Seoul Lures Multinational Talents to Globalize Korean Pop

K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
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Seoul Lures Multinational Talents to Globalize Korean Pop

K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid

From Indian Korean pop (K-pop) idols to Swedish songwriters, South Korea's music industry is now a hotbed of global talent -- a smart strategy as it aims for world domination.

K-pop bands have long included non-Koreans: Blackpink's Lisa is Thai, while Japan and China are both well represented, and Korean-American singers have topped the local charts, according to Agence France Press (AFP).

But after megastars like Psy and BTS brought K-pop to a global audience, the South Korean entertainment agencies behind almost all the popular groups are recruiting further afield. DR Music's girl group Blackswan only has two Koreans in its six-woman line-up, and last month added the industry's first Indian "idol", who joins Brazilian and Senegalese members.

In the United States, a Korean-American K-pop singer, AleXa, recently won NBC's American Song Contest, the U.S. version of Eurovision.

Though she sang in English, her training in Seoul made her stand out. Stage direction and teaching the singer how to deal with techs and lights make a key part of the Korean pop training.

At ZB Label, part of industry powerhouse Zanybros, which has produced thousands of K-pop music videos, signed AleXa because “they believe she has the "full package" and saw her potential as a young Korean-American to appeal to K-pop's growing global fandom,” said Angelina Foss, creative director at South Korea's ZB Label.

AleXa, who has studied dance since she was two, said: "I trained every day of the week. I had weekly evaluations, which is a very big thing in the K-pop industry," she said.

After months of work, her bosses decided she was ready to "debut" as a fully-fledged star.

AleXa’s songs are written in Sweden but produced in Seoul with a US audience but global YouTube views in mind.

K-pop recruiters are fanning out across the world, with agencies hosting auditions in cities including London, Bangkok, Sydney and Tokyo, but at the same time global talent is flocking to South Korea.



'Den of Thieves 2' Opens at No. 1 as 'Better Man' Flops

This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
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'Den of Thieves 2' Opens at No. 1 as 'Better Man' Flops

This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)

On a quiet weekend in movie theaters, while much of Hollywood’s attention was on the wildfires that continue to rage in Los Angeles, Lionsgate’s “Den of Thieves 2: Pantera” debuted atop the box office with $15.5 million, according to studio estimates Sunday.
Mid-January is often a slow moviegoing period, and that was slightly exacerbated by the closures of about 10 theaters in Los Angeles, the country’s top box-office market, The Associated Press reported.
A sequel to the Gerard Butler 2018 heist thriller, “Den of Thieves 2” performed similarly to the original. The first installment, released by STX, opened with $15.2 million seven years ago. O’Shea Jackson Jr. co-stars in the sequel, which debuted in 3,008 North American theaters.
Butler's films are becoming something of a regular feature in January. He also starred in “Plane,” which managed $32.1 million after launching on Jan. 13 in 2023.
“Den of Thieves 2,” made for about $40 million, was a bit more costly to make. Audiences liked it well enough, giving it a “B+” CinemaScore. Reviews (58% fresh on Rotten Tomatoes) weren’t particularly good. But it counted as Lionsgate’s first No.1 opening since “The Hunger Games: The Ballad of Songbirds and Snakes” in November 2023.
Also entering wide release over the weekend was the Robbie Williams movie “Better Man,” one of the more audacious spins on the music biopic in recent years. Rather than going the more tradition routes of Elton John (“Rocketman”) or Elvis Presley (“Elvis”), the British popstar is portrayed by a CGI chimpanzee in Michael Gracey’s film.
The Paramount Pictures release, produced for $110 million and acquired by Paramount for $25 million, didn’t catch on much better than Williams’ previous forays into the United States. It tanked, with $1.1 million in ticket sales from 1,291 locations. Gracey’s previous feature, 2017’s “The Greatest Showman” ($459 million worldwide), fared far better in theaters. Reviews, however, have been very good for “Better Man.”
It was bested by “The Last Showgirl,” the Las Vegas drama starring Pamela Anderson. The Roadside Attractions release expanded to 870 theaters and collected $1.5 million.
Also outdoing “Better Man” was Brady Corbet’s “The Brutalist.” Coming off winning best drama at the Golden Globes, the A24 postwar epic grossed a hefty $1.4 million from just 68 locations. It expands wider in the coming weeks.
The weekend's lion share of business went to holiday holdovers, including “Mufasa: The Lion King,” “Sonic the Hedgehog 3,” “Nosferatu” and “Moana 2.”
In its fourth week of release, Barry Jenkins “Mufasa” continued to do well, adding $13.2 million to bring its total to $539.7 million worldwide. Also on its fourth weekend, “Sonic the Hedgehog 3” padded its $384.8 million global total with $11 million. Robert Eggers’ “Nosferatu,” the surprise hit of the Christmas period, collected $6.8 million in ticket sales, bringing the vampire tale to $81.1 million domestically.
The Walt Disney Co.’s “Moana 2,” in its seventh week of release, added $6.5 million to bring its global tally to $989.8 million. In the coming days, it will become the third Disney film released in 2024 to notch $1 billion, joining “Inside Out 2” and “Deadpool and Wolverine.”