Harrison Ford Inspires Cast in New Comedy ‘Shrinking’

Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)
Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)
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Harrison Ford Inspires Cast in New Comedy ‘Shrinking’

Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)
Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)

When Bill Lawrence was developing his new Apple TV+ comedy ”Shrinking,” he introduced one character in the pilot script as a “Harrison Ford-type” — but never dreamed he would get the real deal.

Although the showrunner has had comedy success working with big names and executive-producing hits like “Scrubs,” “Cougar Town” and “Ted Lasso,” nabbing a huge movie star like Ford seemed unrealistic. But he decided to take a shot and send Ford the script.

He was gobsmacked when the “Indiana Jones” actor liked the story and eventually agreed to play the part of a tough therapist who works with star Jason Segel in a mental health practice.

“If he had not shown up on set, I would not have been shocked,” Lawrence told the Associated Press in a recent interview. “But he showed up. He’s lovely, he’s inspiring. He’s 80 years old and still challenging himself.”

For “Shrinking” — which starts streaming Friday — Lawrence teamed with Segel and writer Brett Goldstein (also Roy Kent in “Ted Lasso”) to help create and write the show. They had the lofty goal of making a comedy about grief, set it in an office shared by therapists and starring Segel, Ford, Jessica Williams, and Christa Miller.

Segel plays a character whose wife dies suddenly, leaving the father of a teen daughter lost and willing to ignore his ethics to start telling his patients what he really thinks. Ford's character is a curmudgeonly colleague and mentor who delivers zingers with restrained glee.

Lawrence calls working with Ford a “career highlight,” and says there’s only one downside.

“Everybody’s terrified of … telling him to do anything,” Lawrence said with a laugh. “But he’s so much fun to work with. Every scene gets ruined — at least one take — by me or one of the actors in the middle of it going ‘It’s Harrison Ford!’ It’s crazy.”

Goldstein — who isn't acting in this show but serves as another executive producer — describes Ford as “dream casting” and says they still don’t know how they got him.

“He really loved the scripts and related to a lot of the aspects of the character,” Goldstein said. “We talked to him a lot about character, and it was so easy that … I feel like I should have had to complete a series of Herculean tasks to get him, you know what I mean?”

Segel appreciated how Ford “breaks through the awe really quickly so that you can get down to work.”

“One of the things that’s really cool about Harrison Ford is that he considers himself a tradesman, like a craftsman. He was a carpenter and now he’s an actor,” Segel said. “His job is to come in and build these scenes and you’re his partner in that.”

Williams — who plays another therapist — shares witty banter with Ford in many scenes and says it was "surreal” to work with the acting legend she watched in movies as a kid. She says it took about a week to remain present and get used to his face staring at her.

“He is delightful, charming, nice, giving. And he’s magic to watch, honestly,” Williams said. “You just watch him do some takes and … he’s got the glimmer in his eye. He’s got the thing. And it’s really inspiring to see someone that’s like over 80 hitting his marks and staying so sharp while also, you know, really caring about the work.”

Goldstein agrees that Ford never made the cast feel like he needed special treatment.

“He’s as wonderful and amazing as ever,” Goldstein said. “But he’s also a very generous actor and he is part of this ensemble. It’s not like he takes over. He fits into this world. He plays the character, he disappears into it. He’s a brilliant actor.”

Williams says working on the show was fun because of the cast chemistry, and the license to ad lib at times to make scenes funnier felt “very fulfilling.”

One of the secrets to a successful show, especially in comedy — according to Lawrence — is if the cast gets along and is friendly, even outside of the show. “We try to put together groups of people that have similar voices and that interact really well,” Lawrence said.

“If you see a lack of chemistry behind the camera, even when the cameras aren’t rolling,” he said, “if it’s a show about a family or a dysfunctional family or people who are supposed to care about each other, it won’t work.”



Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
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Michael Douglas and Danny DeVito Revisit ‘One Flew over the Cuckoo’s Nest’ for Its 50th Anniversary

Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)
Michael Douglas, left, and Danny DeVito appear at the 5th Annual Reel Stories, Real Lives Benefit on April 7, 2016, in Los Angeles. (AP)

Jack Nicholson did not want to go to the Oscars. It was 1976 and he was nominated for best actor in “One Flew Over the Cuckoo’s Nest.” The Miloš Forman film, which is celebrating its 50th anniversary with a nationwide theatrical re-release on July 13 and July 16, had become a bit of a sensation — the second highest grossing picture of 1975, behind “Jaws,” and had received nine Oscar nominations.

But Nicholson wasn’t feeling optimistic. In five years, he’d already been nominated five times. He’d also lost five times. And he told his producer, Michael Douglas, that he couldn’t go through it again.

“I remember how hard I had to persuade Jack to come to the ceremony. He was so reluctant, but we got him there,” Douglas said in a recent interview with The Associated Press. “And then of course we lost the first four awards. Jack was sitting right in front of me and sort of leaned back and said ’Oh, Mikey D, Mikey D, I told you, man.’ I just said, ‘Hang in there.’”

Douglas, of course, was right. “One Flew Over the Cuckoo’s Nest” would go on to sweep the “big five” — screenplay, director, actor, actress and picture — the first film to do so in 41 years, (“It Happened One Night,” in 1934) which only “The Silence of the Lambs” has done since. That night was one of many vindicating moments for a film that no one wanted to make or distribute that has quite literally stood the test of time.

“This is my first 50th anniversary,” Douglas said. “It’s the first movie I ever produced. To have a movie that’s so lasting, that people get a lot out of, it’s a wonderful feeling. It’s bringing back a lot of great memories.”

The film adaption of Ken Kesey’s countercultural novel was a defining moment for Douglas, a son of Hollywood who was stuck in television and got a lifeline to film when his father, Kirk Douglas, gave him the rights to the book, and many of the then-unknown cast like Danny DeVito and Christopher Lloyd.

DeVito was actually the first person officially cast. Douglas, who’d known him for nearly 10 years, brought Forman to see him play Martini on stage.

“Miloš said, ‘Yes! Danny! Perfect! Cast!’” Douglas said in his best Czech accent. “It was a big moment for Danny. But I always knew how talented he was.”

A Joyful Shoot

Though the film's themes are challenging, unlike many of its New Hollywood contemporaries it wasn’t a tortured shoot by any stretch. They had their annoyances (like Forman refusing to show the cast dailies) and more serious trials (they found out halfway through production that William Redfield was dying of leukemia), but for the most part it was fun.

“We were very serious about the work, because Miloš was very serious. And we had the material, Kesey’s work, and the reverence for that. We were not frivolous about it. But we did have a ball doing it,” DeVito said, laughing.

Part of that is because they filmed on location at a real state hospital in Salem, Oregon. Everyone stayed in the same motel and would board the same bus in the morning to get to set. It would have been hard not to bond and even harder if they hadn’t.

“There was full commitment,” Douglas said. “That comes when you don’t go home at night to your own lives. We stopped for lunch on the first day and I saw Jack kind of push his tray away and go outside to get some air. I said, ‘Jack, you OK?’ He said, ’Who are these guys? Nobody breaks character! It’s lunch time and they’re all acting the same way!'”

Not disproving Nicholson’s point, DeVito remembers he and the cast even asked if they could just sleep in the hospital.

“They wouldn’t let us,” DeVito said. “The floor above us had some seriously disturbed people who had committed murder.”

A lasting legacy

The film will be in theaters again on July 13 and July 16 from Fathom Entertainment. It’s a new 4K restoration from the Academy Film Archive and Teatro Della Pace Films with an introduction by Leonard Maltin.

“It’s a gorgeous print and reminds me how good the sound was,” Douglas said.

DeVito thinks it, “holds up in a really big way, because Miloš really was paying attention to all great things in the screenplay and the story originally.”

Besides the shock of “holy Toledo, am I that old?” DeVito said that it was a treasure to be part of — and he continues to see his old friends, including Douglas, Lloyd and, of course, Nicholson, who played the protagonist, R.P. McMurphy.

One person Douglas thinks hasn’t gotten the proper attention for his contributions to “Cuckoo’s Nest” is producer Saul Zaentz, who died in 2014. His music company, Fantasy Records who had Creedence Clearwater Revival, funded the endeavor which started at a $1.6 million budget and ballooned to $4 million by the end. He was a gambler, Douglas said, and it paid off.

And whatever sour grapes might have existed between Douglas and his father, who played R.P. McMurphy on Broadway and dreamt of doing so on film, were perhaps over-exaggerated. It was ultimately important for their relationship.

“McMurphy is as good a part as any actor is going to get, and I’m now far enough in my career to understand maybe you have four, maybe five good parts, really great parts. I’m sure for dad that was one of them,” Douglas said.

“To not be able to see it through was probably disappointing on one side. On the other, the fact that his son did it and the picture turned out so good? Thank God the picture turned out. It would have been a disaster if it hadn’t.”

Douglas added: “It was a fairy tale from beginning to end. I doubt anything else really came close to it. Even my Oscar for best actor years later didn’t really surpass that moment very early in my career.”