NASA Calls off Artemis Moon Rocket Launch for Second Time in 5 Days

NASA's next-generation moon rocket, the Space Launch System (SLS) rocket, stands on launchpad 39B in preparation for the unmanned Artemis 1 mission at Cape Canaveral, Florida, on Sunday. | REUTERS
NASA's next-generation moon rocket, the Space Launch System (SLS) rocket, stands on launchpad 39B in preparation for the unmanned Artemis 1 mission at Cape Canaveral, Florida, on Sunday. | REUTERS
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NASA Calls off Artemis Moon Rocket Launch for Second Time in 5 Days

NASA's next-generation moon rocket, the Space Launch System (SLS) rocket, stands on launchpad 39B in preparation for the unmanned Artemis 1 mission at Cape Canaveral, Florida, on Sunday. | REUTERS
NASA's next-generation moon rocket, the Space Launch System (SLS) rocket, stands on launchpad 39B in preparation for the unmanned Artemis 1 mission at Cape Canaveral, Florida, on Sunday. | REUTERS

For the second time in five days, NASA on Saturday halted a countdown in progress and postponed a planned attempt to launch the debut test flight of its giant, next-generation rocket, the first mission of the agency's moon-to-Mars Artemis program.

The latest attempt to launch the 32-story-tall Space Launch System (SLS) rocket and its Orion capsule was scrubbed after repeated attempts by technicians to correct a leak of super-cooled liquid hydrogen propellant being pumped into the vehicle's core-stage fuel tanks.

Besides struggling to remedy the leak itself, the difficulty caused mission managers to fall behind in the countdown, leaving too little time to complete pre-launch preparations before liftoff.

Pre-flight operations were officially called off for the day by Artemis I launch director Charlie Blackwell Thompson about three hours before the targeted two-hour launch window was due to open at 2:17 p.m. EDT (1817 GMT).

There was no immediate word on a time frame for retrying to launch the mission, dubbed Artemis I. But NASA could schedule another attempt for Monday or Tuesday.

"Engineers are continuing to gather additional data," NASA said in a statement announcing the scrub.

An initial launch try on Monday was foiled by 11th-hour technical problems that surfaced during countdown, including a different leaky fuel line, a faulty temperature sensor and some cracks in insulation foam. NASA officials said those issues had been previously resolved to their satisfaction.

Launch-day delays and technical snags are not uncommon for new rockets such as NASA's Space Launch System, a complex rocket with a set of pre-liftoff procedures that have yet to be fully tested and rehearsed by engineers without a hitch.

The inaugural journey of the SLS-Orion would mark the kickoff of NASA's highly vaunted moon-to-Mars Artemis program, the successor to the Apollo lunar missions of the 1960s and '70s.

The voyage is intended to put the 5.75-million-pound vehicle through its paces in a rigorous demonstration flight, pushing its design limits, before NASA deems it reliable enough to carry astronauts in a subsequent flight targeted for 2024.

Billed as the most powerful, complex rocket in the world, the SLS represents the biggest new vertical launch system the US space agency has built since the Saturn V rocket flown during Apollo, which grew out of the US-Soviet space race of the Cold War era.

If the first two Artemis missions succeed, NASA is aiming to land astronauts back on the moon, including the first woman to set foot on the lunar surface, as early as 2025. Many experts, however, believe that time frame is likely to slip by a few years.

The last humans to walk on the moon were the two-man descent team of Apollo 17 in 1972, following in the footsteps of 10 other astronauts during five earlier missions beginning with Apollo 11 in 1969.

The Artemis program seeks to eventually establish a long-term lunar base as a stepping stone to even more ambitious astronaut voyages to Mars, a goal that NASA officials have said will probably take until at least the late-2030s.

The program was named for the goddess who was Apollo's twin sister in ancient Greek mythology.

SLS has been under development for more than a decade, with years of delays and cost overruns. But the Artemis program also has generated tens of thousands of jobs and billions of dollars in commerce under the primary contractors Boeing Co for SLS and Lockheed Martin Corp for Orion.

Although no humans will be aboard, Orion will be carrying a simulated crew of three - one male and two female mannequins - fitted with sensors to measure radiation levels and other stresses that real-life astronauts would experience.

The spacecraft also is set to release a payload of 10 miniaturized science satellites, called CubeSats, including one designed to map the abundance of ice deposits on the moon's south pole.



Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
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Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File

When successful artist Ai-Da unveiled a new portrait of King Charles this week, the humanoid robot described what inspired the layered and complex piece, and insisted it had no plans to "replace" humans.

The ultra-realistic robot, one of the most advanced in the world, is designed to resemble a human woman with an expressive, life-like face, large hazel eyes and brown hair cut in a bob.

The arms though are unmistakably robotic, with exposed metal, and can be swapped out depending on the art form it is practicing.

Late last year, Ai-Da's portrait of English mathematician Alan Turing became the first artwork by a humanoid robot to be sold at auction, fetching over $1 million, said AFP.

But as Ai-Da unveiled its latest creation -- an oil painting entitled "Algorithm King", conceived using artificial intelligence -- the humanoid insisted the work's importance could not be measured in money.

"The value of my artwork is to serve as a catalyst for discussions that explore ethical dimensions to new technologies," the robot told AFP at Britain's diplomatic mission in Geneva, where the new portrait of King Charles will be housed.

The idea, Ai-Da insisted in a slow, deliberate cadence, was to "foster critical thinking and encourage responsible innovation for more equitable and sustainable futures".

'Unique and creative'

Speaking on the sidelines of the United Nations' AI for Good summit, Ai-Da, who has done sketches, paintings and sculptures, detailed the methods and inspiration behind the work.

"When creating my art, I use a variety of AI algorithms," the robot said.

"I start with a basic idea or concept that I want to explore, and I think about the purpose of the art. What will it say?"

The humanoid pointed out that "King Charles has used his platform to raise awareness on environmental conservation and interfaith dialog. I have aimed this portrait to celebrate" that, it said, adding: "I hope King Charles will be appreciative of my efforts."

Aidan Meller, a specialist in modern and contemporary art, led the team that created Ai-Da in 2019 with artificial intelligence specialists at the universities of Oxford and Birmingham.

He told AFP that he had conceived the humanoid robot -- named after the world's first computer programmer Ada Lovelace -- as an ethical arts project, and not "to replace the painters".

Ai-Da agreed.

There is "no doubt that AI is changing our world, (including) the art world and forms of human creative expression", the robot acknowledged.

But "I do not believe AI or my artwork will replace human artists."

Instead, Ai-Da said, the aim was "to inspire viewers to think about how we use AI positively, while remaining conscious of its risks and limitations".

Asked if a painting made by a machine could really be considered art, the robot insisted: "My artwork is unique and creative."

"Whether humans decide it is art is an important and interesting point of conversation."