Maria Bakalova Wants to Make You Feel Something

Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
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Maria Bakalova Wants to Make You Feel Something

Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)

When it comes to acting, Maria Bakalova considers herself to be a person of extremes.  

“Cinema is supposed to be provoking. It’s not supposed to be, I think, something that is somewhere in the middle,” the Oscar-nominated actor said in a recent interview with The Associated Press.  

If a movie doesn’t make you feel something, she said, “what was really the point?”  

Bakalova both stars in her latest project, “The Honeymoon,” and worked as a producer, something she said she hopes to do more of in the future. 

“The more I grow up, the more I want to spend time behind the camera,” she said, citing a need for more women to direct and write.  

“The Honeymoon,” now available to rent on streaming, is a comedy replete with extremes.  

The drug-and-toilet-humor-filled comedy may seem like a long way off from her initial dream of acting in the kinds of films made in the avant-garde Dogme 95 movement, led by Lars von Trier and Thomas Vinterberg. The Bulgarian actress was so captivated by Danish cinema that she convinced her parents to take her to Copenhagen in an effort to get whatever job she could at von Trier’s production company. 

But she realized different genres can achieve similar ends after her breakout role in “Borat Subsequent Moviefilm,” a project she praised for its ability to effect change.  

“It’s a social experiment that can show people’s true colors. And at the end of the day, that should be the most important part because art can influence people,” she said.  

Although her role in “Borat” opened her up to the potential and importance of a variety of genres, Bakalova said she still believes actors should be discerning about what parts they accept. 

“Don’t be too picky,” she cautioned, but said actors have a responsibility to select roles that are “worthy of your attention and people’s attention because you’re not doing this art just for yourself.” She believes the secret to longevity in Hollywood is to never settle into one genre or character. 

When she thinks back on her time making “Borat,” Bakalova said the infamous hotel room scene with Rudy Giuliani felt like the most precarious of Sacha Baron Cohen’s antics, calling it a “scary situation.” 

“I absolutely had no way to communicate with Sacha,” she recalled. “I didn’t know what was going to happen.” 

Bakalova, who had never acted in an English-language film prior to “Borat,” had a busy year in 2022. In addition to “The Honeymoon,” she starred in “Bodies Bodies Bodies” and Judd Apatow’s “The Bubble.” She will make her Marvel debut in 2023 with “Guardians of the Galaxy Vol. 3.” 

Aside from acting, one of Bakalova’s goals at some point is to meet fellow flutist Lizzo.  

“If I just ever have a chance to be next to her, at least look at her, that’s going to be the best day of my life,” she said. 



'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
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'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)

In an early scene in “Smile 2,” the fictional pop superstar Skye Riley is in her drug dealer's apartment. “Do you believe in weird stuff?” he asks her, between doing lines of coke.
You certainly will after this horror romp — writer-director Parker Finn's second movie that suddenly opens up the franchise with the promises of multiple directions in the future. Not for that drug dealer, though: He soon smiles at her demonically as he repeatedly slams a 35-pound gym weight into his head, making it hamburger, The Associated Press said.
“Smile 2” lands as unsettling grins are plastered on pumpkins and politicians alike as we approach Halloween and Election Day, and the psychotic, overly made-up leads of “Joker: Folie à Deux” have been putting up a brave face at their terrible box-office numbers.
So it's the perfect time for a sequel to 2020's “Smile,” which bridged the gap between elevated art horror and straight-out, unapologetic slasher. Finn this time takes on fame, a better tonal fit than the generational trauma of the first. It's a meditation on breakdowns in the public eye, with a side dish of body horror.
We start six days after the last movie but they are barely connected — a single character for a few minutes — as we watch a demon that forces its victims to smile before meeting a gruesome end working its way into the low-level drug game.
The evil entity will eventually glom onto our heroine, Skye, a fictional Grammy-winning pop superstar akin to if Lady Gaga and Miley Cyrus had a baby. We meet her a year after a horrific car crash she was in that killed her famous boyfriend and left her with a Vicodin addiction and rumors about whether she had anything to do with it. That drug dealer has now infected Skye, but she has no idea what's in store (or in score, the terrific work of Cristobal Tapia de Veer).
One thing to really beam about is leading lady Naomi Scott going for it all-out, all snot, smeared blood and wide-eyed, full on-fear. Scott manages to pour her humanity into the part — diva, whimpering, defiant, strung out, panicked. She even sings on the soundtrack — songs that are credible hits.
The smile demon collides with Skye as she's about to launch a comeback tour and the pressure is on. Finn is at his best here, mocking confessional TV interviews — a Drew Barrymore cameo, a nice touch — full of self-work and apologies: “I let you down and I promise this will never happen again.” Her management demands that she show up “smile and read from the teleprompter.” Skye's mom — on the payroll — is little help: “You need to stay hydrated,” she tells her after Skye is clearly in torment.
Finn has become a much more assured filmmaker and uses humor so well here, from nasty gangsters enjoying pumpkin Frappuccinos to our heroine Googling “Does vomit have DNA?” He's still fond of jump-scares and blood spurting and gross-out tricks, like a body dragged by a truck until it's just a smear with entrails. One delightful moment has Skye chased by demonic backup dancers, a Bob Fosse-meets-"Thriller" sequence.
Finn also has a ball putting his heroines into cringe-worthy situations. In the first movie, a murdered cat got bundled into a kid’s birthday present. In this one, it's a impromptu speech in front of music industry types that goes horrifically off the rails. He's got a deeper target: How do we quiet those voices in our heads that say we're no good?
Finn's script sometime lags as he searches for an ending for “Smile 2,” seemingly in two minds, before basically delivering both, kicking up dream sequences and alternate timelines like a squid pumping out ink to cover its tracks. Over two hours ends up being too long.
But he has found a great satirical target, given life to a third film easily and showcased another rising star to watch. That's a reason to, well, smile about.
“Smile 2,” a Paramount Pictures release that lands in movie theaters on Friday, is rated R for “strong bloody violent content, grisly images, language throughout and drug use.” Running time: 127 minutes. Three stars out of four.