'This Freaking Tower!': Tech Saves Potty-mouthed Stars in Vertigo Thriller 'Fall'

"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
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'This Freaking Tower!': Tech Saves Potty-mouthed Stars in Vertigo Thriller 'Fall'

"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File

When you're dangling from a tower 2,000 feet above the desert floor by your fingertips, it may be difficult not to drop a couple of F-bombs -- even if you're a Hollywood actor shooting a PG-13 rated movie.

Fortunately, a new editing technology came to the rescue of the "potty-mouthed" stars of "Fall," out in US theaters Friday, which follows two young women who decide to scale an impossibly tall metal tower in the remote California desert.

This being a movie, the adventure doesn't go to plan, leaving Becky (Grace Caroline Currey) and Hunter (Virginia Gardner) stranded on a tiny platform where vertigo is just one of the terrifying challenges they must overcome.

"I'm talking about the most intense winds I've ever experienced," Currey told AFP, of the grueling shoot.

"Gini (Gardner) and I are just holding on to that pole, sitting there, swaying, looking at each other, and it's making sounds.

"We had a moment going, 'what did we get ourselves into? Also, are these our final hours? Are we gonna make it down?'"

"There was definitely some swearing in the environment and in the air."

Though the movie was not shot at the real B67 TV Tower, which is twice the height of the Eiffel Tower, the actors still had to perform on a terrifying set: a 60-foot tower perched atop a sheer cliff in the Mojave desert.

Using judicious angles to avoid showing the mountain, British director Scott Mann was able to retain a realistic feel for the Indy thriller at the tiny budget of $3 million.

But when major Hollywood studio Lionsgate agreed to distribute the film, there was one problem.

The actors were cursing throughout, using language likely to trigger a restricted "R" rating that could dampen box office receipts.

"Potty mouths Virginia and Grace, is what I'd say!" joked Mann, in an interview with AFP via Zoom.

"I do not blame Gini and Grace -- because let's be honest, off the top of this ridiculous structure, thousands of feet up, asking to improvise out scenes, it is entirely justified they would be saying that."

"Definitely my fault!" he admitted.

- 'Potty-mouth language' -
While a giant summer superhero movie might typically reshoot certain scenes, the budget on "Fall" did not allow for that, and filmmakers were reluctant to edit out dialog.

Instead they found a creative solution: a nascent technology, primarily invented for foreign-language dubbing, enabling them to seamlessly swap in more family-friendly audio.

It maps the actors' faces, learning their specific mouth movements, before manipulating these motions with 3D computer effects to sync with new dialog.

"What the technology allowed was, rather than having to rebuild the tower and go up the mountain again, just to go to a sound studio," said Mann, who co-founded a start-up working on the technology.

"We rewrote those little moments, just to work around some of that potty-mouth language, and then basically inject it back into the movie."

While the tool has been referred to as "deepfake," Mann said that label suggests more nefarious uses such as pornography, while in reality it is more "hands-off."

"It's an interesting use, and I think it was a good solution," he said.

- 'Wild' -
Despite being released in mid-August -- typically a period with low audiences, where many weaker films are unceremoniously dumped by studios -- "Fall" has received very positive reviews.

The Guardian said the micro-budget movie should embarrass other giant studios who throw "a hundred times more at blockbusters with a hundred times less of a thrill factor," while Vanity Fair dubbed it "an engrossing dog-days surprise."

For Currey, who did many of her own stunts including clinging onto a plummeting ladder, making the movie was "pretty wild, not like anything I've ever done before."

"And we didn't know if we were going to be R or PG-13," she added.

"As far as Gini and I knew, we could say whatever we wanted!"



Marrakech Film Festival Opens in Morocco with 'The Order'

FILE -A view of the venue of the 2023 Marrakech International Film Festival in Marrakech, Morocco, Nov. 24, 2023. (AP Photo/Mosa'ab Elshamy, File)
FILE -A view of the venue of the 2023 Marrakech International Film Festival in Marrakech, Morocco, Nov. 24, 2023. (AP Photo/Mosa'ab Elshamy, File)
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Marrakech Film Festival Opens in Morocco with 'The Order'

FILE -A view of the venue of the 2023 Marrakech International Film Festival in Marrakech, Morocco, Nov. 24, 2023. (AP Photo/Mosa'ab Elshamy, File)
FILE -A view of the venue of the 2023 Marrakech International Film Festival in Marrakech, Morocco, Nov. 24, 2023. (AP Photo/Mosa'ab Elshamy, File)

One of the Middle East and North Africa's largest film festivals opened Friday in Morocco, drawing actors and directors from throughout the world to present 70 features from 32 countries.
The Marrakech International Film Festival, now in its 21st year, will showcase Oscar contenders and screen films for members of the public. But unlike larger festivals in Venice, Cannes or Toronto, it places unique emphasis on emerging directors and films from the Middle East and Africa.
The roster of actors and directors who will participate in this year’s conversations and tributes includes Sean Penn, Alfonso Cuaron and David Cronenberg.
Remi Bonhomme, the festival's artistic director, said what makes the festival unique is its ability to draw talent on par with the world's largest festivals while also spotlighting up-and-coming directors from Morocco, the Middle East and Africa.
“We pay a lot of attention to countries that are underrepresented in cinema,” he said. “We support filmmakers who have their own voice, who develop a story that is in a specific context, whether it is Iran, Morocco or the US."
“But they don’t have to be the voice of their country. They have the need to have the freedom to express their own personal vision,” he added.
Among the themes that Bonhomme is excited about in this year's films is family. Filmmakers, including “The Seed of the Sacred Fig” director Mohammad Rasoulof, are “exploring social and political impact through the scale of a family,” Bonhomme said.
The festival opens Friday with “The Order” — a thriller starring Jude Law that chronicles an FBI manhunt for the leader of a white supremacist group.
The jury competition contains 14 first or second films. The nine-person jury includes actors Jacob Elordi and Andrew Garfield as well as Ali Abbasi, the Iranian-Danish director of “The Apprentice.” Luca Guadagnino will preside over the jury.
The films in competition include Saïd Hamich's “Across the Sea” about a young Moroccan man's immigration to Marseille and Damian Kocur's “Under the Volcano,” Poland's Oscar entry for Best International Feature.
The festival — founded by Morocco's King Mohammed VI and is presided over by his brother Prince Moulay Rachid — plays a major role in showcasing and promoting Moroccan films and directors.