Comedian Trevor Noah to Leave ‘The Daily Show’ After Seven Years

Trevor Noah, the host of Comedy Central's "The Daily Show", speaks during the annual White House Correspondents Association Dinner in Washington, U.S., April 30, 2022. REUTERS/Al Drago/File Photo
Trevor Noah, the host of Comedy Central's "The Daily Show", speaks during the annual White House Correspondents Association Dinner in Washington, U.S., April 30, 2022. REUTERS/Al Drago/File Photo
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Comedian Trevor Noah to Leave ‘The Daily Show’ After Seven Years

Trevor Noah, the host of Comedy Central's "The Daily Show", speaks during the annual White House Correspondents Association Dinner in Washington, U.S., April 30, 2022. REUTERS/Al Drago/File Photo
Trevor Noah, the host of Comedy Central's "The Daily Show", speaks during the annual White House Correspondents Association Dinner in Washington, U.S., April 30, 2022. REUTERS/Al Drago/File Photo

Comedian Trevor Noah, host of "The Daily Show" on Comedy Central, said he was going to leave the program after hosting it for seven years, indicating he wanted to dedicate more time to stand-up comedy.

The 38-year-old comedian - who moved to the United States in 2011 and was born in Johannesburg, South Africa - had big shoes to fill when he took over in 2015 after the exit of longtime host Jon Stewart.

He quickly established himself with his own brand, suited for an era where online influence was often greater than that of content on cable.

His reign on The Daily Show required him to delicately cover some crucial moments in American history, such as the COVID-19 pandemic, the Black Lives Matter movement and the 2021 attacks on the US Capitol.

"I spent two years in my apartment (during COVID-19), not on the road. Stand-up was done, and when I got back out there again, I realized that there's another part of my life that I want to carry on exploring," Noah told his studio audience late on Thursday. The Daily Show posted a clip of Noah's remarks on social media.

"We have laughed together, we have cried together. But after seven years, I feel like it's time," Noah said, Reuters reported.

He ended his remarks by thanking his viewers as his studio audience stood up to applaud him.

Noah, who roasted US politicians and the media at the White House Correspondents Association dinner in April, did not mention his exact departure date in his remarks on Thursday. It was not known who would succeed him.

The key to addressing current affairs through a comedic lens lies in a comedian's intention, Noah said in a 2016 interview with Reuters, adding that he learns from his mistakes.

"I don't think I would ever have been ready, but that's when you must do it, you will not be ready," the comedian told Reuters in the context of having succeeded his legendary predecessor.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.