Mysterious Stone Secrets in Saudi Arabia Uncovered

Mysterious stone structures known as ‘Mustatil’ in northwestern Saudi Arabia, are among the oldest archeological ruins in the world
Mysterious stone structures known as ‘Mustatil’ in northwestern Saudi Arabia, are among the oldest archeological ruins in the world
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Mysterious Stone Secrets in Saudi Arabia Uncovered

Mysterious stone structures known as ‘Mustatil’ in northwestern Saudi Arabia, are among the oldest archeological ruins in the world
Mysterious stone structures known as ‘Mustatil’ in northwestern Saudi Arabia, are among the oldest archeological ruins in the world

KAUST scientists have used deep learning algorithms to accelerate the examination of thousands of years old, giant, stone rectangles in the Saudi desert.

“An international study showed that the huge, mysterious stone structures known as ‘Mustatil’ (Arab word for ‘Rectangle’) in northwestern Saudi Arabia, are among the oldest archeological ruins in the world,” Saudi Minister of Culture, Prince Badr bin Abdullah bin Farhan, said in a tweet in 2021.

These historic sites, which are around 7,000 years old, bewildered researchers and scientists who have long sought to determine their nature and the reasons behind their construction. A recent study by the University of Cambridge suggested that these huge structures, comprising chambers, entrances, and seats, are more complicated than expected.

‘Smart’ archeological survey

For quicker results, researchers at the King Abdullah University of Science and Technology (KAUST) have used an artificial intelligence network to carry out a detailed geological survey in the region, which hasn’t been sufficiently studied so far.

The team is composed of Dr. Silvio Giancola, researcher at KAUST’s Image and Video Understanding Lab (IVUL) and the Artificial Intelligence Initiative; Dr. Laurence Hapiot, archaeological research and cultural outreach fellow at KAUST; and Prof. Bernard Ghanem, IVUL senior researcher, and vice president of the Artificial Intelligence Initiative. The project is funded by the president bureau, dean bureau, and IVUL at KAUST.

AI tools are among the best methods used to assess archaeological sites and process general archaeological data, especially when it comes to spatial analyses such as the view field, which can be highly complicated without computers.

Rectangles of the desert

In 2020, the Saudi Heritage Commission announced that a scientific team discovered stone structures in the Nefud Desert, and identified the discovery as the oldest animal traps in the world, dating to 7,000 years.

According to the commission, the findings confirmed that the northern regions of the kingdom witnessed a cultural evolution in around 5,000 years BC. At the time, inhabitants built hundreds of large, stone constructions, which indicates cultural advancement in the region.

The fieldwork explored the archeological and environmental contexts of the stone constructions, especially the rectangle-shaped structure described as animal traps. These stone rectangles played a similar role and reflected a behavioral evolution that suggests a competition over pastures in complex, unstable environments in the Arabian Peninsula, even in periods of humidity like the Holocene era, during which people struggled with drought.

New research field

Inspired by a new research field known as ‘Computational archaeology’, this initiative used an AI software to model the exploration of stone structures with the help of satellites images.

Computational archaeology uses accurate, computer-based analytical methods including geographical information systems (GIS) to study data on long-term human behavior and behavioral evolution. Over more than a decade, archaeologists used available sources to manually analyze satellite images, and tools like Google Maps to search for possible archaeological sites.

In this project, KAUST’s researchers used automation to scan the unfamiliar, large rectangular stones in the Saudi Nefud Desert, in addition to other archaeological sites of circular and triangular shapes. The approach relies on machine learning algorithms fed with data sorted by Dr. Hapiot. Once the algorithms were trained, scientists became able to filter hundreds of similar characteristics on a wide scale. Now, when archaeologists discover a new structure, they can use the tool to convert similar pixels into geodetic data via GPS, and then combine results in a digital map and database for analysis.

“This demonstrates that KAUST is a unique research facility that excels in different faculties. Few environments can achieve an accelerated integration of deep, technical approaches like Artificial Intelligence in cooperation with archaeologists. This helped reach a different understanding of Nefud’s stone structures,” said Hapiot.

The extensively studied field in Nefud features thousands of massive, stone structures. Given that Saudi Arabia’s area is approximately two million square kilometers, geological surveys using conventional research operations and exploration methods could take months, or maybe years. But the new AI-based approach used by KAUST’s team took only five hours.

Commenting on the modern techniques used in this field, Dr. Jaser Suleiman al-Harbash, executive director of the Saudi Heritage Commission, said: “AI and machine learning processed huge sets of data from the Saudi archeological sites with an amazing speed. The commission hails the efforts made by KAUST to use the latest techniques in studying those ancient, stone structures. This can help us find more about the stones’ function and distribution, as well as the ancient civilization that built them.”

In addition to accelerating archaeological exploration, the new technique could provide answers to many questions about the size, capacity, and distribution of the stones, as well as determining whether exploring an ancient structure in a given region can help find other similar or linked structures in neighboring regions.

Other benefits

The benefits of the new deep learning technique used by KAUST are not limited to exploring archaeologic sites, as they can also help achieve the Vision 2030 goals, by preserving and documenting the unique heritage of Saudi Arabia, and promoting tourism. The new technique can be used in other regions with similar soil characteristics and topography. An initiative should be launched to help enhance the benefits of AI in archaeology, so archaeologists and data scientists can exchange their knowledge and achieve promising results.

Archaeology studies the whole activity of our ancestors in a given place and time. These activities include the tools made by humans to meet basic needs, construction, social and economic behaviors, written texts and architecture, and artistic and scientific works.

Archaeology also focuses on studying the origins of human civilizations, using the latest techniques that analyze the tiniest details related to our ancestors. The second half of the 20th century saw the emergence of the “New Archaeology” term, which indicates studying the organization of human communities in their locations, and defining their social structure in order to connect all these findings in a universal system on human behavior.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”