Film Festival Gives Gazans a Rare Taste of the Movies

Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)
Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)
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Film Festival Gives Gazans a Rare Taste of the Movies

Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)
Palestinian volunteers participate in organizing the sixth edition of the Red Carpet Film Festival, at a newly renovated theater in Gaza City, October 13, 2022. (Reuters)

Film buffs in the Gaza Strip, who for decades have been deprived of going to the movies due to the destruction of cinemas during bouts of unrest in the enclave, are enjoying a rare chance to see a slate of films on the big screen.

Cinema once flourished in Gaza, with audiences flocking to see Arab, Western and Asian films but the movie houses were torched in the First Intifada in 1987 and then burned down again in 1996 during another wave of internal violence.

Since then, Gazans have had to rely on television and online streaming services and the chance to see films on the big screen offered a rare treat for people living under a border blockade imposed by neighboring Israel and Egypt.

The Red Carpet Human Rights Film Festival, which opened on Thursday, is showing around 40 films at a recently renovated culture center, around half dealing with the decades-long conflict with Israel and the rest dealing with human rights issues around the world.

While Gazans have been able to go to movie screenings which are held from time to time at theaters and other venues, such a full bill of films is a rare treat.

The festival's executive manager, Montaser Al-Sabe said he was proud of the festival in Gaza but that he hoped cinemas would open up again.

"We have cinemas in Gaza that are closed, open them," he said.

Around 300 films from 60 countries were submitted before organizers made their selection, which included films by four young local filmmakers who had the rare opportunity to show their work to local audiences.

All the films had to be reviewed ahead of screening by local authorities in Gaza, which has been controlled by the Hamas movement since 2007.

Among the films on show was "Eleven Days in May", co-directed by Gaza director Mohammed Sawwaf and British director, which tells the story of 66 children killed in the 11-day war between Israel and Gaza militants in May 2021.

"We focused on their beautiful memories, their jokes and their dreams," Sawwaf said. "Cinema is a civilized and important means to get the voice of children and the people of Gaza to the world."

But for some, the festival will be all about the simple pleasure of going to the cinema and watching a movie with loved ones.

"Outside Gaza, I had stood in line and bought a ticket. I hope I go through the same experience here in Gaza Strip and that I can take my little family and watch a movie at a cinema together," said Amira Hamdan, who was there with her husband.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.