Breakthrough Entertainer: Stephanie Hsu, Now Everywhere 

Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)
Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)
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Breakthrough Entertainer: Stephanie Hsu, Now Everywhere 

Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)
Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)

Dressed as Elvis and nonchalantly walking a pig on a leash, Stephanie Hsu made a memorable big screen impression this year. 

Hsu actually had two roles in "Everything Everywhere All at Once," playing both a sullen teen and an intergalactic supervillain for a film that can best be called a fantastical science fiction comedy-drama. 

With Michelle Yeoh joining Hsu as her onscreen mother, the indie film has garnered critical acclaim, hit over $100 million in global ticket sales and has sparked Oscar buzz. 

"The movie is so special because we could not have possibly expected this to have happened and so we were really able to just throw paint at the wall," Hsu said. "It came from a very raw place with zero expectations, only trying to tell the story as deeply and honestly as we can." 

Hsu's performance — combining deep hurt with a real skill with nunchucks while rocking sequin-lined eyes — has made her one of The Associated Press’ Breakthrough Entertainers of the Year alongside Joaquina Kalukango, Sadie Sink, Tenoch Huerta, Iman Vellani and more. 

"I have been working for a really long time and I guess that’s what a breakout is: You chip away and then all of a sudden, there’s one thing that everyone is like, ‘That’s the thing that put you on the map.’" 

Hsu was a Broadway veteran with a few TV credits when she worked with the writing and directing duo of Daniel Kwan and Daniel Scheinert for an episode of "Norah From Queens." 

Working with Kwan and Scheinert — know as The Daniels — was a revelation for Hsu and when they contacted her about "Everything Everywhere All at Once" she never hesitated. 

"We’re like artistic soulmates in so many ways," she said. "When I read the script, in so many ways, it actually made a lot of sense to me weirdly enough. I don’t know what that says about me." 

The film begins with Yeoh as a struggling laundromat owner who is being audited by the IRS and has a strained relationship with her daughter. The story gets surreal when she discovers she has to connect with parallel universes to prevent cataclysmic destruction, also involving her daughter. It's also a family drama, with richness in the complex love between relations. 

"This movie, in so many ways, embodies what I love to do as an artist. So it feels like the most honest handshake I could make with Hollywood," she said. 

"I think art at its very best offers some help in processing or helping us move through a very confusing world and offer some healing. And that is ultimately the type of work that I want to make." 

Hsu began her acting career on Broadway, where she played Karen the Computer in "SpongeBob the Musical," and Christine Canigula in "Be More Chill." She was born in California and moved to New York to study at New York University, graduating in 2012. 

She showed off her work ethic by combining a punishing eight-show-a-week Broadway schedule with filming "The Marvelous Mrs. Maisel" on Mondays, her only day off. 

"The discipline that forced me into, I think, really prepared me for everything that has happened since. And I feel really grateful that I was given the opportunity to work that hard," she said. 

Hsu will next be seen in Rian Johnson’s Peacock anthology series "Poker Face," alongside Natasha Lyonne and Joseph Gordon-Levitt. She’ll also star opposite Ashley Park in "JFC," a raunchy, R-rated comedy directed by Adele Lim. 

"What I’m excited to do next, honestly, is to develop more of my own work," she said. "In order to make this career sustainable and joyful is to be able to dig in and not always just fill shoes for someone else." 



Charlie Brown and Snoopy Offer an Animated ‘Peanuts’ Musical About Summer Camp

A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
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Charlie Brown and Snoopy Offer an Animated ‘Peanuts’ Musical About Summer Camp

A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)

Charlie Brown and Snoopy go to sleepaway camp in a new, bittersweet Apple TV+ special fueled by a pair of Emmy Award-nominated songwriters that's being billed as the first "Peanuts" musical in 35 years.

"My motivation has always been to preserve and enhance my dad’s legacy," says co-writer Craig Schulz, a son of the iconic comic strip "Peanuts" creator Charles. S. Schulz. "So it’s really an honor to get to play with these kids."

"Snoopy Presents: A Summer Musical," which premieres Friday, features five songs — two by Jeff Morrow, Alan Zachary and Michael Weiner — and three by Ben Folds.

"If someone asked me to write for a stupid kids thing, I would find it difficult because I don’t like talking down to anyone, much less kids," says Folds. "'Peanuts' isn't like that. We’re working in very rich, fertile soil."

What's the special about? The special opens with the kids getting ready to catch the bus to Cloverhill Ranch camp, but Sally isn't so sure it's going to be great. "Honestly, big brother, I could stay home," she says.

Sally is initially intimidated by the camp's inside jokes and rituals, turned off by the insects, the endless climbing, no TV, cold lake water and lumpy beds.

"You wake at dawn/Like you would in jail," she sings in the song "A Place Like This.The food’s not what you’d call upscale/This whole endeavor, an epic fail/And that’s being diplomatic."

Trust "Peanuts" to explore reluctance to leave home and fear of change. Craig Schulz, who co-wrote the script with his son, Bryan, and Cornelius Uliano, channeled some of his own childhood.

"Cloverhill Ranch actually is a take-off of the one in Santa Rosa called Cloverleaf that I went to as a child and hated. I bailed out after a week and went home," he says. "So many connections in the film kind of date back to my childhood that we weaved into the film."

While Sally warms to camp, Snoopy discovers what he thinks is a treasure map that will transform him into a wealthy pooch, one who will lay on top of a gold dog house. And Charlie Brown learns that this summer will be the last for his beloved but struggling camp — unless he does something.

"I guess your generation would rather sit in front of the television than sit under the stars," he tells Sally. "We have to protect these kinds of places because once they’re gone, they’re gone forever."

Charlie Brown comes up with the idea to invite generations of camp-goers back for a fundraising concert, but the skies darken on the big day, threatening to cancel the event and sending him into a "Good grief" spiral.

"Charlie Brown is different in this special," says director Erik Wiese. "He’s really happy. He loves this place. And so that’s why when we get to that scene it’s so effective because he returned back to the zero we sort of know him traditionally."

Folds supplies the lovely, last three songs — "When We Were Light,Look Up, Charlie Brown" and "Leave It Better" — and credits his songwriting collaborators for setting the stage.

"I entered when those first two songs existed, and I get to just sort of step in at the point where things get really complex and melancholic," he says.

Folds has had a flirtation with musical theater before, having written the "Peanuts" Earth Day song "It’s the Small Things, Charlie Brown" in 2022 and a few songs for the movie "Over the Hedge" in 2006.

"People can easily confuse a song that sounds like musical theater with a song that should be musical theater," he says. "Really what the value of the song is that it obviates the need for a good five to 10 pages of script."

This October marks the 75th anniversary of "Peanuts," and the musical arrives with a boatload of branding, from tote bags by Coach to shoes by Crocs and Starbucks mugs.

Craig Schulz is already at work on a second animated musical with his son, having long ago fallen in love with the family business.

"I used to always wonder how in the world my dad could go to the office every day for 50 years and write a comic strip every day," he says, comparing it to the "I Love Lucy" episode with Lucy trying to keep up with a chocolate conveyor belt.

"Then I came to realize that he had his family of five kids, but I really think he enjoyed going to the studio and working with the ‘Peanuts’ characters even more so than his real family. He got to go in there and embrace them, draw them, make him happy, sad, whatever. It was a world that I don’t think he could ever leave."