Totoro Time: Japan's Ghibli Theme Park Opens to Visitors

The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
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Totoro Time: Japan's Ghibli Theme Park Opens to Visitors

The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP

A huge grinning Totoro and other whimsical exhibits welcomed visitors to Japan's new Ghibli theme park as three of its five sections opened to the public on Tuesday.

The attraction in central Japan has been long awaited by fans of Studio Ghibli's beloved animations, from "Howl's Moving Castle" to the Oscar-winning "Spirited Away".

Now a fluffy Cat Bus, a life-sized No-Face and recreations of buildings from the films are ready for visitors less than a month after the country fully reopened its borders to foreign tourists.

Tickets are reservation only, and are already sold out until the end of the year, said AFP.

One middle-aged visitor, who described himself as "a huge fan", told broadcaster TV Asahi he had been queuing to enter the park since the previous day.

"Congratulations!" said a hand-drawn note posted on Twitter by Studio Ghibli, illustrated with a row of figures resembling the spirit creature Totoro and signed by the company's co-founder Hayao Miyazaki.

Ghibli producer Toshio Suzuki also spoke of his excitement at a ceremony on Monday ahead of the opening.

"I didn't sleep very well last night. It's a bit different from a film release," he said.

Spread over 7.1 hectares (17.5 acres) of a 194-hectare (480-acre) park in Aichi region where the 2005 International Expo was held, the site features large open-air areas in keeping with the importance of nature in Ghibli films.

Among the three sections now open is the "Hill of Youth", the gateway to the park that features an elevator tower inspired by Ghibli films including "Castle in the Sky".

Elsewhere, "Dondoko Forest" evokes the retro peace of the 1988 classic "My Neighbour Totoro", with bucolic walking paths and an enormous Totoro figure.

A major draw will be Ghibli's Grand Warehouse, a hangar-like indoor portion of the park with various attractions, including 14 sets from 13 of the studio's film classics.

Visitors can stroll along an alley designed to look like the opening scene of "Spirited Away," or perch on the red velvet-covered train seat in a carriage next to the movie's instantly recognizable "No-Face" character.

Aichi region is predicting an influx of 1.8 million visitors a year once all five areas of the park are open from next year, with an estimated annual economic impact of 48 billion yen ($324 million).

Studio Ghibli, founded in 1985 by Miyazaki and fellow animator Isao Takahata, has captivated fans around the world with works blending nostalgia, courage, greed and interaction with the natural world.

The studio already operates the hugely popular Ghibli Museum on the outskirts of Tokyo, which offers tickets only at the beginning of each month and regularly sells out within hours.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.