New Season of 'The Crown' Set to Air after Backlash

The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
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New Season of 'The Crown' Set to Air after Backlash

The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls

The latest season of "The Crown" hits the small screen next week, with streaming giant Netflix adding a disclaimer after a furor over untrue storylines.

Series Five, which airs on Wednesday just over two months after the death of Queen Elizabeth II and the accession of her son King Charles III, sees the action move to the 1990s, said AFP.

Princess Diana's bombshell television interview, emotional turmoil and divorce from Charles are all documented, along with his affair with Camilla Parker Bowles and tensions with his mother.

It was not clear, however, how the series deals with the death of Diana in a car crash in Paris in 1997 or if a disclaimer would be added before each episode.

Following outrage from prominent figures including Oscar-winning actor Judi Dench and Britain's former prime minister John Major last month, Netflix added a description of the show as "inspired by real events" to its program page.

Dench blasted Netflix for "crude sensationalism" after reports of scenes showing Charles maneuvering to force his mother's abdication.

"No-one is a greater believer in artistic freedom than I, but this cannot go unchallenged," wrote Dench, who won an Academy Award for playing Queen Elizabeth I in "Shakespeare in Love" and was nominated for her portrayal of Queen Victoria in "Mrs Brown".

The strength of the criticism has forced Netflix to defend both itself and screenwriter Peter Morgan.

It said the series was not meant to be taken as fact but as an imagining of "what could have happened behind closed doors".

Its stars too have rallied to its defense, with Diana actress Elizabeth Debicki calling for people to move on "now the disclaimer is up there".

- 'Good drama' -
"There's a huge amount of room for interpretation," the Australian actress said. "That's good drama to me."

Jonathan Pryce, who plays the queen's husband Prince Philip, even went as far as to criticize his fellow actors.

Pryce said he was "hugely disappointed by my fellow artistes" after acting powerhouses Eileen Atkins and Harriet Walter, both of whom have appeared in "The Crown", expressed reservations.

"The vast majority of people know it's a drama. They've been watching it for four seasons," Pryce said.

But with most of the royals depicted still alive and an apparent upping of the creative license, even a disclaimer may be too little for critics who accuse Morgan of an undeclared anti-monarchist agenda.

Television reviewer Christopher Stevens, who saw an eight-and-a-half-hour preview, wrote this week that "the sheer virulence" of the latest storylines was becoming "shockingly clear".

The show, he said, was now unrecognizable compared to the first series in 2016.

"The Crown" was now "a nakedly republican polemic, using embarrassment as its chief weapon against the monarchy", he wrote in the Daily Mail.

- 'Treasured' -
Writer and royal biographer William Shawcross said the plotlines were deliberately hurtful attempts to damage the institution of the monarchy -- "something that millions of ordinary people treasure".

"I think a lot of people do (believe them), why would they not? They see this beautifully produced thing... Most people in the world don't have any other yardstick. It's terribly dishonest," he told AFP.

He said Netflix had taken advantage of the unique position in which the royal family found themselves.

"Almost any other living family is in a position to complain or stop or sue. The royal family don't have the right or the ability to do that," he said.

Philip Murphy, of the University of London's Institute of Historical Research, however, said the royal family's plight was "partly" their own fault.

The palace had made "strenuous efforts to prevent historians from gaining access to records on the queen's 70-year reign", he said in a letter to The Times.

"If scholars are unable to write an accurate history of the monarchy, the field will be left to dramatists and to those with vested interests in leaking information," he wrote.



Star Wars Series ‘Andor’ Back for Final Season

Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)
Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)
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Star Wars Series ‘Andor’ Back for Final Season

Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)
Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)

If "Andor" -- which returns from Tuesday for its second and final season -- has been received as one of the very best "Star Wars" TV series, that is largely thanks to the grittier, more adult approach taken by its creator Tony Gilroy.

That standpoint -- far, far away from the family-pleasing tone often encountered in the "Star Wars" universe run by the Disney empire -- should be of no surprise to those who watched the 2002 action thriller "The Bourne Identity", written by Gilroy.

Its genesis was already evident in the 2016 "Star Wars" movie "Rogue One", which Gilroy co-wrote -- and which serves as the climax to "Andor", which recounts the rebellion leading up to that film's events.

"Everything is emotionally charged" because "we're getting close to 'Rogue One'," Diego Luna, the actor who plays the protagonist Cassian Andor, told AFP.

For Disney, the success of "Andor" stands out as a new hope for a franchise that has become hit-or-miss with audiences in recent years.

That is why it has banked heavily on the 12-episode story, which cost a staggering $645 million to make, according to Forbes magazine.

Where "Rogue One" was about a rebel suicide mission to steal the plans for the Death Star, with "characters that sacrifice everything for a cause", "Andor" is about how one of those characters "gets there", Luna said.

Unlike in a typical hero's journey, the series explores the motives and dark sides of both camps: the rebels and the Empire. It spends time with figures such as a rebel alliance operative played by Swedish actor Stellan Skarsgard.

Gilroy, speaking to AFP with Luna during a Paris visit, said the original plan was for five seasons of "Andor", but he came to realize "there's no physical way to do it" given "the volume of work" required.

The result was two seasons, but with episodes that were "more intense, more complex in every possible way", Luna said.

With season one finishing in late 2022 with a stunning 96-percent rating on the critic aggregation site Rotten Tomatoes, season two has star billing on the Disney+ streaming platform.

That season hits the small screen from Tuesday in the United States, or from Wednesday in France, Germany, Italy and other territories.

- Revolutionary reading -

"Andor" is not the only hit "Star Wars" television series.

"The Mandalorian", which preceded it, excited audiences for the first two seasons before interest waned in its third. That story will move to the cinemas, with a film scheduled for release next year.

But "Andor" has impressed fans and critics with its darker vibe, greater political themes and more realistic tone.

Gilroy said his approach to the series was informed by a decades-long reading obsession about uprisings -- "all this crazy stuff I've learnt about... the Russian Revolution and... the French Revolution, and Thomas Paine and Oliver Cromwell and the Haitian Revolution and the Roman Revolution and Zapata."

"I mean, it's all in there," he said.

The second season focuses on the use of propaganda, looking at the tragic destiny of a planet called Ghorman, for which Gilroy and his team embarked on serious world-building, imagining its economy, language, culture and dress.

Part of the inspiration came from a French TV series about a village living under German occupation in World War II, "A French Village".

"I loved that show... I had some of those actors in my head" while writing about Ghorman's inhabitants, he said.

Even if some people might see some echoes of today's Earth in aspects of "Andor", Gilroy said a writer's horizon, stretching years ahead, did not allow him to anticipate current events.

But, he said, "the sad truth is that history is... rinse and repeat," adding: "We so commonly feel, narcissistically, that we live in unique times."

Technology might change, the rhetoric might alter, "but the dynamic of oppression and resistance are a Catherine wheel. It just keeps going. I think it's timeless, sadly."