Harrison Ford Swaps Movies for TV with '1923'

Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File
Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File
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Harrison Ford Swaps Movies for TV with '1923'

Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File
Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File

Harrison Ford has rarely bothered with television since "Star Wars" propelled him to A-list movie fame nearly half a century ago -- but that is about to change with small-screen Western "1923."

Spun off from "Yellowstone," a modern-day cowboy saga that has become a rare cable TV ratings juggernaut in the United States, Ford's prequel series traces the ancestors of the wealthy, ruthless Dutton clan and their sprawling Montana ranch.

"It's a very complicated and ambitious -- epic, even -- undertaking, this story," Ford told AFP at the Los Angeles premiere for the show, which will stream on Paramount+ from Sunday.

With the show shot largely on location in Montana, Ford joked that he was lured to "1923" by the prospect of "outdoor work."

But Ford, who spent years working repetitive television jobs in Los Angeles before he was cast as Han Solo and Indiana Jones, is not the only Hollywood film giant to sign up for the TV series.

He and Oscar winner Helen Mirren co-star as Jacob and Cara Dutton, a long-married couple working to protect their land and cattle from bears, wolves and jealous neighboring ranchers. Former James Bond actor Timothy Dalton is cast as a villain.

Their presence in "1923" is part of a broader trend in the entertainment industry. Movie stars from Al Pacino to Meryl Streep have flocked to the small screen to be part of the so-called "golden age of television."

The entry of deep-pocketed streaming giants Netflix, Amazon Prime and Apple TV+ has created a highly competitive and lucrative marketplace, forcing other networks to up their game.

"It's just following the good writing," said Ford.

"The writing can be found in movies and in television, and I just found some great writing in television. That's what made me want to do it."

Ford is still set to appear on the silver screen in next year's "Indiana Jones and the Dial of Destiny" as well as several Marvel superhero films in a minor recurring role.

- 'American history' -
Of course, few recent series can boast the success of "Yellowstone."

Its season five premiere last month broke ratings records, luring more than 12 million viewers to Paramount's relatively small cable network -- a number higher than "Game of Thrones" at the same stage.

The show, which appeals to America's conservative heartland, has already launched a separate Dutton family prequel spin-off called "1883," starring Sam Elliott, Tim McGraw and Faith Hill.

But "this particular Duttons saga has a different kind of character to the other two," said Ford, about "1923."

"Each of them has an individual character which I think is really interesting and powerful."

For Mirren, "1923" is a "wonderful observation and essay on American history" that feels like "a sprawling Russian novel."

Dalton said the truth about pioneers in the West has "not ever really been told honestly, has it?"

"It's been dressed-up in idealism... people aren't very nice when they're in bad circumstances."

- 'Love of the land' -
In the show, Ford is regularly seen riding a horse through the stunning mountains of Montana -- just a few hours' drive from the remote ranch in Wyoming that the actor has called home for decades.

During the first episode, his character is confronted by a sheep rancher who claims the size of Dutton's enormous and closely guarded property is unfair, given that his neighbors are scrabbling to keep their flocks alive on the sparse surrounding lands.

The question of who owns America's majestic West is a common theme across the "Yellowstone" shows, which portray Native Americans as well as ranchers.

It hits close to home for Ford, who moved from California to Wyoming seeking privacy in the 1980s, and is an active environmentalist who has donated hundreds of acres of his own land for conservation.

So, does "1923" have any lessons for solving America's never-ending debate over its most precious resource?

"Well, there are perceptions, that are not mine, about the land," said Ford.

"But it's a complicated issue, love of the land -- what it means, in a particular place, in a particular time, to a particular kind of person."



'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
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'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)

In an early scene in “Smile 2,” the fictional pop superstar Skye Riley is in her drug dealer's apartment. “Do you believe in weird stuff?” he asks her, between doing lines of coke.
You certainly will after this horror romp — writer-director Parker Finn's second movie that suddenly opens up the franchise with the promises of multiple directions in the future. Not for that drug dealer, though: He soon smiles at her demonically as he repeatedly slams a 35-pound gym weight into his head, making it hamburger, The Associated Press said.
“Smile 2” lands as unsettling grins are plastered on pumpkins and politicians alike as we approach Halloween and Election Day, and the psychotic, overly made-up leads of “Joker: Folie à Deux” have been putting up a brave face at their terrible box-office numbers.
So it's the perfect time for a sequel to 2020's “Smile,” which bridged the gap between elevated art horror and straight-out, unapologetic slasher. Finn this time takes on fame, a better tonal fit than the generational trauma of the first. It's a meditation on breakdowns in the public eye, with a side dish of body horror.
We start six days after the last movie but they are barely connected — a single character for a few minutes — as we watch a demon that forces its victims to smile before meeting a gruesome end working its way into the low-level drug game.
The evil entity will eventually glom onto our heroine, Skye, a fictional Grammy-winning pop superstar akin to if Lady Gaga and Miley Cyrus had a baby. We meet her a year after a horrific car crash she was in that killed her famous boyfriend and left her with a Vicodin addiction and rumors about whether she had anything to do with it. That drug dealer has now infected Skye, but she has no idea what's in store (or in score, the terrific work of Cristobal Tapia de Veer).
One thing to really beam about is leading lady Naomi Scott going for it all-out, all snot, smeared blood and wide-eyed, full on-fear. Scott manages to pour her humanity into the part — diva, whimpering, defiant, strung out, panicked. She even sings on the soundtrack — songs that are credible hits.
The smile demon collides with Skye as she's about to launch a comeback tour and the pressure is on. Finn is at his best here, mocking confessional TV interviews — a Drew Barrymore cameo, a nice touch — full of self-work and apologies: “I let you down and I promise this will never happen again.” Her management demands that she show up “smile and read from the teleprompter.” Skye's mom — on the payroll — is little help: “You need to stay hydrated,” she tells her after Skye is clearly in torment.
Finn has become a much more assured filmmaker and uses humor so well here, from nasty gangsters enjoying pumpkin Frappuccinos to our heroine Googling “Does vomit have DNA?” He's still fond of jump-scares and blood spurting and gross-out tricks, like a body dragged by a truck until it's just a smear with entrails. One delightful moment has Skye chased by demonic backup dancers, a Bob Fosse-meets-"Thriller" sequence.
Finn also has a ball putting his heroines into cringe-worthy situations. In the first movie, a murdered cat got bundled into a kid’s birthday present. In this one, it's a impromptu speech in front of music industry types that goes horrifically off the rails. He's got a deeper target: How do we quiet those voices in our heads that say we're no good?
Finn's script sometime lags as he searches for an ending for “Smile 2,” seemingly in two minds, before basically delivering both, kicking up dream sequences and alternate timelines like a squid pumping out ink to cover its tracks. Over two hours ends up being too long.
But he has found a great satirical target, given life to a third film easily and showcased another rising star to watch. That's a reason to, well, smile about.
“Smile 2,” a Paramount Pictures release that lands in movie theaters on Friday, is rated R for “strong bloody violent content, grisly images, language throughout and drug use.” Running time: 127 minutes. Three stars out of four.