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Marrakech Film Festival Returns after Covid Cancellations

The Marrakech International Film Festival logo.
The Marrakech International Film Festival logo.
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Marrakech Film Festival Returns after Covid Cancellations

The Marrakech International Film Festival logo.
The Marrakech International Film Festival logo.

The Marrakech International Film Festival returns to the Moroccan tourist hub this month, with organizers hoping to woo star-struck fans after a two-year hiatus due to the coronavirus pandemic.

British actress Tilda Swinton is set to attend, with Italian director Paolo Sorrentino heading up the jury, AFP said.

The festival, running from November 11-19, features emerging directors from across the world who will "shape the cinema of tomorrow", according to Prince Moulay Rachid, who presides over the festival's foundation.

Sorrentino, whose film "The Great Beauty" won a foreign-language Oscar in 2014, is joined by French actor Tahar Rahim, Lebanese director Nadine Labaki and German-American actress Diane Kruger.

Fourteen feature films from across the world, including six by women, will be in the running for the festival's top prize, the Gold Star.

Artistic director Remi Bonhomme told AFP that the festival "brings together different cinematic worlds, through 76 films (representing) 33 countries covering all continents".

The opening film is "Pinocchio", a remake of Carlo Collodi's animated tale by Mexican director Guillermo del Toro.

Tributes will also be paid to American director James Gray and to Swinton, who headed the festival's jury in 2018 and 2019, as well as Moroccan director Farida Benlyazid and Bollywood star Ranveer Singh.

Known for its conversational side events, the festival will give the public the chance to question Iran's two-time Oscar-winning director Asghar Farhadi.

US independent director Jim Jarmusch is also on the line-up, with events set to take place at a string of venues across the city with its famous red buildings.

Marrakesh's iconic Jamaa El-Fna square will host outdoor screenings of science fiction epic "Dune" and James Gray's "Ad Astra".

The city's famous Yves Saint Laurent museum will also host the "11th continent" collection of recently restored archive films, including "Muna moto" (1975) by Cameroonian Jean-Pierre Dikongue-Pipa or "Beirut the Encounter" (1981) by Lebanon's Borhane Alaouie.

Other screenings will include films that have already debuted recently at top festivals, including "No Bears" by Iran's Jafar Panahi, who has been detained in Iran since July.

The film received the Special Jury Prize at the 2022 Venice Film Festival.

Legal drama and Venice Silver Lion winner "Saint Omer", by French director Alice Diop, will also be screened.

Alongside the festivities, organizers will hold the Atlas Workshops, a program supporting young filmmakers from Africa and the Middle East with development and post-production that also awards prizes.

A previous winner, Egyptian director Omar El Zohairy, was awarded a Grand Prize at the Semaine de la Critique in Cannes in July for his scathing "Feathers".

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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."