Paco Rabanne, Who Brought the Space Age to the Catwalk, Dies Aged 88

Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)
Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)
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Paco Rabanne, Who Brought the Space Age to the Catwalk, Dies Aged 88

Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)
Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)

Paco Rabanne, the Spanish-born designer best known for his metallic ensembles and space age designs of the 1960s, has died at the age of 88.

The eponymous label he exited more than two decades ago hailed him as "among the most seminal fashion figures of the 20th century".

Rabanne dressed some of the most prominent stars of the 1960s, including French singer Francoise Hardy, whose outfits from the designer included a minidress made from gold plates and a metal link jumpsuit, as well as Jane Birkin and Serge Gainsbourg, who were pictured in matching silver outfits.

Among his most famous looks were the fitted, skin-baring ensembles worn by Jane Fonda in Roger Vadim's cult science fiction film "Barbarella".

The death of Francisco Rabaneda y Cuervo, Paco Rabanne's birth name, was confirmed by a spokesperson for Spanish group Puig, which now controls the fashion house.

"A major personality in fashion, his was a daring, revolutionary and provocative vision, conveyed through a unique aesthetic," said Marc Puig, chairman and CEO of Puig.

Born in a village in the Spanish Basque region in 1934, his mother was a head seamstress at Balenciaga. He died in Portsall in Brittany.

Rabanne grew up in France, where the family moved after Spanish troops shot dead his father, who had been a Republican commander during the civil war.

He studied architecture at the Ecole des Beaux Arts in Paris. He started his career sketching handbags for a supplier to prestigious fashion houses including Givenchy and Chanel, as well as shoes for Charles Jourdan.

He then branched into fashion, designing garments and jewellery with unconventional materials such as metal and plastic.

International expansion

His first collection, which he described as "unwearable dresses made of contemporary materials" were pieces made of strips of plastic linked with metal rings, worn by barefoot models at a presentation at the upscale Paris hotel George V.

The Paris cabaret Crazy Horse Saloon was his next venue, where models paraded his skimpy dresses and bathing suits while wearing hardhats.

While his innovation and futuristic designs won plaudits, his fascination with the supernatural prompted public derision at times. He was known for recounting past reincarnations, and in 1999, he predicted the space station Mir would crash into France, coinciding with a solar eclipse.

Surrealist Salvador Dali famously approved of his compatriot, calling him "Spain's second genius".

The designer teamed up with Spain's Puig family in the late 1960s, launching perfumes that served as a springboard for the company's international expansion.

"Paco Rabanne made transgression magnetic. Who else could induce fashionable Parisian women (to) clamor for dresses made of plastic and metal," said Jose Manuel Albesa, president of Puig's beauty and fashion division.

The label has seen a resurgence in popularity in recent years, under the creative direction of Julien Dossena, who has updated the house’s signature chainmail designs.

"We are grateful to Monsieur Rabanne for establishing our avant-garde heritage and defining a future of limitless possibilities,” the fashion house said in a statement.

The designer's work with metallic plastic gave a "sharp edge" to women's clothes, an effect that was "so much more than a New Look", fashion historian Suzy Menkes said on Instagram Friday.

"It was rather a revolutionary attitude for women who wanted both to protect and assert themselves."



Dolce & Gabbana Evoke the Dolce Vita during Milan Fashion Week

A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
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Dolce & Gabbana Evoke the Dolce Vita during Milan Fashion Week

A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER

To bling, or not to bling is the eternal question at Dolce & Gabbana — and the designing duo had it both ways Saturday during the Milan Fashion Week menswear preview for the next cold weather season.
The elegant show invitation in winter-neutral Burgundy — suggested an understated collection and the runway silhouette was loose and effortless. Emblazoned with the word paparazzi, there was also a hint of look-at-me flash.
Evoking the Dolce Vita Domenico Dolce and Stefano Gabbana's collection for Fall/Winter 2025 evoked the Dolce Vita of easy men’s dressing with two moods: pulled-together daytime casual and red (or make that burgundy) carpet/evening formalwear.
Denim jeans provided the clean canvas for statement outerwear: star-sized faux fur jackets, a leather bomber-trench combo and a long leopard coat. Knitwear with loose cargo pants were easy to wear, functional and contemporary. Except for a bright sequined jacket, the colors palette was timelessly and reassuringly neutral.
The essence of the daywear was distilled in a dark tank top worn with loose tweed trousers and matching cap, and a tech-bro gray T-shirt secured with double-belted trousers.
For evening or formal events, elegant suiting incorporating cummerbunds, tasseled silk scarves and wide lapels were accented with crystal brooches, all the better to glisten as two risers of paparazzi snapped from the runway.
Trend Watch Watch for high-neck faux fur dickies, fastened with silken ribbons for extra warmth and luxury. Bow ties and brooches finishing suits — because why choose? Low-soled sneakers and mid-calf biker boots finish the looks. Capacious soft bags in high-end leathers suggest someplace to go. Key fobs on belt loops, reminders of home.
Paparazzi on the Inside, Fans on the Outside Risers of flashing paparazzi set the mood inside the designers’ Metropol theater.
Outside, Lucien Laviscount sprung like a gazelle over barriers and crossed tram tracks in front of the theater to greet cheering fans after the show. The “Emily in Paris” actor wore an elegant double-breasted pinstripe suit with gold neck chains, worthy of his stylish businessman character Alfie, as he signed autographs and snapped selfies.
Just as obliging but not quite as adventurous as the track-crossing Laviscount, South Korean actor Jung Hai-in, wearing a burgundy ensemble, and Thai actor Hirunkit Changkham, in black-and-white diagonally stripped knitwear and Bermuda shorts, also waved to screaming admirers before being driven away.
Front row guests also included James McAvoy, Levi Dylan and Rocco Ritchie.