's there. You can do that," Light said.

"There's no wrong way to do it," he added, noting a ukelele version by US musician Jake Shimabukuro.

Not all agree, however.

In an interview for his book on "Hallelujah," Light recalled how U2 frontman Bono apologized for a 1995 trip-hop version of the song he recorded, in which he talked his way through the lyrics, rather than sang.



Judge Dismisses Justin Baldoni’s $400M Lawsuit Against ‘It Ends With Us’ Costar Blake Lively

Justin Baldoni attends the 'It Ends With Us' premiere in New York City, US, August 6, 2024. (Reuters)
Justin Baldoni attends the 'It Ends With Us' premiere in New York City, US, August 6, 2024. (Reuters)
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Judge Dismisses Justin Baldoni’s $400M Lawsuit Against ‘It Ends With Us’ Costar Blake Lively

Justin Baldoni attends the 'It Ends With Us' premiere in New York City, US, August 6, 2024. (Reuters)
Justin Baldoni attends the 'It Ends With Us' premiere in New York City, US, August 6, 2024. (Reuters)

A judge on Monday dismissed the lawsuit that actor and director Justin Baldoni filed against his "It Ends With Us" costar Blake Lively after she sued him last year for sexual harassment and retaliation.

US District Court Judge Lewis Liman's decision is the latest development in the bitter legal battle surrounding the dark romantic film.

Baldoni and production company Wayfarer Studios countersued in January for $400 million, accusing Lively and her husband, "Deadpool" actor Ryan Reynolds, of defamation and extortion.

The New York judge ruled that Baldoni can’t sue Lively for defamation over claims she made in her legal claim, because allegations made in a lawsuit are exempt from libel claims. Liman also ruled that Baldoni's claims that Lively stole creative control of the film didn't count as extortion under California law.

The judge, however, said Baldoni could revise the lawsuit if he wanted to pursue different claims related to whether Lively breached or interfered with a contract. His legal team indicated it planned to do so.

"Ms. Lively and her team’s predictable declaration of victory is false," one of Baldoni's lawyers, Bryan Freedman, said in a statement. He said that Lively's claims that she was sexually harassed on the film set, and then subjected to a secret smear campaign intended to taint her reputation, were "no truer today than they were yesterday."

"It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel that begins as a romance but takes a dark turn into domestic violence, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni.

The judge also dismissed Baldoni's defamation lawsuit against The New York Times, which had reported on Lively's sexual harassment allegations.

"Today’s opinion is a total victory and a complete vindication for Blake Lively, along with those that Justin Baldoni and the Wayfarer Parties dragged into their retaliatory lawsuit, including Ryan Reynolds, (publicist) Leslie Sloane and The New York Times," Lively's attorneys, Esra Hudson and Mike Gottlieb, said in a prepared statement.

The lawyers said they "look forward to the next round" of seeking attorneys’ fees, treble damages and punitive damages.

A spokesperson for The New York Times said they were "grateful to the court for seeing the lawsuit for what it was: a meritless attempt to stifle honest reporting."

"Our journalists went out and covered carefully and fairly a story of public importance, and the court recognized that the law is designed to protect just that sort of journalism," Charlie Stadtlander said in an emailed statement.

Lively appeared in the 2005 film "The Sisterhood of the Traveling Pants" and the TV series "Gossip Girl" from 2007 to 2012 before starring in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote the book "Man Enough."