Seoul Lures Multinational Talents to Globalize Korean Pop

K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
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Seoul Lures Multinational Talents to Globalize Korean Pop

K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid
K-Pop Star Luna attends a news conference to announce her Broadway debut in 'KPOP, The Musical' in New York City, US, March 30, 2022. REUTERS/Brendan McDermid

From Indian Korean pop (K-pop) idols to Swedish songwriters, South Korea's music industry is now a hotbed of global talent -- a smart strategy as it aims for world domination.

K-pop bands have long included non-Koreans: Blackpink's Lisa is Thai, while Japan and China are both well represented, and Korean-American singers have topped the local charts, according to Agence France Press (AFP).

But after megastars like Psy and BTS brought K-pop to a global audience, the South Korean entertainment agencies behind almost all the popular groups are recruiting further afield. DR Music's girl group Blackswan only has two Koreans in its six-woman line-up, and last month added the industry's first Indian "idol", who joins Brazilian and Senegalese members.

In the United States, a Korean-American K-pop singer, AleXa, recently won NBC's American Song Contest, the U.S. version of Eurovision.

Though she sang in English, her training in Seoul made her stand out. Stage direction and teaching the singer how to deal with techs and lights make a key part of the Korean pop training.

At ZB Label, part of industry powerhouse Zanybros, which has produced thousands of K-pop music videos, signed AleXa because “they believe she has the "full package" and saw her potential as a young Korean-American to appeal to K-pop's growing global fandom,” said Angelina Foss, creative director at South Korea's ZB Label.

AleXa, who has studied dance since she was two, said: "I trained every day of the week. I had weekly evaluations, which is a very big thing in the K-pop industry," she said.

After months of work, her bosses decided she was ready to "debut" as a fully-fledged star.

AleXa’s songs are written in Sweden but produced in Seoul with a US audience but global YouTube views in mind.

K-pop recruiters are fanning out across the world, with agencies hosting auditions in cities including London, Bangkok, Sydney and Tokyo, but at the same time global talent is flocking to South Korea.



Joyful Musical ‘Titanique’ Puts Celine Dion Center Stage

Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)
Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)
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Joyful Musical ‘Titanique’ Puts Celine Dion Center Stage

Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)
Canadian Singer Celine Dion performs at the Eiffel Tower at the conclusion of the opening ceremony of the Olympic Games Paris 2024 on July 26, 2024 in Paris, France. (Reuters)

Imagine if singer Celine Dion had been on the Titanic, survived, and wanted to revisit her version of events. That is the premise of the musical "Titanique" that has opened in London's West End.

Featuring Dion’s back catalogue, the show's light-hearted tone is a break with previous more somber accounts of the story of the ocean liner that hit an iceberg and sank in 1912.

It blends elements from the plot of the 1997 movie version, which starred actors Kate Winslet and Leonardo DiCaprio as lovers Rose and Jack, and other pop culture references.

Tye Blue, who directs and also wrote the musical along with actor and writers Constantine Rousouli and Marla Mindelle, describes it as "a joy machine".

The story is told through the eyes of the character Celine Dion, played by Lauren Drew.

"This is very much a love letter to Celine Dion....paying homage to her and her craft and her strength," Drew said after coming off stage. "It's completely embodying her kookiness, her craziness and her talent. So I just I love that I get to do that every night."

Blue said Dion's team came to see the show after it opened in New York and that "they loved it" and "kind of unofficially gave us their blessing".

Last year Dion returned to the live stage with a performance at the Olympics opening ceremony in Paris.

The 56-year-old singer said in late 2022 that she had been diagnosed with a rare neurological disorder called stiff-person syndrome that causes muscle spasms.

The music from the show includes ballads such as "Titanic’s" award-winning hit "My Heart Will Go On" and Eric Carmen’s "All by Myself" that Dion released in 1996.

"Titanique" is playing at the Criterion Theater until March 2025. Other versions of it are playing in Sydney, Toronto and Montreal, and another is set to open in France in April.