Film Festival Gives Gazans a Rare Taste of the Movies

Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)
Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)
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Film Festival Gives Gazans a Rare Taste of the Movies

Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)
Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)

Film buffs in the Gaza Strip, who for decades have been deprived of going to the movies due to the destruction of cinemas during bouts of unrest in the enclave, are enjoying a rare chance to see a slate of films on the big screen.

Cinema once flourished in Gaza, with audiences flocking to see Arab, Western and Asian films but the movie houses were torched in the First Intifada in 1987 and then burned down again in 1996 during another wave of internal violence.

Since then, Gazans have had to rely on television and online streaming services and the chance to see films on the big screen offered a rare treat for people living under a border blockade imposed by neighboring Israel and Egypt.

The Red Carpet Human Rights Film Festival, which opened on Thursday, is showing around 40 films at a recently renovated culture center, around half dealing with the decades-long conflict with Israel and the rest dealing with human rights issues around the world.

While Gazans have been able to go to movie screenings which are held from time to time at theaters and other venues, such a full bill of films is a rare treat.

The festival's executive manager, Montaser Al-Sabe said he was proud of the festival in Gaza but that he hoped cinemas would open up again.

"We have cinemas in Gaza that are closed, open them," he said.

Around 300 films from 60 countries were submitted before organizers made their selection, which included films by four young local filmmakers who had the rare opportunity to show their work to local audiences.

All the films had to be reviewed ahead of screening by local authorities in Gaza, which has been controlled by the Hamas movement since 2007.

Among the films on show was "Eleven Days in May", co-directed by Gaza director Mohammed Sawwaf and British director, which tells the story of 66 children killed in the 11-day war between Israel and Gaza militants in May 2021.

"We focused on their beautiful memories, their jokes and their dreams," Sawwaf said. "Cinema is a civilized and important means to get the voice of children and the people of Gaza to the world."

But for some, the festival will be all about the simple pleasure of going to the cinema and watching a movie with loved ones.

"Outside Gaza, I had stood in line and bought a ticket. I hope I go through the same experience here in Gaza Strip and that I can take my little family and watch a movie at a cinema together," said Amira Hamdan, who was there with her husband.



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."