Howard Carter Stole Tutankhamun’s Treasure, New Evidence Suggests

The sarcophagus of the boy pharaoh King Tutankhamun is on display in his newly renovated tomb in the Valley of the Kings in Luxor, Egypt January 31, 2019. (Reuters)
The sarcophagus of the boy pharaoh King Tutankhamun is on display in his newly renovated tomb in the Valley of the Kings in Luxor, Egypt January 31, 2019. (Reuters)
TT

Howard Carter Stole Tutankhamun’s Treasure, New Evidence Suggests

The sarcophagus of the boy pharaoh King Tutankhamun is on display in his newly renovated tomb in the Valley of the Kings in Luxor, Egypt January 31, 2019. (Reuters)
The sarcophagus of the boy pharaoh King Tutankhamun is on display in his newly renovated tomb in the Valley of the Kings in Luxor, Egypt January 31, 2019. (Reuters)

Howard Carter, the archaeologist who discovered Tutankhamun’s tomb in 1922, was long suspected by Egyptians of having helped himself to treasures before the vault was officially opened. But while rumors have swirled for generations, proof has been hard to come by.

Now an accusation that Carter handled property “undoubtedly stolen from the tomb” has emerged in a previously unpublished letter sent to him in 1934 by an eminent British scholar within his own excavation team, reported the Guardian on Saturday.

It was written by Sir Alan Gardiner, a leading philologist. Carter had enlisted Gardiner to translate hieroglyphs found in the 3,300-year-old tomb, and later gave him a “whm amulet”, used for offerings to the dead, assuring him that it had not come from the tomb.

Gardiner showed the amulet to Rex Engelbach, the then British director of the Egyptian Museum in Cairo, and was dismayed to be told that it had indeed come from the tomb as it matched other examples – all made from the same mold.

Firing off a letter to Carter, he enclosed Engelbach’s damning verdict, which reads: “The whm amulet you showed me has been undoubtedly stolen from the tomb of Tutankhamun.”

Gardiner told Carter: “I deeply regret having been placed in so awkward a position.”

But he added: “I naturally did not tell Engelbach that I obtained the amulet from you.”

The letters, now in a private collection, will be published in a forthcoming book from Oxford University Press, Tutankhamun and the Tomb that Changed the World

Its author, Bob Brier, a leading Egyptologist at Long Island University, told the Observer that suspicions about Carter helping himself to treasures have long been rumored: “But now there’s no doubt about it.”

This year marks the 100th anniversary of the discovery by Carter and his financial backer, Lord Carnarvon, of the tomb of the boy king, filled with thrones, chariots and thousands of objects needed in the next world. Over the next decade, Carter supervised their removal and transportation down the Nile to Cairo to be displayed in the Egyptian Museum.

Some Egyptologists have challenged Carter’s claim that the tomb’s treasures had been looted in antique times. In 1947, in an obscure scientific journal in Cairo, Alfred Lucas, one of Carter’s employees, reported that Carter secretly broke open the door to the burial chamber himself, before appearing to reseal it and cover the opening.

Brier said: “They were suspected of having broken into the tomb before its official opening, taking out artifacts, including jewellery, sold after their respective deaths. It’s been known that Carter somehow had items, and people have suspected that he might have helped himself, but these letters are dead proof.

“He certainly never admitted it. We don’t have any official denial. But he was locked out of the tomb for a while by the Egyptian government. There was a lot of bad feeling, and they thought he was stealing things.”

In his book, he writes that the Egyptians were unable to prove their suspicions and were convinced, for example, that Carter had been planning to steal a wooden head of Tutankhamun found in his possession: “The Egyptian authorities had entered and inspected Tomb No. 4, which Carter and the team had used for storage of antiquities, and discovered a beautiful lifesize wooden head of Tutankhamun as a youth.

“It had been packed in a Fortnum & Mason crate but it had never been mentioned in Carter’s records of the finds, nor in the volume describing the contents of the antechamber…. Carter argued that it had simply been discovered in the rubble in the descending passage.”

Brier said: “Later, we do find objects on the Egyptian antiquities market from his estate that clearly came from the tomb.”

Some entered museums, including the Metropolitan Museum of Art in New York, which announced in 2010 that it would send back to Egypt 19 objects it acquired between the 1920s and 1940s as they “can be attributed with certainty to Tutankhamun’s tomb”.

In his 1992 book on Carter, the late Harry James drew on Carter letters in the Griffith Institute at the University of Oxford, which refer to a row with Gardiner that led to an amulet’s return to Cairo.

The significance of the previously unpublished correspondence is that the accusation came from a leading expert who was actually involved in the first excavation.

Carter would have struggled to challenge Engelbach, who had “too much authority and really knew his stuff”, Brier said.



Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
TT

Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP

Like many of his fellow Tunisians, 23-year-old Amine Elhani has never been to the cinema, but now, thanks to a mobile theater touring the country, he can finally enjoy the big screen.

The bright red truck of CinemaTdour, or "moving cinema", has transformed parking lots and factory grounds in underserved towns and neighbourhoods across the North African country into pop-up theaters.

In the central town of Djemmal, dozens of workers unloaded the expandable truck, easily setting up a fully equipped outdoor movie theater with 100 seats.

"The screen is huge, and the sound effects are amazing," said Elhani, who had so far only watched films on his phone or computer.

He had "never had the chance to go to a movie theater", he told AFP.

"It's a fantastic experience, especially because I'm watching with friends."

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs.

Recognizing this gap, CinemaTdour was launched in May by private cultural network Agora and nonprofit Focus Gabes, with funding from private donors.

"We wanted a way to reach as many viewers as possible, in a short time and on a limited budget, while offering them an authentic cinematic experience," project director Ghofrane Heraghi told AFP.

Mobile cinemas have long existed in other countries, but Heraghi said CinemaTdour was "unique" for turning a truck into a full-fledged theater.

Without government funding, CinemaTdour relies heavily on partnerships with private companies to cover costs like film rights, maintenance and staffing.

The truck itself was purchased on credit for about one million Tunisian dinars ($315,000), Heraghi said, with annual operating expenses of around 500,000 dinars.

For 10 days in Djemmal, residents could watch films for free thanks to a partnership with German car parts manufacturer Draxlmaier, which has a factory in the town.

Jihene Ben Amor, Draxlmaier's communications manager in Tunisia, said the company wanted to "contribute to the development" of remote and underserved regions where it operates.

For many workers, earning up to 1,000 dinars a month, the cost of tickets and the journey to a main city with a movie theater can be prohibitive.

"Having this cinema right outside their workplace also gives workers a sense of pride and belonging," said Ben Amor.

- 'Social impact' -

After Djemmal, CinemaTdour set up in Hay Hlel, an impoverished neighbourhood of the capital Tunis.

Many children gathered around the pop-up theater, eager for their turn.

Yomna Warhani, 11, was beaming with excitement, anticipating her first ever movie screening.

"I can't wait to see what it's like inside and what films they'll show," she said.

Nejiba El Hadji, a 47-year-old mother of four, said: "It's not just the kids who are thrilled, believe me."

To her, the mobile cinema was a rare source of joy in an otherwise bleak environment.

"We have nothing here, no cultural centers and no entertainment, just the streets," said Hadji.

"People say our kids are lost, but no one does anything about it."

CinemaTdour's two-week stay in Hay Hlel was funded by the World Health Organization, with screenings themed on mental health, smoking and drug abuse, and violence against women.

The shows were tailored for younger audiences as well as for viewers with hearing or visual impairments.

Heraghi, the project head, said that "what drives us is the social impact of culture."

"We want to break stereotypes, shift mindsets, and promote values like social cohesion and community spirit."

In just a few months, CinemaTdour has reached more than 15,000 people, including 7,500 in the southern oasis town of Nefta where a month of free screenings was sponsored by a date exporter.

The project now hopes to secure funding for additional trucks to expand its activities across the country.

But Heraghli has even bigger aspirations, she said, "taking it to Algeria, Libya, and maybe even across Africa".