Maria Bakalova Wants to Make You Feel Something

Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
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Maria Bakalova Wants to Make You Feel Something

Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)

When it comes to acting, Maria Bakalova considers herself to be a person of extremes.  

“Cinema is supposed to be provoking. It’s not supposed to be, I think, something that is somewhere in the middle,” the Oscar-nominated actor said in a recent interview with The Associated Press.  

If a movie doesn’t make you feel something, she said, “what was really the point?”  

Bakalova both stars in her latest project, “The Honeymoon,” and worked as a producer, something she said she hopes to do more of in the future. 

“The more I grow up, the more I want to spend time behind the camera,” she said, citing a need for more women to direct and write.  

“The Honeymoon,” now available to rent on streaming, is a comedy replete with extremes.  

The drug-and-toilet-humor-filled comedy may seem like a long way off from her initial dream of acting in the kinds of films made in the avant-garde Dogme 95 movement, led by Lars von Trier and Thomas Vinterberg. The Bulgarian actress was so captivated by Danish cinema that she convinced her parents to take her to Copenhagen in an effort to get whatever job she could at von Trier’s production company. 

But she realized different genres can achieve similar ends after her breakout role in “Borat Subsequent Moviefilm,” a project she praised for its ability to effect change.  

“It’s a social experiment that can show people’s true colors. And at the end of the day, that should be the most important part because art can influence people,” she said.  

Although her role in “Borat” opened her up to the potential and importance of a variety of genres, Bakalova said she still believes actors should be discerning about what parts they accept. 

“Don’t be too picky,” she cautioned, but said actors have a responsibility to select roles that are “worthy of your attention and people’s attention because you’re not doing this art just for yourself.” She believes the secret to longevity in Hollywood is to never settle into one genre or character. 

When she thinks back on her time making “Borat,” Bakalova said the infamous hotel room scene with Rudy Giuliani felt like the most precarious of Sacha Baron Cohen’s antics, calling it a “scary situation.” 

“I absolutely had no way to communicate with Sacha,” she recalled. “I didn’t know what was going to happen.” 

Bakalova, who had never acted in an English-language film prior to “Borat,” had a busy year in 2022. In addition to “The Honeymoon,” she starred in “Bodies Bodies Bodies” and Judd Apatow’s “The Bubble.” She will make her Marvel debut in 2023 with “Guardians of the Galaxy Vol. 3.” 

Aside from acting, one of Bakalova’s goals at some point is to meet fellow flutist Lizzo.  

“If I just ever have a chance to be next to her, at least look at her, that’s going to be the best day of my life,” she said. 



Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)

You’d be hard pressed to find an upcoming film weirder than “Rumours.”

The biting commentary on the emptiness of political statements and the performances politicians put on starts off as a straight political satire focusing on the G7 world leaders, but then slips into a world of slow-yet-terrifying zombies; a mysterious, giant brain found in the middle of a forest with unexplained origins; and an AI chatbot bent on entrapment.

It goes from provocative to absurd within a few short scenes, with the G7 leaders no longer the subject of criticism, but the butt of the joke.

And that’s kind of the whole point, according to its star and executive producer, Cate Blanchett.

“We’re all in such a state of heightened anxiety and fear with what’s going on with climate, what’s going on with the global political situation. We feel like we’re on the precipice of a world war and there’s a lot of people in positions of power who seem to be relishing that moment,” Blanchett told The Associated Press.

She plays a fictional chancellor of Germany named Hilda Orlmann, the host of the conference who's more focused on optics than action.

“I think the audience will come to it with a need for some kind of catharsis. And because the film is ridiculous and terrifying ... I think they’ll be able to laugh at the absurdity of the situation we found ourselves in. I think it’s a very generous film in that way,” she said.

The three directors, Guy Maddin and brothers Evan and Galen Johnson, said they wanted the film to feel like it had a “generic wash of political disrespect” and to include some resonant critiques, but they didn’t want viewers to feel like they were leaving a lecture hall as they walked out of the theater.

“I’m preachy enough when I talk to people. I don’t want to make a movie that’s preachy, you know? I just favor movies that aren’t that. That just hit me with a little mystery of ... ‘What are you doing or seeing? What am I experiencing?’” Evan Johnson, who wrote the script, as well as co-directed, said.

As for the more absurd plotlines, Maddin said he and his collaborators share “a compulsion to come up with an original recipe.”

And original it certainly is. In its straightforward opening act, leaders from the Group of 7 meet for their annual summit and try to draft a provisional statement for an unnamed crisis. Then, as the evening goes on and they struggle to string together a couple, meaningful sentences, they find themselves abandoned and subject to attack from “bog people,” or well-preserved mummified bodies from thousands of years ago. Hijinks — and hilarity — ensue from there.

Nikki Amuka-Bird, who plays the fictionalized British Prime Minister Cardosa Dewindt, said that while reading the script, she kept asking herself, “What’s happening?” But the ridiculous plotline — including the apocalyptic invasion of zombie-like “bog people” — was only part of the reason why she took on the project.

“This kind of total courage to genre splice in this way takes away any kind of apprehension or fear you might have about it because their (the directors’) tongues are firmly in their cheeks the whole time,” Amuka-Bird said. “It’s a really imaginative exercise and it’s just fantastic to work with directors who can be that bold and take chances like that.”

The cast is rounded out by a starry ensemble: Roy Dupuis is a melodramatic Canadian prime minister, Charles Dance is an American president with an inexplicable British accent, Denis Ménochet is a paranoid French president and Alicia Vikander makes an appearance as a frenetic leader from the European Commission.

The title of the movie, Blanchett said, is meant to invoke the revered Fleetwood Mac album of the same name, which was made at a time when the bandmembers were reportedly “all sleeping together and bickering and breaking up,” she said.

“What was surprising about it is you think, ‘OK, this is a film about the G7,’ but it’s like a sort of a daytime soap opera with these sort of trysts and liaisons and petty squabbles,” Blanchett said. “It was such an unusual way to look at the mess we’re all in and the leadership that’s led us here.”