Harrison Ford Swaps Movies for TV with '1923'

Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File
Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File
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Harrison Ford Swaps Movies for TV with '1923'

Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File
Harrison Ford was convinced to temporarily step away from big-screen roles for Paramount+ series '1923'. Robyn BECK / AFP/File

Harrison Ford has rarely bothered with television since "Star Wars" propelled him to A-list movie fame nearly half a century ago -- but that is about to change with small-screen Western "1923."

Spun off from "Yellowstone," a modern-day cowboy saga that has become a rare cable TV ratings juggernaut in the United States, Ford's prequel series traces the ancestors of the wealthy, ruthless Dutton clan and their sprawling Montana ranch.

"It's a very complicated and ambitious -- epic, even -- undertaking, this story," Ford told AFP at the Los Angeles premiere for the show, which will stream on Paramount+ from Sunday.

With the show shot largely on location in Montana, Ford joked that he was lured to "1923" by the prospect of "outdoor work."

But Ford, who spent years working repetitive television jobs in Los Angeles before he was cast as Han Solo and Indiana Jones, is not the only Hollywood film giant to sign up for the TV series.

He and Oscar winner Helen Mirren co-star as Jacob and Cara Dutton, a long-married couple working to protect their land and cattle from bears, wolves and jealous neighboring ranchers. Former James Bond actor Timothy Dalton is cast as a villain.

Their presence in "1923" is part of a broader trend in the entertainment industry. Movie stars from Al Pacino to Meryl Streep have flocked to the small screen to be part of the so-called "golden age of television."

The entry of deep-pocketed streaming giants Netflix, Amazon Prime and Apple TV+ has created a highly competitive and lucrative marketplace, forcing other networks to up their game.

"It's just following the good writing," said Ford.

"The writing can be found in movies and in television, and I just found some great writing in television. That's what made me want to do it."

Ford is still set to appear on the silver screen in next year's "Indiana Jones and the Dial of Destiny" as well as several Marvel superhero films in a minor recurring role.

- 'American history' -
Of course, few recent series can boast the success of "Yellowstone."

Its season five premiere last month broke ratings records, luring more than 12 million viewers to Paramount's relatively small cable network -- a number higher than "Game of Thrones" at the same stage.

The show, which appeals to America's conservative heartland, has already launched a separate Dutton family prequel spin-off called "1883," starring Sam Elliott, Tim McGraw and Faith Hill.

But "this particular Duttons saga has a different kind of character to the other two," said Ford, about "1923."

"Each of them has an individual character which I think is really interesting and powerful."

For Mirren, "1923" is a "wonderful observation and essay on American history" that feels like "a sprawling Russian novel."

Dalton said the truth about pioneers in the West has "not ever really been told honestly, has it?"

"It's been dressed-up in idealism... people aren't very nice when they're in bad circumstances."

- 'Love of the land' -
In the show, Ford is regularly seen riding a horse through the stunning mountains of Montana -- just a few hours' drive from the remote ranch in Wyoming that the actor has called home for decades.

During the first episode, his character is confronted by a sheep rancher who claims the size of Dutton's enormous and closely guarded property is unfair, given that his neighbors are scrabbling to keep their flocks alive on the sparse surrounding lands.

The question of who owns America's majestic West is a common theme across the "Yellowstone" shows, which portray Native Americans as well as ranchers.

It hits close to home for Ford, who moved from California to Wyoming seeking privacy in the 1980s, and is an active environmentalist who has donated hundreds of acres of his own land for conservation.

So, does "1923" have any lessons for solving America's never-ending debate over its most precious resource?

"Well, there are perceptions, that are not mine, about the land," said Ford.

"But it's a complicated issue, love of the land -- what it means, in a particular place, in a particular time, to a particular kind of person."



Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)

You’d be hard pressed to find an upcoming film weirder than “Rumours.”

The biting commentary on the emptiness of political statements and the performances politicians put on starts off as a straight political satire focusing on the G7 world leaders, but then slips into a world of slow-yet-terrifying zombies; a mysterious, giant brain found in the middle of a forest with unexplained origins; and an AI chatbot bent on entrapment.

It goes from provocative to absurd within a few short scenes, with the G7 leaders no longer the subject of criticism, but the butt of the joke.

And that’s kind of the whole point, according to its star and executive producer, Cate Blanchett.

“We’re all in such a state of heightened anxiety and fear with what’s going on with climate, what’s going on with the global political situation. We feel like we’re on the precipice of a world war and there’s a lot of people in positions of power who seem to be relishing that moment,” Blanchett told The Associated Press.

She plays a fictional chancellor of Germany named Hilda Orlmann, the host of the conference who's more focused on optics than action.

“I think the audience will come to it with a need for some kind of catharsis. And because the film is ridiculous and terrifying ... I think they’ll be able to laugh at the absurdity of the situation we found ourselves in. I think it’s a very generous film in that way,” she said.

The three directors, Guy Maddin and brothers Evan and Galen Johnson, said they wanted the film to feel like it had a “generic wash of political disrespect” and to include some resonant critiques, but they didn’t want viewers to feel like they were leaving a lecture hall as they walked out of the theater.

“I’m preachy enough when I talk to people. I don’t want to make a movie that’s preachy, you know? I just favor movies that aren’t that. That just hit me with a little mystery of ... ‘What are you doing or seeing? What am I experiencing?’” Evan Johnson, who wrote the script, as well as co-directed, said.

As for the more absurd plotlines, Maddin said he and his collaborators share “a compulsion to come up with an original recipe.”

And original it certainly is. In its straightforward opening act, leaders from the Group of 7 meet for their annual summit and try to draft a provisional statement for an unnamed crisis. Then, as the evening goes on and they struggle to string together a couple, meaningful sentences, they find themselves abandoned and subject to attack from “bog people,” or well-preserved mummified bodies from thousands of years ago. Hijinks — and hilarity — ensue from there.

Nikki Amuka-Bird, who plays the fictionalized British Prime Minister Cardosa Dewindt, said that while reading the script, she kept asking herself, “What’s happening?” But the ridiculous plotline — including the apocalyptic invasion of zombie-like “bog people” — was only part of the reason why she took on the project.

“This kind of total courage to genre splice in this way takes away any kind of apprehension or fear you might have about it because their (the directors’) tongues are firmly in their cheeks the whole time,” Amuka-Bird said. “It’s a really imaginative exercise and it’s just fantastic to work with directors who can be that bold and take chances like that.”

The cast is rounded out by a starry ensemble: Roy Dupuis is a melodramatic Canadian prime minister, Charles Dance is an American president with an inexplicable British accent, Denis Ménochet is a paranoid French president and Alicia Vikander makes an appearance as a frenetic leader from the European Commission.

The title of the movie, Blanchett said, is meant to invoke the revered Fleetwood Mac album of the same name, which was made at a time when the bandmembers were reportedly “all sleeping together and bickering and breaking up,” she said.

“What was surprising about it is you think, ‘OK, this is a film about the G7,’ but it’s like a sort of a daytime soap opera with these sort of trysts and liaisons and petty squabbles,” Blanchett said. “It was such an unusual way to look at the mess we’re all in and the leadership that’s led us here.”