With ‘Air,’ Affleck Tells Lesser-Known Michael Jordan Story

Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)
Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)
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With ‘Air,’ Affleck Tells Lesser-Known Michael Jordan Story

Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)
Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)

Ben Affleck was 12 years old in 1984 and growing up in the Boston area. The Celtics were NBA champions. The Red Sox and Patriots were respectable. The Bruins got swept in the first round of the playoffs.

And that also was when Nike was betting much of its future on Michael Jordan.

Part of that tale will be told in the upcoming film “Air,” which Affleck directed and stars in alongside Matt Damon, Viola Davis, Jason Bateman and more. Affleck plays Nike co-founder Phil Knight, and Damon plays then-Nike executive Sonny Vaccaro — who was tasked with finding a way of saving what was then the company’s fledgling basketball division.

Affleck did it with one key character absent: Jordan is not shown in the movie.

“What I wanted to try to accomplish was to have Michael Jordan have the effect in the story that he has in the world, which is that obviously the vast majority of people don’t know and have never met Michael Jordan — and yet they know about him, and they know what he means and they might talk about him,” Affleck said.

“So, in a way, he’s like a presence that’s felt and discussed and everybody else around him is there. But you never see his face.”

Nike wound up signing Jordan — who had yet to play an NBA game — to a $2.5 million, five-year deal.

It was a huge gamble.

Spoiler alert, with apologies to the movie that gets released April 5: It worked out.

Jordan Brand generated $4.7 billion in revenue in 2021, the Jumpman logo is iconic, Nike has become one of the world’s most powerful and recognizable companies, and Jordan won six NBA championships, became a billionaire, and now owns the Charlotte Hornets.

And since most viewers will already know all those things, Affleck took on the challenge of telling lesser-known parts of the story.

“The movie has to do realistic, it has to do authentic, and it has to surprise the audience,” Affleck said. “Because if what happens is something that the audience can predict, even if they like it, they go along with it, it’s ordinary, it’s boring. It’s just not what I want to do.”

The trailer, released last week, is up to 6 million views. Affleck was at All-Star weekend to help promote Friday’s celebrity game, and ads for the film were shown on the jumbo scoreboards over the court.

Affleck said he has met with Jordan about the movie.

“Somebody asked me what you’re doing from Boston and making a movie about the Chicago guy,” Affleck said in an interview with a number of media outlets. “Michael Jordan sort of transcends, I think, rivalry.”



Demand for Japanese Content Booms Post 'Shogun'

The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File
The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File
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Demand for Japanese Content Booms Post 'Shogun'

The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File
The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File

But "Shogun", based on the 1975 novel by Australian-British writer James Clavell, broke the mould when the period drama series -- mostly in Japanese and hailed for its authenticity -- won 18 Emmy awards in September.
Other recent Japanese works have also become worldwide hits.
Franco-US-Japanese show "Drops of God", based on a manga of the same name, won best drama series at the International Emmy Awards in November.
Netflix's 2023 adaptation of the manga superhit "One Piece" -- starring Mexican actor Inaki Godoy as the lead -- was hailed by viewers and critics alike and will return for a second season.
More adaptations of major manga and anime hits are in the works, including the superhero adventures of "My Hero Academia" and the ninja escapades of "Naruto".
"Demand from Western markets is clearly increasing," said Kaori Ikeda, managing director at TIFFCOM, the content trade fair affiliated with the Tokyo International Film Festival.
But Japanese companies lack "know-how" when it comes to things like negotiating rights, she told AFP.
So TIFFCOM has organized Tokyo Story Market, a space to facilitate networking and meetings between international producers and Japanese publishers.
'Whitewashing'
Foreign studios are also getting better at avoiding some of the pitfalls of the past, such as the 2017 film version of the manga "Ghost in the Shell" starring Scarlett Johansson.
Critics accused the movie, whose main actors except Takeshi Kitano were all non-Japanese, of "whitewashing".
Similarly, the 2017 supernatural thriller "Death Note" was panned for veering too far from the original manga.
"Manga authors are highly respected and fan communities are very vigilant," said Klaus Zimmermann, producer of "Drops of God".
His adaptation takes some liberties, such as starring a French actor as one of the main characters, but Zimmermann insists it was developed in collaboration with the authors of the original manga.
"It was about finding the spirit of the manga so as not to distort it," he told AFP.
Yuki Takamatsu, a rights negotiator at the manga's publishing house Kodansha, said the process of adapting "Drops of God" was "amazing".
"Everyone was open to tackling those challenges together... At every step, everyone was understanding about how we should do it," he said.
Past failures were in part down to publishers struggling to communicate their wishes to foreign producers, who in turn lacked a proper understanding of manga and anime, Takamatsu said.
"Back just 15, 20 years ago, most of the enquiries we received from those big studios were like, hey, I know 'Dragon Ball', do you have 'Dragon Ball' IP?" Takamatsu told AFP.
"But nowadays, especially since Covid, the producers in their 30s, 40s, they watch anime together with their kids on Netflix or Amazon" and then reach out, he said.
Japanese TV goes global
Japanese broadcasters have also become "better and better (at) presenting and marketing their content" abroad, said Makito Sugiyama, executive director at the Broadcast Program Export Association of Japan (BEAJ).
This includes their participation at global events such as MIPCOM in Cannes, an annual trade show for the television industry, Sugiyama said.
Japanese broadcasters have long had success selling show concepts abroad, like the one for "America's Funniest Home Videos", known in Britain as "You've Been Framed".
Now, some Japanese dramas are also finding a wider echo abroad.
Nippon TV's original drama "Mother" became a hit thanks in part to its Turkish remake, and has been broadcast in around 50 countries.
Western viewers have overcome their initial reluctance to watch series with Asian actors, believes Masaru Akiyama, chief executive of the BEAJ.
"They have got used to it, they don't care anymore. They want to see, they want to feel the stories."
"Shogun" was "a game changer for Japan," he added, and Ikeda agrees.
"That a samurai story with such attention to historical detail can become mainstream entertainment is proof of the potential" of Japanese content, she said.