Selection of Nizar Qabbani’s Poems in New, Four-Volume Collection

Book, poems, Nizar Qabbani
Book, poems, Nizar Qabbani
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Selection of Nizar Qabbani’s Poems in New, Four-Volume Collection

Book, poems, Nizar Qabbani
Book, poems, Nizar Qabbani

Beirut’s Hachette Antoine/Naufal Publishing has recently released a new collection composed of four volumes featuring a selection of Nizar Qabbani’s poems. The four volumes focus on love, women, words, and revolution.

“Every title gives a glimpse about the poems selected for each volume. The books are introduced by authors and poets who loved Nizar Qabbani including Algerian author Ahlem Mosteghanemi, Bahraini poet Parween Habib, Lebanese singer Majida El Roumi, and Egyptian poet Hisham Algakh. The poems are not new, but a selection of Qabbani’s timeless poetry. The late poet left behind many works that have represented a reference and heritage for all Arabs,” the publisher says.

About the “She in his Poems” volume, the publisher adds: “The Arabic audience have known Nizar Qabbani’s poems in songs they became fond of. His easy words have always had great significance. They were simple enough to express the lightness and joy of love, and deep enough to alleviate its pains.

Words that called the beloved woman, pleaded for her kindness, and hailed her superiority like a center of attention and a refuge. Nizar’s words have pictured the woman as everlasting inspiration, unfailing beauty, irreplaceable value, and a living embodiment of kindness and beauty.

The collection includes a volume dedicated to poems that revolve around women. This volume was introduced by Majida El Roumi who sang some of the late poet’s works. “I loved her ideas, and the clarity of her mind before I could even love her voice, she resembles me in my depths as a rebel. She feels the words and delivers them in a remarkable manner,” the late Qabbani had said, describing Majida.



Nigeria’s Museum Agrees with Royal Ruler on Custody of Benin Bronzes 

Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
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Nigeria’s Museum Agrees with Royal Ruler on Custody of Benin Bronzes 

Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 

Nigeria's national museum commission will be responsible for retrieving and keeping priceless Benin Bronzes, taking on the task with the assent of the royal ruler appointed sole owner and custodian of the objects nearly two years ago, its head said.

Nigeria is on a quest to recover thousands of intricate bronze sculptures and castings that were looted by British soldiers during a raid on the then-separate Kingdom of Benin, located in what is now southwestern Nigeria, in 1897.

The stolen bronzes are among Africa's finest and most significant heritage objects and are mostly in Europe.

In March 2023, then-president Muhammadu Buhari signed a decree saying the Oba, or king, of the historic kingdom of Benin rightfully owned all returned Benin Bronzes and was responsible for managing all places where the artifacts are kept.

Olugbile Holloway, director general of the National Commission for Museums and Monuments (NCMM), told Reuters that the Oba did not have the infrastructure to care for the bronzes.

"So, the Oba has given the NCMM the blessing to display, conserve and to pursue reparation of these objects. So, there is no more ambiguity," said Holloway.

In 2023 the NCMM had said the University of Cambridge's Museum of Archaeology and Anthropology put on hold plans to return more than 100 artifacts after the government decree.

Holloway, however, said it was now a matter of time before an agreement would be reached with Cambridge University for the artifacts' return.

"The return of these objects is not just about displaying them in the museum or taking care of them. It is about the dignity of our people and undoing the injustice of 1897," he said.