Actor Who Accused Spacey Says was 'Frozen' during Alleged 1980s Assault

US actor Kevin Spacey leaves the United States District Court for the Southern District of New York on October 6, 2022 ANGELA WEISS AFP/File
US actor Kevin Spacey leaves the United States District Court for the Southern District of New York on October 6, 2022 ANGELA WEISS AFP/File
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Actor Who Accused Spacey Says was 'Frozen' during Alleged 1980s Assault

US actor Kevin Spacey leaves the United States District Court for the Southern District of New York on October 6, 2022 ANGELA WEISS AFP/File
US actor Kevin Spacey leaves the United States District Court for the Southern District of New York on October 6, 2022 ANGELA WEISS AFP/File

US actor Anthony Rapp told a New York courtroom Friday that he froze up when he was allegedly assaulted by Kevin Spacey as a minor in 1986, on the second day of the disgraced Oscar winner's trial over the accusation.

Spacey, 63, has disappeared from public view after becoming one of the first stars to be caught up in the global #MeToo reckoning over sexual abuse, AFP said.

Rapp told the court he was still an unknown actor when he met the "American Beauty" star, who was in his late 20s at the time.

Rapp, then 14, and friend and fellow actor John Barrowman, then 18, had seen a show starring Spacey in New York and went to greet the cast after the performance.

Spacey invited the two teens to dinner and then for a drink at a nightclub. A few days later, he invited them to a gathering of friends at his Manhattan studio.

Barrowman had since gone home to Illinois, so Rapp attended alone. Upon seeing that he did not know anyone there, he went to a bedroom to watch television.

He was sitting on the bed when he looked up and saw Spacey.

Spacey's eyes were glazed over, and he told the younger actor he was drunk, Rapp told Judge Lewis Kaplan.

The teen realized that everyone else had gone.

"He approached me a little unsteady on his feet, picked me up as a groom carrying a bride over the threshold" and laid Rapp on the bed.

Spacey lay down next to Rapp and put his arms around the teenager, "pressing his groin" against his body.

"I felt that moment was very long. I felt frozen," Rapp, now 50, said, his voice breaking.

Rapp said he managed to "wiggle his way" out and took refuge in the bathroom, where he made up his mind to go.

At the door, Spacey stopped him and asked if he was sure he wanted to leave.

"I didn't remember the answer. I was thinking very much that I wanted to leave," Rapp said.

Despite the "disturbing and threatening experience," the "Star Trek: Discovery" star did not tell his mother anything because he did not want to talk about sex with her. He also did not want to worry her and was unsure whether Spacey had committed a crime.

Before Rapp took the stand, his lawyers called a former film industry employee named Andrew Holzman as their first witness.

Holzman said that Spacey had also sexually assaulted him, in 1981.

Rapp is seeking $40 million in damages. Spacey, whose full name is Kevin Spacey Fowler, has always denied allegations of sexual abuse.

The "House of Cards" star also has pleaded not guilty to charges of sexual assault of three men between March 2005 and April 2013 in Britain, and in 2019, charges against the actor of indecent assault and sexual assault were dropped in Massachusetts.



Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

 A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
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Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

 A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)

The imagination of Tim Burton has produced ghosts and ghouls, Martians, monsters and misfits – all on display at an exhibition that is opening in London just in time for Halloween.

But you know what really scares him? Artificial intelligence.

Burton said Wednesday that seeing a website that had used AI to blend his drawings with Disney characters “really disturbed me.”

“It wasn’t an intellectual thought — it was just an internal, visceral feeling,” Burton told reporters during a preview of “The World of Tim Burton” exhibition at London’s Design Museum. “I looked at those things and I thought, ‘Some of these are pretty good.’ ... (But) it gave me a weird sort of scary feeling inside.”

Burton said he thinks AI is unstoppable, because “once you can do it, people will do it.” But he scoffed when asked if he’d use the technology in this work.

“To take over the world?” he laughed.

The exhibition reveals Burton to be an analogue artist, who started off as a child in the 1960s experimenting with paints and colored pencils in his suburban Californian home.

“I wasn’t, early on, a very verbal person,” Burton said. “Drawing was a way of expressing myself.”

Decades later, after films including “Edward Scissorhands,” “Batman,” “The Nightmare Before Christmas” and “Beetlejuice,” his ideas still begin with drawing. The exhibition includes 600 items from movie studio collections and Burton's personal archive, and traces those ideas as they advance from sketches through collaboration with set, production and costume designers on the way to the big screen.

London is the exhibition’s final stop on a decade-long tour of 14 cities in 11 countries. It has been reconfigured and expanded with 90 new objects for its run in the British capital, where Burton has lived for a quarter century.

The show includes early drawings and oddities, including a competition-winning “crush litter” sign a teenage Burton designed for Burbank garbage trucks. There’s also a recreation of Burton’s studio, down to the trays of paints and “Curse of Frankenstein” mug full of pencils.

Alongside hundreds of drawings, there are props, puppets, set designs and iconic costumes, including Johnny Depp’s “Edward Scissorhands” talons and the black latex Catwoman costume worn by Michelle Pfeiffer in “Batman.”

“We had very generous access to Tim’s archive in London, stuffed full of thousands of drawings, storyboards from stop-motion films, sketches, character notes, poems,” said exhibition curator Maria McLintock. “And how to synthesize such a wide ranging and meandering career within one exhibition was a fun challenge — but definitely a challenge.”

Seeing it has not been a wholly fun experience for Burton, who said he’s unable to look too closely at the items on display.

“It’s like seeing your dirty laundry put on the walls,” he said. “It’s quite amazing. It’s a bit overwhelming.”

Burton, whose long-awaited horror-comedy sequel “Beetlejuice Beetlejuice” opened at the Venice Film Festival in August, is currently filming the second series of Netflix’ Addams Family-themed series “Wednesday.”

These days he is a major Hollywood director whose American gothic style has spawned an adjective – “Burtoneqsue.” But he still feels like an outsider.

“Once you feel that way, it never leaves you,” he said.

“Each film I did was a struggle,” he added, noting that early films like “Pee-wee’s Big Adventure” from 1985 and “Beetlejuice” in 1988 received some negative reviews. “It seems like it was a pleasant, fine, easy journey, but each one leaves its emotional scars.”

McLintock said Burton “is a deeply emotional filmmaker."

“I think that’s what drew me to his films as a child,” she said. "He really celebrates the misunderstood outcast, the benevolent monster. So it’s been quite a weird but fun experience spending so much time in his brain and his creative process.

“His films are often called dark,” she added. “I don’t agree with that. And if they are dark, there’s a very much a kind of hope in the darkness. You always want to hang out in the darkness in his films.”