Maria Bakalova Wants to Make You Feel Something

Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
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Maria Bakalova Wants to Make You Feel Something

Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)
Maria Bakalova attends a press line for Marvel Studios on day three of Comic-Con International on July 23, 2022, in San Diego. (AP)

When it comes to acting, Maria Bakalova considers herself to be a person of extremes.  

“Cinema is supposed to be provoking. It’s not supposed to be, I think, something that is somewhere in the middle,” the Oscar-nominated actor said in a recent interview with The Associated Press.  

If a movie doesn’t make you feel something, she said, “what was really the point?”  

Bakalova both stars in her latest project, “The Honeymoon,” and worked as a producer, something she said she hopes to do more of in the future. 

“The more I grow up, the more I want to spend time behind the camera,” she said, citing a need for more women to direct and write.  

“The Honeymoon,” now available to rent on streaming, is a comedy replete with extremes.  

The drug-and-toilet-humor-filled comedy may seem like a long way off from her initial dream of acting in the kinds of films made in the avant-garde Dogme 95 movement, led by Lars von Trier and Thomas Vinterberg. The Bulgarian actress was so captivated by Danish cinema that she convinced her parents to take her to Copenhagen in an effort to get whatever job she could at von Trier’s production company. 

But she realized different genres can achieve similar ends after her breakout role in “Borat Subsequent Moviefilm,” a project she praised for its ability to effect change.  

“It’s a social experiment that can show people’s true colors. And at the end of the day, that should be the most important part because art can influence people,” she said.  

Although her role in “Borat” opened her up to the potential and importance of a variety of genres, Bakalova said she still believes actors should be discerning about what parts they accept. 

“Don’t be too picky,” she cautioned, but said actors have a responsibility to select roles that are “worthy of your attention and people’s attention because you’re not doing this art just for yourself.” She believes the secret to longevity in Hollywood is to never settle into one genre or character. 

When she thinks back on her time making “Borat,” Bakalova said the infamous hotel room scene with Rudy Giuliani felt like the most precarious of Sacha Baron Cohen’s antics, calling it a “scary situation.” 

“I absolutely had no way to communicate with Sacha,” she recalled. “I didn’t know what was going to happen.” 

Bakalova, who had never acted in an English-language film prior to “Borat,” had a busy year in 2022. In addition to “The Honeymoon,” she starred in “Bodies Bodies Bodies” and Judd Apatow’s “The Bubble.” She will make her Marvel debut in 2023 with “Guardians of the Galaxy Vol. 3.” 

Aside from acting, one of Bakalova’s goals at some point is to meet fellow flutist Lizzo.  

“If I just ever have a chance to be next to her, at least look at her, that’s going to be the best day of my life,” she said. 



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."