Totoro Time: Japan's Ghibli Theme Park Opens to Visitors

The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
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Totoro Time: Japan's Ghibli Theme Park Opens to Visitors

The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP

A huge grinning Totoro and other whimsical exhibits welcomed visitors to Japan's new Ghibli theme park as three of its five sections opened to the public on Tuesday.

The attraction in central Japan has been long awaited by fans of Studio Ghibli's beloved animations, from "Howl's Moving Castle" to the Oscar-winning "Spirited Away".

Now a fluffy Cat Bus, a life-sized No-Face and recreations of buildings from the films are ready for visitors less than a month after the country fully reopened its borders to foreign tourists.

Tickets are reservation only, and are already sold out until the end of the year, said AFP.

One middle-aged visitor, who described himself as "a huge fan", told broadcaster TV Asahi he had been queuing to enter the park since the previous day.

"Congratulations!" said a hand-drawn note posted on Twitter by Studio Ghibli, illustrated with a row of figures resembling the spirit creature Totoro and signed by the company's co-founder Hayao Miyazaki.

Ghibli producer Toshio Suzuki also spoke of his excitement at a ceremony on Monday ahead of the opening.

"I didn't sleep very well last night. It's a bit different from a film release," he said.

Spread over 7.1 hectares (17.5 acres) of a 194-hectare (480-acre) park in Aichi region where the 2005 International Expo was held, the site features large open-air areas in keeping with the importance of nature in Ghibli films.

Among the three sections now open is the "Hill of Youth", the gateway to the park that features an elevator tower inspired by Ghibli films including "Castle in the Sky".

Elsewhere, "Dondoko Forest" evokes the retro peace of the 1988 classic "My Neighbour Totoro", with bucolic walking paths and an enormous Totoro figure.

A major draw will be Ghibli's Grand Warehouse, a hangar-like indoor portion of the park with various attractions, including 14 sets from 13 of the studio's film classics.

Visitors can stroll along an alley designed to look like the opening scene of "Spirited Away," or perch on the red velvet-covered train seat in a carriage next to the movie's instantly recognizable "No-Face" character.

Aichi region is predicting an influx of 1.8 million visitors a year once all five areas of the park are open from next year, with an estimated annual economic impact of 48 billion yen ($324 million).

Studio Ghibli, founded in 1985 by Miyazaki and fellow animator Isao Takahata, has captivated fans around the world with works blending nostalgia, courage, greed and interaction with the natural world.

The studio already operates the hugely popular Ghibli Museum on the outskirts of Tokyo, which offers tickets only at the beginning of each month and regularly sells out within hours.



‘Sinners’ Bites Off Phenomenal 2nd Weekend as 20-year-old Star Wars Movie Takes 2nd Place

This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)
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‘Sinners’ Bites Off Phenomenal 2nd Weekend as 20-year-old Star Wars Movie Takes 2nd Place

This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)

Horror movies are often one-week wonders at the box office, but Ryan Coogler’s “Sinners” is defying the odds and proving to be true event cinema.
In its second weekend in theaters, “Sinners” earned $45 million in ticket sales from theaters in the US and Canada, according to studio estimates Sunday. That’s down a miniscule 6% from its Easter holiday launch, the smallest drop in any genre since “Avatar” in 2009. Worldwide, “Sinners” has now made $161.6 million.
For the industry, the showing proves the film's reach has broadened beyond horror fans to mainstream audiences wanting to see what the hype is about. Last weekend, men made up 56% of the audience. This weekend, the gender divide narrowed to 50/50. Premium large format showings, like the 70mm IMAX screens, are also a big draw. IMAX screens worldwide accounted for some 21% of the second weekend globally, a nearly 9% increase from last weekend.
The original ensemble movie, starring Michael B. Jordan as twins, rode into theaters on a wave of great reviews. And, to be fair, “Sinners” isn’t simply a horror film: It blends elements of drama, action and musical into its southern gothic milieu, The Associated Press reported.
“That’s one of the lowest second weekend holds for an overperforming wide release ever,” said Paul Dergarabedian, the senior media analyst for Comscore. “It’s an absolute phenomenon."
Hollywood expects significant drop off in a movie's second week of release. Even a 50% dip is considered a solid number, baked into the movie math. When it's anything less than that, it's notable.
“You can buy a great opening weekend with marketing, but if a movie doesn’t have the goods, it’ll drop off," Dergarabedian said. “There's no greater barometer of success than a second weekend hold like this."
The film was produced by Coogler’s Proximity Media and Warner Bros., which handled the theatrical release. After some disappointments earlier in the year, it's the second major win for the studio after “A Minecraft Movie” helped energize the box office earlier this month.
“Sinners” easily topped the biggest new competition this week: “The Accountant 2,” a sequel starring Ben Affleck and released by Amazon MGM Studios, which opened in third place with an estimated $24.5 million in its first weekend. Gavin O'Connor directed the film, which played in 3,610 theaters in North America. Audiences gave it a promising A- CinemaScore.
The film that beat “The Accountant 2” for second place was a 20-year-old Star Wars movie: “Revenge of the Sith.” The anniversary re-release took in an estimated $25.2 million over the weekend, with many sellouts reported, more than doubling last year’s release of “The Phantom Menace.” Internationally, it earned $17 million from 34 territories, giving it a $42.2 million global weekend. It's one of the top grossing re-releases ever.
“A Minecraft Movie” landed in fourth place with $22.7 million, bringing its domestic total to around $380 million.
The scary video game adaptation “Until Dawn” also opened this weekend to an estimated $8 million, rounding out the top five. Sony Pictures released the film, starring Ella Rubin and Michael Cimino, which has earned $18.1 million globally.
The “Minecraft” and “Sinners” wins have meant a huge boost for the April box office, which is up 102% from April 2024. The annual box office is also up over 10% from last year after running at a double-digit deficit in March. And this is all happening right before the industry’s summer movie season kicks off on May 2 with Disney’s “Thunderbolts(asterisk).”
“There cannot be a better opening act for the summer movie season than this weekend,” Dergarabedian said.