V&a Celebrates ‘Korean Wave’ of Popular Culture with New Exhibition

Multiple screens, left, show a music video of PSY's "Gangnam Style", alongside PSY's bubblegum pink jacket from the video, right, designed by Dsquared2, at the "Hallyu! The Korean Wave" exhibition at the Victoria and Albert museum in London, Wednesday, Sept. 21, 2022. (AP)
Multiple screens, left, show a music video of PSY's "Gangnam Style", alongside PSY's bubblegum pink jacket from the video, right, designed by Dsquared2, at the "Hallyu! The Korean Wave" exhibition at the Victoria and Albert museum in London, Wednesday, Sept. 21, 2022. (AP)
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V&a Celebrates ‘Korean Wave’ of Popular Culture with New Exhibition

Multiple screens, left, show a music video of PSY's "Gangnam Style", alongside PSY's bubblegum pink jacket from the video, right, designed by Dsquared2, at the "Hallyu! The Korean Wave" exhibition at the Victoria and Albert museum in London, Wednesday, Sept. 21, 2022. (AP)
Multiple screens, left, show a music video of PSY's "Gangnam Style", alongside PSY's bubblegum pink jacket from the video, right, designed by Dsquared2, at the "Hallyu! The Korean Wave" exhibition at the Victoria and Albert museum in London, Wednesday, Sept. 21, 2022. (AP)

From the bright pink guard costumes in hit Netflix series "Squid Game" to a large sculpture of rapper G-Dragon, London's V&A museum is celebrating South Korean popular culture and its rise to global prominence in a new exhibition opening this week.

Among the items on display at "Hallyu! The Korean Wave" are K-Pop costumes, K-drama props as well as a replica of the bathroom set in Oscar-winning film "Parasite".

"This exhibition is actually celebrating the vibrant and colorful popular culture from South Korea from its inception to its place on the global stage," curator Rosalie Kim told Reuters at a preview on Wednesday.

"'Hallyu' actually means Korean wave and it refers to this meteoric rise of popular culture from South Korea that has taken the world by storm in the past few decades."

The exhibition is split into different sections including K-pop and its fans, television drama and cinema, fashion and beauty.

Greeting visitors is the pink jacket singer PSY wore in the music video for his 2012 mega hit "Gangnam Style". Other outfits on display include ensembles worn by G-Dragon and K-pop groups ATEEZ and Aespa as well as colorful designer creations.

From the world of television, there are costumes from historical dramas as well as the recognizable pink boiler suits and a green tracksuit from "Squid Game".

The "Parasite" bathroom replica is the first time the set from the protagonist Kim family's basement flat has been recreated, with the museum working closely with the film's production designer Lee Ha-jun.

Other items on display include photographs, posters, record covers and K-pop fan banners. Visitors can also take part in an interactive K-pop dance challenge.

"Hallyu! The Korean Wave" opens on Saturday and runs until June.



Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)

A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.

“Piece by Piece” is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.

Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in “Won’t You Be My Neighbor?,” “Roadrunner: A Film About Anthony Bourdain” and “Steve! (Martin): A Documentary in Two Pieces” — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.

The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.

Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.

There are highs and lows and then highs again. A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt's Adrian Young's mohawk. (Take my money, Lego.)

We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.

The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams' collection of cool beats depicted as bouncing bricks with lights in them. There's Lego McDonald's nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.

Lego, while seemingly a restrictive medium — the hands are clips and everyone's walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth's lights as a distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements.

Music credits are notoriously hard to pin down — Williams claims to have created McDonald's notoriously mysterious jingle “I'm lovin' it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”

There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”

The documentary lags a little during Williams' way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.

“I think we're done,” are the last words we hear as the filmmakers finally give up. But they've left behind a trippy, sweet portrait of a genius, forever in building blocks.