Sonia Beiruti Dies Aged 89

Sonia Beiruti.
Sonia Beiruti.
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Sonia Beiruti Dies Aged 89

Sonia Beiruti.
Sonia Beiruti.

Lebanese media figure Sonia Beiruti passed away quietly on January 16 at the age of 89, after she spent her last days with her eldest son, Antoine, who embraced her with his wife and children, offering her a last refuge.

She gave up on hosting many years ago, and rarely answered phone calls. She never liked social media and refused to own a cellphone, or use WhatsApp and other electronic services.

Beiruti worked in several newspapers and magazines, and served as an advisor for many media personalities and esteemed organizations. She started her journey at Dar Assayad, then worked in several institutions including Annahar newspaper and Al-Hasnaa magazine.

Later, she met late director Simon Asmar in the elevator at Annahar building, where he made her an offer: “I have a new artistic program. Are you interested in such an experience?” When she said that she never worked in art-related journalism, he replied: “you are a journalist with a thirst for knowledge and curiosity, you will find a way to explore stars”.

At that moment, Sonia started her life of fame. She was a petite woman known for her short hair, attractive voice, smart questions, and elegant appearance.

In a previous interview with Asharq Al-Awsat, she said: “After my participation in this program which marked a turning point on Lebanese TV, I walked on the street like I was flying in the sky. People recognized me all the time, they stopped me to ask questions and I answered nicely. A beautiful connection was built between me and the audience thanks to this popular, super successful program.”

Many Lebanese generations knew Sonia Beiruti, but she rarely appeared as a guest in TV programs although many TV hosts raced to interview her to learn from her experience.

Beiruti wrote several books including The Mills of Sectarianism, which highlights the writer’s experiences during the Lebanese civil war; she also wrote The Cords of Air which features the stories of 24 women who escape to beauty, youth, dream, fragility, and motherhood, and then discover that it was an illusion.

Sonia adored Beirut and always said: “I am Beiruti and I love Lebanon from head to toe.” She also liked swimming in Beirut’s sea even during the winter.

“I adore Beirut, its streets, neighborhoods, and houses, especially the alleys of Achrafieh where I was raised. Its sea has always been my closest friend in the summer and winter,” she said. “I remember when Samira Khashoggi offered to take me with her to Egypt, to escape the war and run Asharqiya magazine. I accepted on one condition, I wanted to visit Lebanon every 10 days,” she added.

The late media figure was passionate about her work in journalism. When she spoke about it, she said: “I wasn’t one of the journalists who use their instinct to judge a star, or a politician in a certain situation. Research, observation, and questions were my only way to investigate incidents and people. During my career, I was surprised with the potential of many people I met by coincidence, like Majida El Roumi, the little lady that entered the studio and shocked us with her powerful voice and turned the place upside down. We were all proud of her.”

About the media and television of today, Sonia believed that they have completely changed. “My advice to those working in today’s media is never to be afraid of telling the truth because it is the only way to build a country. I feel bored while watching TV today, only the political subjects interest me,” she said.

“He had remarkable humor. Once, we were talking, then he jumped to his library and grabbed a newspaper to confirm what he was saying. He changed the conversation repeatedly in a funny way that never bores you,” she said about Raymond Eddé, the funniest personality she hosted during her career.

About politics in Lebanon, she said: “Even the understanding of politics has changed today. everyone wants his share of the country like if it was an inheritance. Lebanon needs saviors to rescue it from its fall.”

The Lebanese bid a sad farewell to Sonia Beiruti on Tuesday in a funeral held in a church in Haret Sakhr. She was a media icon that reminded them of the golden days of television; she wasn’t a regular journalist, she established her own media school.

Once, Beiruti said “A human could not get enough of his love for life but one day, they have to respect its limits. Time is a school that we should not skip any of its lessons.”



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”