Sustainable Influencers Take on Fast fashion

Sustainable fashion influencer Masego Morgan embraces 'mindful consumption'. GIANLUIGI GUERCIA / AFP
Sustainable fashion influencer Masego Morgan embraces 'mindful consumption'. GIANLUIGI GUERCIA / AFP
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Sustainable Influencers Take on Fast fashion

Sustainable fashion influencer Masego Morgan embraces 'mindful consumption'. GIANLUIGI GUERCIA / AFP
Sustainable fashion influencer Masego Morgan embraces 'mindful consumption'. GIANLUIGI GUERCIA / AFP

Sustainable influencer Masego Morgan was shocked when a fast fashion giant offered her $1,000 for a single social media post to promote its brand.

Not only had the South African social media star never been offered that kind of money, the company represents exactly what she is against: overconsumption of cheap, planet-harming clothing made by underpaid workers, AFP said.

And she's not alone. Former "Love Island" contestant and sustainable fashion influencer Brett Staniland said he was offered close to $5,500 (5,076 euros) for a post for a major fast fashion brand, the kind of money most small or sustainable brands simply can't compete with.

Content creators like Morgan and Staniland are promoting sustainable fashion online, where fast fashion corporations with deep pockets have helped flood Instagram, TikTok and YouTube with sponsored posts encouraging viewers to buy more stuff -- largely at the expense of the planet.

This growing army of influencers are seeking to expose the environmental damage caused by huge fashion firms like Shein, H&M and Zara.

They also encourage climate-conscious fashion choices -- what Morgan calls "mindful consumption" -- asking people to buy less, or if you do have to buy, best if it's second-hand or ultra-sustainable.

"We shouldn't necessarily compete with (fast fashion) in their way... their model is already unsustainable," said Morgan, whose TikTok and Instagram pages are full of playful posts bursting with upcycled and handmade items, many of which she features more than once.

- 'Mending is revolutionary' -
Morgan started borrowing thrifted clothes from her stylish Japanese mother, who used to tell her that "mending is a revolutionary act", and encouraged her to repair clothes instead of buying new ones.

The 26-year-old, who posts much of her content from her Cape Town kitchen, said she tries to hold corporations to account instead of making people feel guilty about their choices.

Influencers like her are "agents of change", said Simone Cipriani, the chair of the UN Alliance for Sustainable Fashion and founder of the Ethical Fashion Initiative.

"They counter the negative influence of another kind of thing that you find on social media... overconsumption."

Social media has become enormously important for fashion brands, which can reach millions via influencers who show off their clothing in things like #outfitoftheday posts.

A mainstream influencer in a Western country can easily make six figures a year through sponsored content and affiliate links. And the more followers they have, the more they can charge brands.

Social media has helped boost fashion sales, with global consumption of clothing, footwear and accessories doubling since 2000, according to the Hot or Cool Institute think tank.

But that has come at a steep price for the planet. The clothing industry accounted for an estimated two percent of global greenhouse gas emissions in 2019 -- about the same as the airline industry -- according to the World Resources Institute (WRI).

Those emissions could increase by 55 percent by the end of the decade, it added. They would need to decrease by 45 percent to limit warming to 1.5 degrees Celsius as outlined in the Paris Agreement.

The environmental footprint of fashion production and consumption needs to be reduced by 60 percent in high-income countries to limit global warming, according to the Hot or Cool report.

As well as decarbonizing the fashion industry, their advice is to buy no more than five new items a year and wear clothes for longer.

- 'Up against it' -
Exposing the harmful impact of fast fashion corporations is at the core of Venetia La Manna's content.

The 33-year-old influencer has garnered a massive following online, with some 6.5 million views on TikTok and Instagram for her "Recipe for Disaster" series about the social and environmental damage done by companies like Adidas, Amazon and Nike.

She makes a decent living and works with resale sites like Vestiaire Collective, eBay and Depop. But it's not always easy competing with influencers that have the backing of fast fashion.

"We're up against it in terms of money and power," she told AFP from London.

"In the past five years, I really do feel like this issue is on the map. It used to be that plastic and food were the main focus in conversations about our environment, but now fashion is really being talked about," said La Manna.

The secondhand apparel market is booming and is expected to hit $218 billion by 2026, up from $96 billion in 2021. This is partly driven by an increasing number of resale and clothing rental firms catering to a growing class of conscious consumers.

"Love Island" star Staniland is hopeful that good-for-the-planet businesses will continue to grow on social media.

And he's notched up a few wins. The 29-year-old was instrumental in getting the show to switch their sponsor from fast fashion companies to eBay.

But for now, it can be an uphill battle. Like most sustainable influencers, Staniland has to rely on multiple income streams.

After turning down the $5,550 from a fast fashion giant, he worked with an underwear brand he believes in, ONE Essentials, but still needs his modelling to pay the bills.



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
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Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
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Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.