McCartney Daughter Gives Intimate Tour of Abbey Road

Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP
Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP
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McCartney Daughter Gives Intimate Tour of Abbey Road

Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP
Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP

The daughter of pop megastar Paul McCartney has given an intimate peek into the hallowed halls of Abbey Road, the studio where he -- and many other music stars -- recorded masterpieces.

Mary McCartney directed the new documentary, "If These Walls Could Sing", which gets a worldwide release on Disney+ on January 6 after premiering in North America in December.

The London studio gave its name to arguably The Beatles' most beloved record, 1969's "Abbey Road", and it was on the nearby zebra crossing that the Fab Four shot their legendary cover photo.

"I have a personal connection with the studio," Mary McCartney told AFP.

"I grew up coming here, we lived nearby. I have a very funny picture that I love -- my mum (Linda McCartney) leading a pony across the zebra crossing."

Inevitably, The Beatles occupy a major part of the 90-minute documentary, since they recorded no less than 190 of their 210 songs there.

But Abbey Road has a long history, established in 1931 by record company EMI.

Initially dedicated to classical music, it had cutting edge technology for the time, and was used by composer and conductor Edward Elgar shortly before his death in 1934.

"So many people come to Abbey Road to the zebra crossing but don't come inside because it's a busy working studio, so I wanted to bring the viewer inside," said McCartney.

The studio became "the bunker" for The Beatles after the hysteria surrounding the group led them to quit touring in 1966, recalls Giles Martin, son of their producer George Martin, in the film.

Many stars have since sought to tap into the magic of the place, from Elton John and Pink Floyd to Led Zeppelin and Oasis -- all of whom feature in the new film.

"Each person tells a different story, different aspects of what makes Abbey Road a whole," said Mary McCartney.

Beatles fans have been spoiled recently, with the new documentary coming little over a year after "Get Back" in which director Peter Jackson painstakingly reworked footage of the band writing and rehearsing the album "Let it Be", including their famous performance on the roof of Abbey Road.



Gena Rowlands Has Alzheimer’s, Her Son Nick Cassavetes Says

Gena Rowlands. (AFP/Getty Images)
Gena Rowlands. (AFP/Getty Images)
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Gena Rowlands Has Alzheimer’s, Her Son Nick Cassavetes Says

Gena Rowlands. (AFP/Getty Images)
Gena Rowlands. (AFP/Getty Images)

The celebrated actor and honorary Academy Award recipient Gena Rowlands is suffering from Alzheimer's disease, her son, the filmmaker Nick Cassavetes, has revealed.

Cassavetes, in an interview with Entertainment Weekly published Tuesday, said Rowlands has had Alzheimer's for five years. In the 2004 film "The Notebook," Cassavetes directed his mother, who played the older version of the character played by Rachel McAdams, as a woman with dementia.

"We spent a lot of time talking about Alzheimer’s and wanting to be authentic with it, and now, for the last five years, she’s had Alzheimer’s," Cassavetes said. "She’s in full dementia. And it’s so crazy — we lived it, she acted it, and now it’s on us."

A representative for Rowlands confirmed that Cassavetes "speaks for the family."

Rowlands, who received an honorary Oscar in 2015, made 10 films with her husband, John Cassavetes, including 1974's "A Woman Under the Influence" and 1980's "Gloria." She was Oscar nominated for both performances. She also won four Emmy awards. Her last credited performance was the 2014 comedy "Six Dance Lessons in Six Weeks."

Rowlands's mother, actor Lady Rowlands, also had Alzheimer's. During the making of "The Notebook," Gena Rowlands said she channeled her mother.

"I went through that with my mother, and if Nick hadn’t directed the film, I don’t think I would have gone for it — it’s just too hard," Rowlands told O magazine in 2004. "It was a tough but wonderful movie."