Egypt Opens 4,000-year-old Tomb on Luxor's West Bank

A view of the 4,000-year-old tomb of Meru, the oldest site accessible to the public on Luxor's West Bank, home to some of its most spectacular Pharaonic monuments including the Valley of the Kings, after restoration by a Polish mission in Luxor and Egyptian archaeologists, by the Egyptian Tourism Ministry of Antiquities, Egypt February 9, 2023. The Egyptian Ministry of Antiquities/Handout via REUTERS
A view of the 4,000-year-old tomb of Meru, the oldest site accessible to the public on Luxor's West Bank, home to some of its most spectacular Pharaonic monuments including the Valley of the Kings, after restoration by a Polish mission in Luxor and Egyptian archaeologists, by the Egyptian Tourism Ministry of Antiquities, Egypt February 9, 2023. The Egyptian Ministry of Antiquities/Handout via REUTERS
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Egypt Opens 4,000-year-old Tomb on Luxor's West Bank

A view of the 4,000-year-old tomb of Meru, the oldest site accessible to the public on Luxor's West Bank, home to some of its most spectacular Pharaonic monuments including the Valley of the Kings, after restoration by a Polish mission in Luxor and Egyptian archaeologists, by the Egyptian Tourism Ministry of Antiquities, Egypt February 9, 2023. The Egyptian Ministry of Antiquities/Handout via REUTERS
A view of the 4,000-year-old tomb of Meru, the oldest site accessible to the public on Luxor's West Bank, home to some of its most spectacular Pharaonic monuments including the Valley of the Kings, after restoration by a Polish mission in Luxor and Egyptian archaeologists, by the Egyptian Tourism Ministry of Antiquities, Egypt February 9, 2023. The Egyptian Ministry of Antiquities/Handout via REUTERS

Egypt has restored, documented and opened to tourists the Middle Kingdom tomb of Meru, the oldest site accessible to the public on Luxor's West Bank, home to some of its most spectacular Pharaonic monuments including the Valley of the Kings, Reuters reported.

Meru was a high-ranking official at the court of the 11th Dynasty King Mentuhotep II, who reigned until 2004 BC and who, like Meru, was buried at the necropolis of North Asasif, the ministry said in a statement on Thursday.

Meru's rock-hewn tomb was restored by the Polish Center for Mediterranean Archaeology at the University of Warsaw and Egypt's Supreme Council of Antiquities, Reuters said.

"This is the first site from such an early period in Western Thebes to be made accessible to visitors," the ministry statement quoted Fathi Yassin, General Director of Antiquities in Upper Egypt, as saying.

The tomb, which faced the procession avenue to Mentuhotep II's temple, contains a corridor leading to an offering chapel with a niche for a statue of the deceased. A burial shaft descends to a burial chamber with a sarcophagus.

"This is the only decorated room of the tomb, with an unusual decoration of painting on lime plaster," Yassin said.

Meru's tomb had been known since at least the mid-19th century, according to the Polish Egyptian archaeological mission. Italian conservators cleaned some of the wall paintings in 1996.

Some of the Middle Kingdom's most prominent officials were buried at North Asasif, the statement said.



World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
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World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA

Noor Riyadh, the world’s largest light art festival and a flagship program of Riyadh Art, concluded its successful fourth edition, welcoming over 3 million spectators and bringing together over 60 artworks by more than 60 artists from 18 countries, the Saudi Press Agency (SPA) reported.

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The festival also featured a striking city-scale light installation at Al Faisaliah Tower, transforming Riyadh into a luminous celebration of art and innovation. This year’s festival brought together 18 Saudi and 43 international artists with site-specific and newly commissioned artworks.

Exceptional installations included Chris Levine’s Higher Power, a city-scale laser projection atop Al Faisaliah Tower; Maryam Tariq’s Shifting Perspectives, which explored perceptual ambiguity at Digital City; and Aether by United Visual Artists, a dazzling drone show at King Abdulaziz Historical Center. Another standout work, Rashed AlShashai’s The Fifth Pyramid, symbolized Riyadh’s cultural transformation.

Architect Khalid Al-Hazani, the executive director of Riyadh Art, bid farewell to the festival, saying: “Noor Riyadh 2024 celebrated humanity’s connection to the stars, sparking inspiration and dialogue through the universal language of art. We look forward to continuing Riyadh’s journey of cultural transformation.”
As for Noor Riyadh festival director Nouf Almoneef, he said: “Once again, this year’s festival united local and international artists for a truly world-class festival.”

“I extend my deepest gratitude to the incredible team -- our staff, volunteers, and partners for their exceptional efforts and collaboration, as well as to the millions of spectators whose engagement made this festival unforgettable,” SPA quoted him as saying.

As part of the community engagement program, which attracted over 52,000 participants, Noor Riyadh organized a variety of activities designed to inspire and connect with the community. These included engaging talks, insightful discussions, interactive workshops, creative experiences, family-friendly activities, and guided tours that enriched the festival experience for visitors.

The seamless execution of these activities was made possible by a dedicated team comprising curators, artists, art explainers, tour guides, and installation crews, ensuring every participant enjoyed a memorable experience.