Seoul Lures Multinational Talents to Globalize Korean Pop

K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
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Seoul Lures Multinational Talents to Globalize Korean Pop

K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid

From Indian Korean pop (K-pop) idols to Swedish songwriters, South Korea's music industry is now a hotbed of global talent -- a smart strategy as it aims for world domination.

K-pop bands have long included non-Koreans: Blackpink's Lisa is Thai, while Japan and China are both well represented, and Korean-American singers have topped the local charts, according to Agence France Press (AFP).

But after megastars like Psy and BTS brought K-pop to a global audience, the South Korean entertainment agencies behind almost all the popular groups are recruiting further afield. DR Music's girl group Blackswan only has two Koreans in its six-woman line-up, and last month added the industry's first Indian "idol", who joins Brazilian and Senegalese members.

In the United States, a Korean-American K-pop singer, AleXa, recently won NBC's American Song Contest, the U.S. version of Eurovision.

Though she sang in English, her training in Seoul made her stand out. Stage direction and teaching the singer how to deal with techs and lights make a key part of the Korean pop training.

At ZB Label, part of industry powerhouse Zanybros, which has produced thousands of K-pop music videos, signed AleXa because “they believe she has the "full package" and saw her potential as a young Korean-American to appeal to K-pop's growing global fandom,” said Angelina Foss, creative director at South Korea's ZB Label.

AleXa, who has studied dance since she was two, said: "I trained every day of the week. I had weekly evaluations, which is a very big thing in the K-pop industry," she said.

After months of work, her bosses decided she was ready to "debut" as a fully-fledged star.

AleXa’s songs are written in Sweden but produced in Seoul with a US audience but global YouTube views in mind.

K-pop recruiters are fanning out across the world, with agencies hosting auditions in cities including London, Bangkok, Sydney and Tokyo, but at the same time global talent is flocking to South Korea.



Music Streams Hit Nearly 5 Trillion in 2024. Women Pop Performers Lead the Charge in the US

Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)
Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)
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Music Streams Hit Nearly 5 Trillion in 2024. Women Pop Performers Lead the Charge in the US

Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)
Sabrina Carpenter appears at the Time100 Next event in New York on Oct. 9, 2024, left, Billie Eilish appears at the 66th annual Grammy Awards in Los Angeles on Feb. 4, 2024, center, and Taylor Swift appears at the MTV Video Music Awards in Elmont, N.Y., on Sept. 11, 2024. (AP Photo)

More music, more listeners, no problems.

The global music industry hit 4.8 trillion streams in 2024, a new single-year record, Luminate’s 2024 Year-End Report found. That’s up 14% from 2023, which held the previous record.

If you streamed a lot more music in 2024 — and in particular, a lot of women pop performers — you are not alone.

In the US, on-demand audio streams grew at a rate of 6.4%, totaling 1.4 trillion.

Contemporary music is fueling the growth. The overwhelming majority of US plays – 79.5% — were from songs released in 2010 or later. Songs released between 2020 and 2024 accounted for nearly half of all streams.

And Taylor Swift, 2024's most-streamed songwriter worldwide, is only partially responsible.

Pop rules Midway through 2024, Luminate determined that Latin music had become the fastest growing streaming genre in the United States — up 15.1% from summer 2023 — followed by pop, rock and country.

A lot can change in half a year, because now pop leads, followed by rock and Latin.

“We saw some interesting trends within the US,” said Jaime Marconette, Luminate’s vice president of music insights and industry relations.

"Latin was the fastest-growing US streaming genre in the first half of the year based on growth of genre streaming share. However, due to a shift of streaming activity in the second half of the year, pop took the No. 1 spot ... Female solo artists led this surge in pop consumption, as streams of their music were responsible for nearly two-thirds of all audio streams amongst the top 100 pop artists in the US”

The shift is led by six women who dominated pop’s streams in the US:

1. Taylor Swift with 12.8 billion streams

2. Billie Eilish with 4.46 billion

3. Sabrina Carpenter with 3.71 billion

4. Ariana Grande with 3.12 billion

5. Olivia Rodrigo with 2.76 billion

6. Chappell Roan with 2.49 billion

That’s at least partially reflected in the top 10 global streaming songs as well:

1. Benson Boone’s “Beautiful Things”

2. Sabrina Carpenter’s “Espresso"

3. Billie Eilish’s “Birds of a Father"

4. Teddy Swims’ “Lose Control”

5. Lady Gaga and Bruno Mars,” “Die with a Smile"

6. FloyyMenor, “Gata Only”

7. Shaboozey, “A Bar Song (Tipsy)”

8. Hozier, “Too Sweet”

9. Taylor Swift, “Cruel Summer”

10. Sabrina Carpenter, “Please Please Please”

Regional Mexican music continues to grow Even if pop has replaced Latin music as the fastest growing streaming genre in the US, the music is not slowing down in popularity. In 2024, regional Mexican music overtook Latin pop as the largest Latin subgenre in the US.

“Latin still grew by both volume and its share of total US audio streaming during the course of 2024,” Marconette said. “When looking at Latin subgenre activity, Regional Mexican dominated in terms of growth.”

Regional Mexican music — a catchall term that encompasses mariachi, banda, corridos, norteño, sierreño and other genres — has become a global phenomenon over the last few years, topping music charts and reaching new audiences as it crosses borders.

The genre reached 28.57 billion streams in 2024, followed by Latin pop with 24.09 billion.

Rap and R&B are forever Pop rules, but just like 2023, when it comes to overall music streaming in the US, R&B and hip-hop still lead, accounting for more than one in every four streams stateside.

In 2024: Rap and R&B accounted for 341.63 billion on-demand audio streams, followed by rock with 234.22 billion, pop with 165.49 billion, country with 117.58 billion and Latin with 113.02 billion.