New UNICEF Ambassador Seeks to Give Louder Voice to Climate Change Victims

Ugandan climate activist Vanessa Nakate has been named UNICEF's new Goodwill Ambassador Ed JONES AFP
Ugandan climate activist Vanessa Nakate has been named UNICEF's new Goodwill Ambassador Ed JONES AFP
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New UNICEF Ambassador Seeks to Give Louder Voice to Climate Change Victims

Ugandan climate activist Vanessa Nakate has been named UNICEF's new Goodwill Ambassador Ed JONES AFP
Ugandan climate activist Vanessa Nakate has been named UNICEF's new Goodwill Ambassador Ed JONES AFP

Ugandan climate activist Vanessa Nakate recently traveled to the drought-ravaged Horn of Africa to hear from children suffering from starvation. The next day she learned that one of the boys she met had died.

It is for such children, whose lives have been shattered by the global climate crisis, that Nakate, UNICEF's newest Goodwill Ambassador, has set out to make their voices heard, AFP said.

"I'm hoping to continue doing the same thing to amplify, and really platform, the stories of the children ... that are suffering, because of the climate crisis," Nakate, who is 25, told AFP in an interview.

Inspired by Sweden's climate crusader Greta Thunberg, several years ago Nakate founded the Rise Up Climate Movement in her native Uganda and has spoken at prestigious international climate events.

On Thursday, she was appointed the newest Goodwill Ambassador for UNICEF, the United Nations' children's agency, joining recent high-profile supporters such as actor Priyanka Chopra Jonas, singer Katy Perry and Syrian refugee and education activist Muzoon Almellehan.

"In my journey of activism, I've always told myself, and I've always believed that every activist has a story to tell," Nakate said. "And every story has a solution to give and every solution has a life to change."

The activist says children and women suffer the most from global warming and her mission is make their voices heard -- but not to speak on their behalf.

"I cannot say that I can give a voice to anyone, because I believe everyone has their own distinct voice," she added.

"But the question is, who is listening to what we are saying? Who is paying attention?"

'Roof for all of us'

Last week, Nakate visited UNICEF-run hospitals and nutrition centers in Turkana, a Kenyan region in the Horn of Africa hit by devastating drought.

There she witnessed the tragedy firsthand.

"I got to meet many children suffering from severe, acute malnutrition, because of this drought," Nakate said of the trip. "One of the children that I got to meet that day, I got to learn the following morning that he had passed."

UNICEF says about half of the world's children — roughly 1 billion — live in one of 33 countries classified as "extremely high risk" due to climate change impacts.

Scientists say that droughts, floods, storms and heat waves will only get stronger and more frequent due to global warming, and Nakate is frustrated that governments around the world, busy with the war in Ukraine and the Covid-19 pandemic, are not doing enough to save the planet.

"It can be discouraging to see that the world is not paying the attention that it should to climate issues, it can be very frustrating," said the activist.

"Leaders especially need to understand that Earth is a home for all of us, is like that roof for all of us. And we have to ensure that the entire roof is well and no part is leaking," Nakate said. "Because any leak in a part of a roof will eventually affect everyone in that house."



Dreams and Nightmares Exhibit at World’s Oldest Psychiatric Hospital

Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)
Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)
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Dreams and Nightmares Exhibit at World’s Oldest Psychiatric Hospital

Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)
Between Sleeping and Waking: Hospital Dreams and Visions is at the Bethlem Museum of the Mind in Beckenham, London, from 14 August (Bethlem Museum of the Mind)

A new exhibition featuring artwork and poems from contemporary artists and former patients will go on show at the world’s oldest psychiatric hospital, Bethlem, in London, the Guardian newspaper said on Monday.

The vivid dream that vanishes on waking but fragments of which remain tantalizingly out of reach all day. Powerful emotions – tears, terror, ecstasy, despair – caused not by real events, but by the brain’s activity between sleeping and waking.

“Dreams and nightmares have long been studied by psychologists,” the newspaper wrote.

Now they are the subject of a new exhibition featuring several artists that were patients at the world’s oldest psychiatric hospital, Bethlem (sometimes known as Bedlam), and its sister institution, the Maudsley hospital.

The exhibit includes paintings by Charlotte Johnson Wahl, the late mother of Boris Johnson, who spent eight months as a patient at the Maudsley after a breakdown when her four children were aged between two and nine.

She created dozens of paintings while there, and held her first exhibition which sold out. “I couldn’t talk about my problems, but I could paint them,” she said later.

Two of Johnson Wahl’s paintings are included in the exhibition, Between Sleeping and Waking: Hospital Dreams and Visions, which opens at the Bethlem Museum of the Mind in August.

The centerpiece of the show is a huge installation, Night Tides, by contemporary artist Kate McDonnell. She uses swathes of bedding woven with disordered words to evoke the restlessness and clashing thoughts of insomnia.

According to Caroline Horton, professor of sleep and cognition and director of DrEAMSLab at Bishop Grosseteste university in Lincoln, “dreaming occurs during sleep, and sleep is essential for all aspects of mental and physical health.

Among other works featured in the exhibition is London’s Overthrow by Jonathan Martin, an arsonist held in the “criminal lunatic department” of Bethlem hospital from 1829 until his death in 1838. In 2012, the Guardian described it as a “mad pen-and-ink depiction of the capital’s destruction due to godlessness”.