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Art Dubai Unveils Extensive 2023 Program

The expanded 2023 program features an ambitious and multi-strand conference
The expanded 2023 program features an ambitious and multi-strand conference
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Art Dubai Unveils Extensive 2023 Program

The expanded 2023 program features an ambitious and multi-strand conference
The expanded 2023 program features an ambitious and multi-strand conference

Art Dubai has announced details of the program and partnerships for its 16th edition.

The expanded 2023 program features an ambitious and multi-strand conference, talks and education program, reinforcing Dubai’s emergence as a hub for art and culture and a significant contributor to global conversations about contemporary art.

The 2023 edition of Art Dubai will be held at Madinat Jumeirah from March 3 to 5, with previews on 1 and 2 March 2023.

Held under the patronage of Sheikh Mohammed bin Rashid Al Maktoum, Vice President, Prime Minister and Ruler of Dubai, Art Dubai’s expanded 2023 program, developed in collaboration with local and international cultural partners, reaffirms the premier art fair’s role as the meeting point for the Global South’s creative industries and communities.

Highlights of the 2023 program include site-specific commissions and premieres by renowned international artists, presented in partnership with the region’s leading institutions.

The expanded program continues Art Dubai’s long-standing commitment to thought leadership and supporting the development of Dubai’s cultural infrastructure.

The Artist Commissions for 2023 are themed around food, community, celebration and hope, with artists selected from participating Art Dubai galleries and South Asia’s leading institutions.

Julius Baer has renewed its association with Art Dubai as its lead partner for another five years until 2027. The Swiss wealth management group will premiere a newly commissioned artwork by Refik Anadol, the new media artist and pioneer in the aesthetics of machine intelligence.

The commission will debut in Dubai as a part of Julius Baer’s new initiative, NEXT, which will encourage the interdisciplinary exploration of megatrends across the arts, science and technology.

Also debuting at the fair will be UAE First Immersion, a presentation of new artworks produced following the November 2022 visit to the UAE by some leading names in digital art.

The exhibit will be part of the expanded second edition of Art Dubai Digital, which will feature collaborations with various organizations pioneering new institutional models, including Lian Foundation and 6529’s Open Metaverse project.

Celebrating its 10th edition, Campus Art Dubai, Art Dubai’s flagship professional development initiative, will expand to incorporate placements with local partners, including Alserkal Avenue and Jameel Arts Centre in Dubai and 421, an Abu Dhabi-based emerging artists platform. With 421, the fair will present a new group exhibition curated by UAE-based artist and researcher Dania Al Tamimi.

The 16th edition of Art Dubai’s celebrated transdisciplinary conference Global Art Forum, commissioned by Shumon Basar, will explore the theme “Predicting the Present” and consider the central question: if it’s the end of history and the end of the future, what happens next?
The fair’s 2023 conference program will expand to include the first Dubai edition of Christie’s Art+Tech summit.

The summit brings together regional and global leaders, innovators, artists, and visionaries to foster meaningful dialogues on the intersection of Art and Technology.

The sixth iteration of the summit—and the first in the region—will survey tech trends, hear from artists incorporating tech in their practices, and explore current and future challenges and opportunities.

Highlighting the role played by collectors and philanthropists in developing the region’s cultural infrastructure, Art Dubai 2023 will include a series of high-level Collector and Modern Talks, presented in partnership with Dubai Collection, the first institutional art collection in the city and for the city.

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Varieties

Move over Larry: Maximus the PM's Cat Grabs Belgium Spotlight

Larry the Downing Street cat is a global celebrity in his own right, with more than 900,000 followers on X. JUSTIN TALLIS / AFP/File
Larry the Downing Street cat is a global celebrity in his own right, with more than 900,000 followers on X. JUSTIN TALLIS / AFP/File
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Move over Larry: Maximus the PM's Cat Grabs Belgium Spotlight

Larry the Downing Street cat is a global celebrity in his own right, with more than 900,000 followers on X. JUSTIN TALLIS / AFP/File
Larry the Downing Street cat is a global celebrity in his own right, with more than 900,000 followers on X. JUSTIN TALLIS / AFP/File

It is no secret that a tabby named Larry wields considerable power in Downing Street. Now in Belgium, a rescue cat named Maximus has shot to social media stardom as bewhiskered sidekick and PR weapon of Prime Minister Bart De Wever.

Taken in from a shelter by the Flemish conservative leader over the summer, the grey fluffball has become a fixture on Instagram -- snapped batting at string or lolling around in the boss's office.

But while Larry has risen above politics as Chief Mouser to six British prime ministers, the adventures of De Wever's four-legged friend come with a dose of salty commentary on Belgium's turbulent public life, said AFP.

Cartoon bubbles have captured Maximus musing sardonically -- in Flemish -- on everything from the country's long-running budget showdown to strikes over his boss's austerity measures, or a new voluntary military service for young Belgians.

'Maximus, can you catch a drone?'

Less than six months after his account went live in July, Maximus has caught up with his master when it comes to Instagram followers.

The account name -- @maximustp16 -- stands for "Maximus Textoris Pulcher", a cryptic reference to that of his boss, which means "The Weaver" in Dutch.

Those in the know say the fel-influencer's posts are put up by the prime minister's personal assistant.

But the Belgian leader -- known for his deadpan sense of humor -- is also pretty prolific online, and regularly cross-posts with the cat's account when he wants to strike a lighter note.

Since taking office in February, De Wever has posted a whole series of vignettes of himself with Maximus, pushing him in a stroller or taking a nap by his side.

His first response in October to the news of a foiled plot to attack him using drone-mounted explosives?

A post showing the prime minister and reclining cat with the cartoon caption "Maximus, can you catch a drone?"

"No -- but I'm catching dreams like no one else!" the mog replies.

'Noise and hot air'

All good fun, but what is the strategy at work?

For political analyst Dave Sinardet the spoof account is chiefly a way for the 54-year-old De Wever to freshen up his public image -- and show he does not take himself too seriously.

"It's a smart way to do political PR," said Sinardet, a university professor in Brussels. "It makes politicians seem friendlier, gentler -- considering that most people see them as rational, even arrogant figures."

The Flemish nationalist faces an uphill challenge -- under fire from left-wing parties who accuse him of unpicking social protections with rolling strikes and protests targeting his government all year.

Deploying pets as political PR assets is nothing new: every US president in history, with the exception of Donald Trump, has posed with animals at the White House.

Larry the Downing Street cat is a global celebrity in his own right, with his @Number10cat account on X boasting almost 900,000 followers.

But De Wever's posts with Maximus are not to everyone's liking at home.

A video of the prime minister pretending to play "Amazing Grace" on the bagpipes -- the pipe being Maximus's tail -- during tense budget talks had the opposition hissing.

"Quite the summary of their politics: noise and hot air," snapped the socialist lawmaker Patrick Prevot.

Varieties

Indonesia Floods Were 'Extinction Level' for Rare Orangutans

Residents rest as they search for the remains of their house, buried under piles of uprooted trees swept by the flash flood, in Lintang Baru village in Aceh Tamiang, northern Sumatra, on December 11, 2025. (Photo by Aditya Aji / AFP)
Residents rest as they search for the remains of their house, buried under piles of uprooted trees swept by the flash flood, in Lintang Baru village in Aceh Tamiang, northern Sumatra, on December 11, 2025. (Photo by Aditya Aji / AFP)
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Indonesia Floods Were 'Extinction Level' for Rare Orangutans

Residents rest as they search for the remains of their house, buried under piles of uprooted trees swept by the flash flood, in Lintang Baru village in Aceh Tamiang, northern Sumatra, on December 11, 2025. (Photo by Aditya Aji / AFP)
Residents rest as they search for the remains of their house, buried under piles of uprooted trees swept by the flash flood, in Lintang Baru village in Aceh Tamiang, northern Sumatra, on December 11, 2025. (Photo by Aditya Aji / AFP)

Indonesia's deadly flooding was an "extinction-level disturbance" for the world's rarest great ape, the tapanuli orangutan, causing catastrophic damage to its habitat and survival prospects, scientists warned on Friday.

Only scientifically classified as a species in 2017, tapanulis are incredibly rare, with fewer than 800 left in the wild, confined to a small range in part of Indonesia's Sumatra.

One dead suspected tapanuli orangutan has already been found in the region, conservationists told AFP.

"The loss of even a single orangutan is a devastating blow to the survival of the species," said Panut Hadisiswoyo, founder and chairman of the Orangutan Information Centre in Indonesia.

And analysis of satellite imagery combined with knowledge of the tapanuli's range suggests that the flooding which killed nearly 1,000 people last month may also have devastated wildlife in the Batang Toru region.

The scientists focused on the so-called West Block, the most densely populated of three known tapanuli habitats, and home to an estimated 581 tapanulis before the disaster.

There, "we think that between six and 11 percent of orangutans were likely killed," said Erik Meijaard, a longtime orangutan conservationist.

"Any kind of adult mortality that exceeds one percent, you're driving the species to extinction, irrespective of how big the population is at the start," he told AFP.

But tapanulis have such a small population and range to begin with that they are especially vulnerable, he added.

Satellite imagery shows massive gashes in the mountainous landscape, some of which extend for more than a kilometer and are nearly 100 meters wide, Meijaard said.

The tide of mud, trees and water toppling down hillsides would have carried away everything in its path, including other wildlife like elephants.

David Gaveau, a remote sensing expert and founder of conservation start-up The Tree Map, said he was flabbergasted by the before-and-after comparison of the region.

"I have never seen anything like this before during my 20 years of monitoring deforestation in Indonesia with satellites," he told AFP.

The devastation means remaining tapanulis will be even more vulnerable, with sources of food and shelter now washed away.

Over nine percent of the West Block habitat may have been destroyed, the group of scientists estimated.

In a draft paper shared with AFP and set to be published as a pre-print in coming days, they warned the flooding represents an "extinction-level disturbance" for tapanulis.

They are urging an immediate halt to development in the region that will damage remaining habitat, expanded protected areas, a detailed survey of the affected area and orangutan populations and work to restore lowland forests.

The highland homes currently inhabited by tapanulis are not their preferred habitat, but it is where remaining orangutans have been pushed by development elsewhere.

Panut said the region had become eerily quiet after the landslides.

"This fragile and sensitive habitat in West Block must be fully protected by halting all habitat-damaging development," he told AFP.

Varieties

Study Finds Humans Were Making Fire 400,000 Years Ago, Far Earlier Than Once Thought

Discovery of the first fragment of iron pyrite in 2017, at Barnham, England. (Jordan Mansfield/Pathways to Ancient Britain Project via AP)
Discovery of the first fragment of iron pyrite in 2017, at Barnham, England. (Jordan Mansfield/Pathways to Ancient Britain Project via AP)
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Study Finds Humans Were Making Fire 400,000 Years Ago, Far Earlier Than Once Thought

Discovery of the first fragment of iron pyrite in 2017, at Barnham, England. (Jordan Mansfield/Pathways to Ancient Britain Project via AP)
Discovery of the first fragment of iron pyrite in 2017, at Barnham, England. (Jordan Mansfield/Pathways to Ancient Britain Project via AP)

Scientists in Britain say ancient humans may have learned to make fire far earlier than previously believed, after uncovering evidence that deliberate fire-setting took place in what is now eastern England around 400,000 years ago.

The findings, described in the journal Nature, push back the earliest known date for controlled fire-making by roughly 350,000 years. Until now, the oldest confirmed evidence had come from Neanderthal sites in what is now northern France dating to about 50,000 years ago.

The discovery was made at Barnham, a Paleolithic site in Suffolk that has been excavated for decades. A team led by the British Museum identified a patch of baked clay, flint hand axes fractured by intense heat and two fragments of iron pyrite, a mineral that produces sparks when struck against flint, The Associated Press reported.

Researchers spent four years analyzing to rule out natural wildfires. Geochemical tests showed temperatures had exceeded 700 degrees Celsius (1,292 Fahrenheit), with evidence of repeated burning in the same location.

That pattern, they say, is consistent with a constructed hearth rather than a lightning strike.

Rob Davis, a Paleolithic archaeologist at the British Museum, said the combination of high temperatures, controlled burning and pyrite fragments shows "how they were actually making the fire and the fact they were making it."

Iron pyrite does not occur naturally at Barnham. Its presence suggests the people who lived there deliberately collected it because they understood its properties and could use it to ignite tinder.

Deliberate fire-making is rarely preserved in the archaeological record. Ash is easily dispersed, charcoal decays and heat-altered sediments can be eroded.

At Barnham, however, the burned deposits were sealed within ancient pond sediments, allowing scientists to reconstruct how early people used the site.

Researchers say the implications for human evolution are substantial.

Fire allowed early populations to survive colder environments, deter predators and cook food. Cooking breaks down toxins in roots and tubers and kills pathogens in meat, improving digestion and releasing more energy to support larger brains.

Chris Stringer, a human evolution specialist at the Natural History Museum, said fossils from Britain and Spain suggest the inhabitants of Barnham were early Neanderthals whose cranial features and DNA point to growing cognitive and technological sophistication.

Fire also enabled new forms of social life. Evening gatherings around a hearth would have provided time for planning, storytelling and strengthening group relationships, which are behaviors often associated with the development of language and more organized societies.

Archaeologists say the Barnham site fits a wider pattern across Britain and continental Europe between 500,000 and 400,000 years ago, when brain size in early humans began to approach modern levels and when evidence for increasingly complex behavior becomes more visible.

Nick Ashton, curator of Paleolithic collections at the British Museum, described it as "the most exciting discovery of my long 40-year career."

For archaeologists, the find helps address a long-standing question: When humans stopped relying on lightning strikes and wildfires and instead learned to create flame wherever and whenever they needed it.