'Grease' Star Olivia Newton-John Dies Aged 73

File Photo: Pop star Olivia Newton-John meets fans in Los Angeles in January 2018. | AFP-JIJI
File Photo: Pop star Olivia Newton-John meets fans in Los Angeles in January 2018. | AFP-JIJI
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'Grease' Star Olivia Newton-John Dies Aged 73

File Photo: Pop star Olivia Newton-John meets fans in Los Angeles in January 2018. | AFP-JIJI
File Photo: Pop star Olivia Newton-John meets fans in Los Angeles in January 2018. | AFP-JIJI

Singer Olivia Newton-John, who gained worldwide fame as high school sweetheart Sandy in the hit musical movie "Grease," died on Monday after a 30-year battle with cancer. She was 73.

Newton-John "passed away peacefully at her ranch in Southern California this morning, surrounded by family and friends," said a statement from her husband John Easterling posted on her official social media accounts.

The multiple Grammy-winning entertainer, whose career spanned more than five decades, including chart-topping songs such as "Physical," devoted much of her time in later years to charities after first being diagnosed with breast cancer in 1992.

The British-born and Australian-raised star dedicated a number of albums and concerts to raise funds for research and early detection of the disease, including the construction of a health center named after her in her adopted home Melbourne.

"I don't like to say 'battled,'" a defiant Newton-John told Australia's Channel Seven TV in September 2018 after revealing she had been diagnosed with cancer for a third time.

"I like to say 'win over,' because 'battled' sets up this anger and inflammation that you don't want."

No cause of death was given in the family's statement.

- 'Sandy and Danny' -
Newton-John was best known for starring in the 1978 musical "Grease" alongside John Travolta as the-girl-next-door Sandy, who trades her ankle-length skirt and prim and proper hair for skin-tight black pants and a perm.

The high school sweetheart-turned-bad girl resonated with audiences worldwide, and continues to capture hearts decades after the movie was released.

"Making it was fun but you never know with movies if audiences are going to go with it or not, even if you love it," she said in a Forbes interview in 2018.

"It is incredible that it is still going but it's not even just that, it's showing no signs of stopping. You say 'Sandy and Danny' and people instantly know what you're talking about."

Grease remained the highest-grossing musical for three decades, with Newton-John and Travolta maintaining a close relationship long after the film was made.

"My dearest Olivia, you made all of our lives so much better. Your impact was incredible. I love you so much," wrote Travolta, in an Instagram post Monday signed "Your Danny, your John!"

Travolta has previously said meeting and working with Newton-John "was my favorite thing about doing Grease."

There was no one else "in the universe" who could play Sandy, he said of Newton-John, who turned 29 during the making of Grease and later revealed she had to be convinced by Travolta to take up the role after self-doubts that she was too old to play a teenager.

"If you were a young man in the 70s..., if you remember that album cover with Olivia with that blue shirt on, with those big blue eyes staring at you," Travolta recalled, in an interview to mark the film's 40 anniversary in 2018.

"Every boy's, every man's dream was: 'Oh I would love for that girl to be my girlfriend'."

Australian popstress Kylie Minogue said she had loved and looked up to Newton-John since she was a child.

"She was, and always will be, an inspiration to me in so many, many ways," the singer wrote on Twitter.

- 'Done everything' -
Born in Cambridge, England in 1948, Newton-John was the youngest of three children.

The granddaughter of Nobel Prize-winning physicist Max Born, she immigrated to Melbourne, Australia with her family when she was five.

A passion for music saw her perform in several Australian TV shows as a teenager, before moving to England in the 1960s where she teamed up with fellow Australian performer Pat Carroll on the UK pub and club circuit.

From the 1970s, she would go on to top international charts for decades with songs that stretched into folk, country and pop, earning four Grammys from 12 career nominations.

The 1981 hit song "Physical," which saw Newton-John don a headband and spandex amid an 80s fitness culture boom, demonstrated the dexterity of a performer able to reinvent herself amid cultural change.

Despite her multiple cancer diagnoses, she performed into her late 60s, including a two-year residency in Vegas, a 2015 tour with Australian music legend John Farnham, and even recording a Club Dance track at 67 with her daughter Chloe Lattanzi.

Her philanthropy and passion for cancer research came to the forefront, championing natural therapies including medicinal cannabis in the treatment of cancer.

"I have done everything, and the icing on the cake as well," she said, reflecting on her career.

"So I feel grateful for anything that happens now."



Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)

Actor Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.

The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.

The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.

Lively's suit said that Baldoni, the film's production company Wayfarer Studios and others engaged in "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out."

She accuses Baldoni and the studio of embarking on a "multi-tiered plan" to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed "repeated sexual harassment and other disturbing behavior" by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.

The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set.

Baldoni's attorney Bryan Freedman did not immediately respond to a request for comment on Lively's lawsuit. But he previously called the same allegations "completely false, outrageous and intentionally salacious."

Lively's lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to "vigorously defend" against the lawsuit.

Others who are defendants in Lively's suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: "‘We Can Bury Anyone’: Inside a Hollywood Smear Machine."

Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.

The libel lawsuit says the newspaper "relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care."

A spokesperson for the Times, Danielle Rhoades, said in a statement that "our story was meticulously and responsibly reported."

"It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error," the statement said.

But Baldoni's lawsuit says that "If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign."

Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that "Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today."

The romantic drama "It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for "Deadpool & Wolverine" at the same time.

Lively came to fame through the 2005 film "The Sisterhood of the Traveling Pants," and bolstered her stardom on the TV series "Gossip Girl" from 2007 to 2012. She has since starred in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote "Man Enough," a book pushing back against traditional notions of masculinity. He responded to concerns that "It Ends With Us" romanticized domestic violence, telling the AP at the time that critics were "absolutely entitled to that opinion."

He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.

Baldoni's attorney, Freedman, said in a statement on the libel suit that "the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites."

"In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public," he added. "The irony is rich."